Author removed ss: Thomas Rowlandson, 1756–1827, British - YCBA Collections Search Search Results

201. Monks Carousing outside a Monastery

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen and brown, black and gray ink over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/8 x 8 7/8 inches (15.6 x 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

202. A Woodcutter's Picnic

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Pen and vermillion ink and watercolor over graphite on medium, slightly textured, cream wove paper
Dimensions:: Mount: 10 13/16 x 15 1/16 inches (27.5 x 38.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

203. A High Waterfall

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen and brown, gray and black ink over graphite; verso: watercolor splotches on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 8 9/16 x 12 5/16 inches (21.7 x 31.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

204. A Military Escapade

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1794 and 1800
Materials & Techniques:: Watercolor with pen and black and gray ink over graphite; verso: watercolor splotches on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/4 x 10 13/16 inches (38.7 x 27.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

205. Review of Light Horse Volunteers on Wimbledon Common

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1798
Materials & Techniques:: Watercolor with pen and gray ink over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 13/16 x 16 5/16 inches (24.9 x 41.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

206. Feeding the Ducklings

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen and brown ink over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 x 11 1/2 inches (22.9 x 29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

207. Three Full-Length Figures of Men Talking

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1815
Materials & Techniques:: Pen and red-brown ink on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 9 1/4 x 7 3/8 inches (23.5 x 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

208. Dudley Castle

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen and black and gray ink and wash over graphite; verso: graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 13/16 x 16 13/16 inches (14.8 x 42.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

209. Heads: Fancynina

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1800
Materials & Techniques:: Etching, colored
Dimensions:: Sheet: 10 1/2 x 5 1/2in. (26.7 x 14cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

210. Heads: Allegora

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1800
Materials & Techniques:: Etching, colored
Dimensions:: Sheet: 10 1/2 x 5 1/2in. (26.7 x 14cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

211. Heads: Epicurum

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1800
Materials & Techniques:: Etching, colored
Dimensions:: Sheet: 10 1/2 x 5 1/2in. (26.7 x 14cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

212. Heads: Publicorum

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1800
Materials & Techniques:: Etching, colored
Dimensions:: Sheet: 10 1/2 x 5 1/2in. (26.7 x 14cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

213. Heads: Barberorum

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1800
Materials & Techniques:: Etching, colored
Dimensions:: Sheet: 10 1/2 x 5 1/2in. (26.7 x 14cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

214. Heads: Virginia

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1800
Materials & Techniques:: Etching, colored
Dimensions:: Sheet: 10 1/2 x 5 1/2in. (26.7 x 14cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

215. Heads: Hazardorum

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1800
Materials & Techniques:: Etching, colored
Dimensions:: Sheet: 10 1/2 x 5 1/2in. (26.7 x 14cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

216. Heads: Flora

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1800
Materials & Techniques:: Colored etching
Dimensions:: Sheet: 10 1/2 x 5 1/2in. (26.7 x 14cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

217. Heads: Billingsgatina

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1800
Materials & Techniques:: Colored etching
Dimensions:: Sheet: 10 1/2 x 5 1/2in. (26.7 x 14cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

218. Heads: Penserosa

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1800
Materials & Techniques:: Etching, colored
Dimensions:: Sheet: 10 1/2 x 5 1/2in. (26.7 x 14cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

219. Heads: Physicorum

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1800
Materials & Techniques:: Etching, colored
Dimensions:: Sheet: 10 1/2 x 5 1/2in. (26.7 x 14cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

220. A Village Scene with Peasants Resting

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen and red and black ink over graphite on medium, smooth, beige wove paper
Dimensions:: Sheet: 8 9/16 x 11 3/4 inches (21.7 x 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

221. The Gourmand

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor, pen and gray ink, and graphite on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 9 1/2 x 7 3/8 inches (24.1 x 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

222. Distress

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1790 to 1795
Materials & Techniques:: Watercolor with pen and brown and red ink over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 3/16 x 17 1/16 inches (31 x 43.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

223. A Lady in a White Dress, wearing a Blue Hat

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with gray wash over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 7/16 x 9 9/16 inches (34.1 x 24.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

