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Credit Line Yale Center for British Art, Paul Mellon Collection

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James Smetham Imogen and the Shepherds, 'Cymbeline,' Act IV, scene II
James Smetham, 1821–1889
Imogen and the Shepherds, 'Cymbeline,' Act IV, scene II
ca. 1874
Not on view
Adrien Carpentiers Louis-Francois Roubiliac Modelling His Monument to Shakespeare
Adrien Carpentiers, active 1739–1778
Louis-Francois Roubiliac Modelling His Monument to Shakespeare
between 1760 and 1761
Not on view
William Mulready Mr. Peregrine Touchwood Breaking in upon the Rev. Josiah Cargill
William Mulready, 1786–1863
Mr. Peregrine Touchwood Breaking in upon the Rev. Josiah Cargill
1831
Not on view
Samuel Palmer The Sleeping Shepherd
Print made by Samuel Palmer, 1805–1881
The Sleeping Shepherd
1857
Samuel Palmer Opening the Fold
Print made by Samuel Palmer, 1805–1881
Opening the Fold
1880
William Blake The Poems of Thomas Gray, Design 41, "The Progress of Poesy."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 41, "The Progress of Poesy."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 113, "Elegy Written in a Country Church-Yard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 113, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 115, "Elegy Written in a Country Church-Yard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 115, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 21, "Ode on a Distant Prospect of Eton College."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 21, "Ode on a Distant Prospect of Eton College."
between 1797 and 1798
William Blake For the Sexes: The Gates of Paradise, Plate 16, "The Traveller hasteth in the Evening"
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 16, "The Traveller hasteth in the Evening"
1826
William Blake The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 17, "Ode on a Distant Prospect of Eton College."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 17, "Ode on a Distant Prospect of Eton College."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 27, "A Long Story."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 27, "A Long Story."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 91, "The Triumphs of Owen."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 91, "The Triumphs of Owen."
between 1797 and 1798
William Blake There Is No Natural Religion, Plate 6, "IV None could have . . . ." (Bentley a7)
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 6, "IV None could have . . . ." (Bentley a7)
ca. 1788
William Blake Songs of Innocence, Plate 20, "The Little Boy Lost" (Bentley 13)
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 20, "The Little Boy Lost" (Bentley 13)
1789
William Blake For the Sexes: The Gates of Paradise, Plate 9, "Alas!"
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 9, "Alas!"
1826
William Blake Jerusalem, Plate 1, Frontispiece
Print made by William Blake, 1757–1827
Jerusalem, Plate 1, Frontispiece
1804 to 1820
Richard Parkes Bonington Studies for Shylock
Richard Parkes Bonington, 1802–1828
Studies for Shylock
1825
Hugh Downman Mr. Edwin and Mrs. Wells in the Characters of Lingo and Cowslip
Print made by Hugh Downman, d. 1789
Mr. Edwin and Mrs. Wells in the Characters of Lingo and Cowslip
ca. 1787
Robert Smirke Prospero and Ariel
Robert Smirke, 1752–1845
Prospero and Ariel
1821
Robert Smirke Falstaff Dragging the Body of Hotspur
Robert Smirke, 1752–1845
Falstaff Dragging the Body of Hotspur
1825
Robert Smirke Falstaff Instructing Bardolph
Robert Smirke, 1752–1845
Falstaff Instructing Bardolph
1825
Francesco Bartolozzi Lovelace in Prison
Print made by Francesco Bartolozzi, 1728–1815
Lovelace in Prison
1788
Theodor von Holst Ferdinand Riding the Waves
Theodor von Holst, 1810–1844
Ferdinand Riding the Waves
ca. 1830
Robert Thew As You Like It: Act II, Scene VII: The Seven Ages Man (Third Age)
Robert Thew, 1758–1802
As You Like It: Act II, Scene VII: The Seven Ages Man (Third Age)
1803
Francesco Bartolozzi Twelfth Night, Act V, Scene I: The Street
Print made by Francesco Bartolozzi, 1728–1815
Twelfth Night, Act V, Scene I: The Street
1803
Robert Smirke Feste, as Sir Topas, addressing Malvolio
Robert Smirke, 1752–1845
Feste, as Sir Topas, addressing Malvolio
1822
Robert Smirke Ford in a Rage After Seeing Falstaff
Robert Smirke, 1752–1845
Ford in a Rage After Seeing Falstaff
1821
Henry William Bunbury The Damnation of Obadiah
Print made by Henry William Bunbury, 1750–1811
The Damnation of Obadiah
between 1773 and 1817
Richard Ansdell Sleepest or Wakest Thou?
Print made by Richard Ansdell, 1815–1885
Sleepest or Wakest Thou?
ca. 1853
Richard Earlom Thomas King and Sophia Baddely in "The Clandestine Marriage"
Richard Earlom, 1743–1822
Thomas King and Sophia Baddely in "The Clandestine Marriage"
1772
Francesco Bartolozzi Alphonso and Aciloe
Print made by Francesco Bartolozzi, 1728–1815
Alphonso and Aciloe
1788
Francesco Bartolozzi Gualtherus and Griselda
Print made by Francesco Bartolozzi, 1728–1815
Gualtherus and Griselda
1784
Robert Smirke Falstaff with Mistress Quickly and Bardolph
Robert Smirke, 1752–1845
Falstaff with Mistress Quickly and Bardolph
1825
John Downman John Edwin and Mrs. Mary Wells as Lingo and Cowslip in "The Agreeable Surprise"
John Downman, 1750–1824
John Edwin and Mrs. Mary Wells as Lingo and Cowslip in "The Agreeable Surprise"
1787
Samuel Palmer Opening the Fold
Print made by Samuel Palmer, 1805–1881
Opening the Fold
plate etched in 1880; impression printed in 1926
Samuel Palmer Opening the Fold
Print made by Samuel Palmer, 1805–1881
Opening the Fold
plate etched in 1880; impression printed in 1920