King Richard the Second, Act V, Scene II (The Entrance of King Richard & Bolingbroke into London)
1801
7
Print made by Richard Ansdell, 1815–1885
Sleepest or Wakest Thou?
ca. 1853
8
Print made by William Miller, 1796–1882
The Dead Eagle - Oran (Vignette)
1837
9
Print made by John Horsburgh, 1791–1869
Bemerside Tower (Vignette)
1834
10
Francesco Bartolozzi, 1728–1815
Concert Ticket For The Benefit of Madame Banti
1795
11
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire
1745
12
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to
1745
13
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
The Marriage Ceremony performed in Mr. B.'s own Chappel by Mr. Williams, Mr. Peters giving her away, Mrs. Jewkes waits behind Pamela and the Maid keeps the door
1745
14
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower
1745
15
Print made by John Horsburgh, 1791–1869
Bermerside
1834
16
John Horsburgh, 1791–1869
Bermerside
1834
17
John Horsburgh, 1791–1869
Bermerside
1834
18
Francesco Bartolozzi, 1728–1815
Ticket for the Benefit of Madame Banti
1797
19
Francesco Bartolozzi, 1728–1815
Ticket: For The Benefit Of Mad' Banti
1795
20
Francesco Bartolozzi, 1728–1815
Concert Ticket: Benefit Night of Luigi Borghi
1780
21
Francesco Bartolozzi, 1728–1815
Ticket for the Benefit of Madame Banti
1797
22
Print made by Daniel Allen, active 1830s
A Rural Entertainment
1830
23
Print made by John Henry Robinson, 1796–1871
The Tarentella
1830
24
Print made by John Henry Robinson, 1796–1871
Children on the Sea Shore
1830
25
Print made by William Miller, 1796–1882
The Dead Eagle - Oran
1837
26
Print made by John Horsburgh, 1791–1869
Bermerside
1834
27
Print made by John Horsburgh, 1791–1869
Bemerside Tower
1834
28
Print made by William Finden, 1787–1852
Jorasse
1830
29
Print made by William Finden, 1787–1852
Travelling Musicians
1830
30
Print made by William Faithorne the Younger, ca. 1669–1703
Sylvio and Dorinda
between 1752 and 1768
31
Print made by William Faithorne the Younger, ca. 1669–1703
Sylvio and Dorinda
between 1680 and 1703
32
Print made by Henry Thomas Alken, 1785–1851
The Lover
1824
33
Print made by Henry Thomas Alken, 1785–1851
The School-Boy
1824
34
Print made by Henry Thomas Alken, 1785–1851
The Infant
1824
35
Print made by Henry Thomas Alken, 1785–1851
The Justice
1824
36
Print made by Benjamin Fawcett, 1808–1893
Scene Illustration: Milton's 'L'Allegro'
between 1860 and 1885
37
Francesco Bartolozzi, 1728–1815
Title page: L'Amico' de Fanciulli, Vol. III
1788
38
Francesco Bartolozzi, 1728–1815
Illustration From Bell's Edition of The Poets of Great Britain
ca. 1785
39
Francesco Bartolozzi, 1728–1815
Illustration from Bell's Edition of the Poets of Great Britain, Volume LXXIII, Mallet
1785
40
Print made by Nathaniel Hone, 1718–1784
Monachum Non Facit Cucullus - The Cowl Does Not Make the Monk
1772
41
Print made by Francesco Bartolozzi, 1728–1815
The Cottagers
1794
42
Francesco Bartolozzi, 1728–1815
February
1793
43
Francesco Bartolozzi, 1728–1815
August
1793
44
Francesco Bartolozzi, 1728–1815
October
1793
45
Francesco Bartolozzi, 1728–1815
Poetry And History, Presenting Painting, With Subjects For Her Pencil