224. The Recruiting Sargeant

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1790
Materials & Techniques:: Watercolor with pen and black ink over graphite on medium, slightly textured, laid paper, mounted on moderately thick, slightly textured, laid paper
Dimensions:: Sheet: 12 x 8 1/4 inches (30.5 x 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

225. Customs House at Boulogne

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1790s
Materials & Techniques:: Watercolor with pen and gray and black ink over graphite; verso: graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 8 x 11 9/16 inches (20.3 x 29.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

226. Fox-hunting [a pair]: 2. Four O'Clock in Town

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1788
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 11 1/4 x 14 1/2in. (28.6 x 36.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

227. Fox-hunting [set of four]: 3. Fox Chase / Scene near maidenhead thicket

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1801
Materials & Techniques:: Aquatint, hand-colored including borders
Dimensions:: Sheet: 14 3/4 x 19 5/8in. (37.5 x 49.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

228. Racing [set of six]: 3.Mounting

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1799
Materials & Techniques:: Hand colored etching
Dimensions:: Sheet: 10 1/4 x 13 1/4in. (26 x 33.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

229. Racing [set of six]: 2. Weighing

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1799
Materials & Techniques:: Hand colored etching
Dimensions:: Sheet: 10 1/4 x 13 1/4in. (26 x 33.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

230. Racing [set of six]: 4. Between Heats

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1799
Materials & Techniques:: Hand colored etching
Dimensions:: Sheet: 10 1/4 x 13 1/4in. (26 x 33.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

231. Set of eight with title-page. 'Foreign and Domestick Animals.' 2. The Lion

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1787
Materials & Techniques:: Hand colored etching
Dimensions:: Sheet: 6 1/4 x 10 1/4in. (15.9 x 26cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

232. Set of eight with title-page. 'Foreign and Domestick Animals.' 3. The Lioness

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1787
Materials & Techniques:: Hand colored etching
Dimensions:: Sheet: 6 1/4 x 10 1/4in. (15.9 x 26cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

233. Racing [set of six]: 5. Running out of the Course

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1799
Materials & Techniques:: Hand colored etching
Dimensions:: Sheet: 10 1/4 x 13 1/4in. (26 x 33.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

234. The Famous Black Coal Heaver, Black Charley, Looking into the mouth of the wonderful Coal Pit

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1805
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

235. The Famous Black Coal Heaver, Black Charley, Looking into the mouth of the wondeful Coal Pit

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1805
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

236. Melpomene in the Dumps; of, Child's Play Defended by Theatrical Monarchs

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1804
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

237. Secret Influence directing the new Parliament

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1784
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

238. Melpomene in the Dumps; or, Child's Play Defended by Theatrical Monarchs

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1804
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

239. The Fall of Dagon - or Rare News for Leadenhall Street

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1784
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

240. Racing [set of six]: 6. Betting

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1799
Materials & Techniques:: Hand colored etching
Dimensions:: Sheet: 10 1/4 x 13 1/4in. (26 x 33.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

241. Set of eight with title-page. 'Foreign and Domestick Animals.' 5. The Wolf

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1787
Materials & Techniques:: Hand colored etching
Dimensions:: Sheet: 6 1/4 x 10 1/4in. (15.9 x 26cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

242. Set of eight with title-page. 'Foreign and Domestick Animals.' 7. The Persian Lynx

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1787
Materials & Techniques:: Hand colored etching
Dimensions:: Sheet: 6 1/4 x 10 1/4in. (15.9 x 26cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

243. Vauxhall

Creator:: Thomas Rowlandson, 1756–1827
Materials & Techniques:: Colored engraving
Dimensions:: Sheet: 15 x 20in. (38.1 x 50.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Herman W. Liebert

244. The Departure

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1805
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

245. The Westminster Watchman

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1784
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

246. A Review in a Market Place

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1790
Materials & Techniques:: Watercolor with pen and gray and black ink on moderately thick, moderately textured, cream wove paper
Dimensions:: Mount: 13 1/2 x 19 5/8 inches (34.3 x 49.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

247. The Duchess of Devonshire and the Countess of Bessborough

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1790
Materials & Techniques:: Watercolor with pen and black and gray ink over graphite on cream laid paper
Dimensions:: Sheet: 19 11/16 x 16 3/4 inches (50 x 42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

248. Horses and a Cart at a Sandpit

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1785 and 1790
Materials & Techniques:: Watercolor with pen and gray and black ink on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 10 15/16 x 13 7/16 inches (27.8 x 34.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

249. Bradwell Lodge, Bradwell Quay, Essex

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen and black and gray ink, over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 13/16 x 22 5/8 inches (35.1 x 57.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

250. Bodmin Moor

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1825
Materials & Techniques:: Watercolor with pen and brown ink over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 11 3/16 x 16 15/16 inches (28.4 x 43 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

251. 'Slender Billy' Taking Refreshment

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen and red-brown and gray ink over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 10 3/4 x 8 9/16 inches (27.3 x 21.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

252. Horsemen Colliding

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1785 and 1790
Materials & Techniques:: Pen and brown, black, and gray ink with gray wash on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 11 3/4 x 18 13/16 inches (29.8 x 47.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

253. Mr. Drummond's Cottage, East Cowes, Isle of Wight

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1797 and 1800
Materials & Techniques:: Watercolor with pen and gray and red-brown ink over graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 5 3/8 x 18 5/16 inches (13.7 x 46.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

254. The Dying Sailor

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen and black and gray ink over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 13/16 x 12 13/16 inches (27.5 x 32.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

255. A Gibbet

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen and brown and gray ink over graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 14 3/16 x 10 13/16 inches (36 x 27.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

256. View of the Market Place at Juliers in Westphalia

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1791
Materials & Techniques:: Watercolor with pen and brown, black, and gray ink over graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 12 7/16 x 21 1/16 inches (31.6 x 53.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

257. George Moser

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1815
Materials & Techniques:: Pen and red-brown ink over graphite on medium, smooth, beige wove paper
Dimensions:: Sheet: 5 3/4 x 5 1/2 inches (14.6 x 14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

258. Bodmin Cornwall: French Prisoners on Parole

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1795
Materials & Techniques:: Watercolor with pen and gray and black ink over graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 9 3/8 x 15 1/8 inches (23.8 x 38.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

259. The Ivory Coast, West Africa

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1810 and 1815
Materials & Techniques:: Watercolor, pen and brown ink, pen and gray ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 3/4 x 21 9/16 inches (37.5 x 54.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

260. The Maniac

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1787
Materials & Techniques:: Watercolor, graphite, and pen and black ink on medium, moderately textured, cream laid paper
Dimensions:: Mount: 7 13/16 x 8 13/16 inches (19.8 x 22.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

261. New Shoes

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen and brown and gray ink over graphite on medium, smooth, wove paper
Dimensions:: Mount: 6 11/16 x 8 1/2 inches (17 x 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

262. Taunting with Smoke from a Pipe

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1823
Materials & Techniques:: Watercolor with pen and red, brown, and gray ink over graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 8 3/4 x 10 3/8 inches (22.2 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

263. A Maiden Aunt Smelling Fire

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1804
Materials & Techniques:: Watercolor and graphite with pen and red-brown and pen and gray ink on medium, slightly textured, beige wove paper
Dimensions:: Mount: 14 5/16 x 11 1/2 inches (36.4 x 29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

264. A Village Scene with Girls Spinning

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Pen in gray and black ink with gray wash over graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 13 3/8 x 18 7/8 inches (34 x 47.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

265. The Hall, Blue Coat School

Creator:: J. Hill, active 19th century
Date:: 1808
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 9 1/8 x 10 7/8in. (23.2 x 27.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

266. A Bird's Eye View of Covent Garden Market

Creator:: John Bluck, active 1791–1831
Date:: 1811
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 16 7/8 x 21in. (42.9 x 53.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

267. St. Paul's Cathedral

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1809
Materials & Techniques:: Aquatint
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

268. Quakers Meeting

Creator:: Joseph Constantine Stadler, active 1780–1812
Date:: 1809
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

269. Vauxhall Garden

Creator:: John Bluck, active 1791–1831
Date:: 1809
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

270. Corn Exchange

Creator:: John Bluck, active 1791–1831
Date:: 1808
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

271. Newgate Chapel

Creator:: Joseph Constantine Stadler, active 1780–1812
Date:: 1809
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

272. A Stage Coach Outside of the Entrance of an Inn

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Brown wash, gray wash, pen and black ink, brown ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 7/8 x 10 1/16 inches (14.9 x 25.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

273. Greenwich

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1795 to 1800
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 3/16 x 18 5/16 inches (28.4 x 46.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

274. The Gardener's Offering

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1803 and 1805
Materials & Techniques:: Watercolor, pen and brown ink, gray ink, and graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 10 7/8 x 14 15/16 inches (27.6 x 37.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

275. A Ball at Scarborough

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1820
Materials & Techniques:: Watercolor, pen and red ink, brown ink, black ink, gray ink, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 11/16 x 9 3/8 inches (14.4 x 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

276. Viewing at the Royal Academy

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1815
Materials & Techniques:: Watercolor with pen and gray and brown ink over graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 5 3/4 x 9 1/2 inches (14.6 x 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

277. Comforts of Bath: The Bath

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1798
Materials & Techniques:: Watercolor, pen and gray ink, black ink, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 4 5/16 x 7 1/8 inches (11 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

278. Fox-Hunting [set of six]: 1. Going Out in the Morning

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1787
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 15 3/4 x 20 1/8in. (40 x 51.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

279. Leaden Hall Market

Creator:: Joseph Constantine Stadler, active 1780–1812
Date:: 1809
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

280. Cut Two and Right Protect

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1798
Materials & Techniques:: Aquatint
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

281. Stag at Bay - Scene near Taplow, Berks.

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1795 and 1801
Materials & Techniques:: Watercolor with pen and red, black, gray and brown ink on thick, moderately textured, beige wove paper
Dimensions:: Sheet: 16 5/16 x 20 5/8 inches (41.4 x 52.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

282. The Word Eater

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1786
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 x 12 7/8in. (20.3 x 32.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

283. Blue and Buf Loyalty

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1788
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 7 1/4 x 12 7/8in. (18.4 x 32.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

284. Suitable Restrictions

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1789
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 1/4 x 12 3/4in. (21 x 32.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

285. Col. Topham Endeavouring with his Squirt to Extinguish the Genius of Holman

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1785
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 1/2 x 12 7/8in. (21.6 x 32.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

286. A New Speaker - The Wedding Night

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1789
Materials & Techniques:: Etching
Dimensions:: Sheet: 13 1/8 x 9 1/4in. (33.3 x 23.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

287. Box-Lobby Hero, The Branded Bully, or the Ass Stripp'd of the Lion's Skin

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1786
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 9 1/2 x 13in. (24.1 x 33cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

288. The Minister Casting Up His Accounts

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1789
Materials & Techniques:: Etching
Dimensions:: Sheet: 13 x 9in. (33 x 22.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

289. Britannia's Support or the Conspirators Defeated - The Hospital for Lunatics

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1789
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 13 x 9in. (33 x 22.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

290. Britannia's Support or the Conspirators Defeated - The Hospital for Lunatics

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1789
Materials & Techniques:: Etching
Dimensions:: Sheet: 13 x 9in. (33 x 22.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

291. Procession to the Hustings after a Successful Canvass

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1784
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 3/4 x 13 1/4in. (22.2 x 33.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

292. Britania's Protection, or, Loyalty Triumphant

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1800
Materials & Techniques:: Etching, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

293. Gig-Hauling, or Gentlemanly Amusement for the Nineteenth Century

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1801
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 1/2 x 13 3/16in. (21.6 x 33.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

294. Fraternization in Grand Cairo or the Mad General and his Bonny-Party likely to become Tame Musselmen

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1798
Materials & Techniques:: Etching
Dimensions:: Sheet: 9 3/4 x 12 5/8in. (24.8 x 32.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

295. High Fun for John Bull or the Republicans put to their Last Shift

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1798
Materials & Techniques:: Etching
Dimensions:: Sheet: 10 5/16 x 13 3/4in. (26.2 x 34.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

296. The Parody, - or Mother Cole and Leader

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1784
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 7/8 x 12 7/8in. (22.5 x 32.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

297. Fleet Prison

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1808
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

298. Witches in a Hayloft

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1813?
Materials & Techniques:: Etching, colored
Dimensions:: Sheet: 9 1/4 x 13 inches (23.5 x 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Fry Print Collection

299. A Picture of Misery

Creator:: Thomas Rowlandson, 1756–1827
Materials & Techniques:: Etching, colored
Dimensions:: Sheet: 9 5/8 x 13 3/4 inches (24.4 x 34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Fry Print Collection

300. Miseries Personal

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1807
Materials & Techniques:: Etching, colored
Dimensions:: Sheet: 11 x 14 1/2 inches (27.9 x 36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection,Gift of Mrs. Paul Moore

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201. Monks Carousing outside a Monastery

202. A Woodcutter's Picnic

203. A High Waterfall

204. A Military Escapade

205. Review of Light Horse Volunteers on Wimbledon Common

206. Feeding the Ducklings

207. Three Full-Length Figures of Men Talking

208. Dudley Castle

209. Heads: Fancynina

210. Heads: Allegora

211. Heads: Epicurum

212. Heads: Publicorum

213. Heads: Barberorum

214. Heads: Virginia

215. Heads: Hazardorum

216. Heads: Flora

217. Heads: Billingsgatina

218. Heads: Penserosa

219. Heads: Physicorum

220. A Village Scene with Peasants Resting

221. The Gourmand

222. Distress

223. A Lady in a White Dress, wearing a Blue Hat

224. The Recruiting Sargeant

225. Customs House at Boulogne

226. Fox-hunting [a pair]: 2. Four O'Clock in Town

227. Fox-hunting [set of four]: 3. Fox Chase / Scene near maidenhead thicket

228. Racing [set of six]: 3.Mounting

229. Racing [set of six]: 2. Weighing

230. Racing [set of six]: 4. Between Heats

231. Set of eight with title-page. 'Foreign and Domestick Animals.' 2. The Lion

232. Set of eight with title-page. 'Foreign and Domestick Animals.' 3. The Lioness

233. Racing [set of six]: 5. Running out of the Course

234. The Famous Black Coal Heaver, Black Charley, Looking into the mouth of the wonderful Coal Pit

235. The Famous Black Coal Heaver, Black Charley, Looking into the mouth of the wondeful Coal Pit

236. Melpomene in the Dumps; of, Child's Play Defended by Theatrical Monarchs

237. Secret Influence directing the new Parliament

238. Melpomene in the Dumps; or, Child's Play Defended by Theatrical Monarchs

239. The Fall of Dagon - or Rare News for Leadenhall Street

240. Racing [set of six]: 6. Betting

241. Set of eight with title-page. 'Foreign and Domestick Animals.' 5. The Wolf

242. Set of eight with title-page. 'Foreign and Domestick Animals.' 7. The Persian Lynx

243. Vauxhall

244. The Departure

245. The Westminster Watchman

246. A Review in a Market Place

247. The Duchess of Devonshire and the Countess of Bessborough

248. Horses and a Cart at a Sandpit

249. Bradwell Lodge, Bradwell Quay, Essex

250. Bodmin Moor

251. 'Slender Billy' Taking Refreshment

252. Horsemen Colliding

253. Mr. Drummond's Cottage, East Cowes, Isle of Wight

254. The Dying Sailor

255. A Gibbet

256. View of the Market Place at Juliers in Westphalia

257. George Moser

258. Bodmin Cornwall: French Prisoners on Parole

259. The Ivory Coast, West Africa

260. The Maniac

261. New Shoes

262. Taunting with Smoke from a Pipe

263. A Maiden Aunt Smelling Fire

264. A Village Scene with Girls Spinning

265. The Hall, Blue Coat School

266. A Bird's Eye View of Covent Garden Market

267. St. Paul's Cathedral

268. Quakers Meeting

269. Vauxhall Garden

270. Corn Exchange

271. Newgate Chapel

272. A Stage Coach Outside of the Entrance of an Inn

273. Greenwich

274. The Gardener's Offering

275. A Ball at Scarborough