The Life, and Posthumous Writings, of William Cowper (volume 3)
1803-1804
5
William Blake, 1757–1827
Joseph and Potiphar's Wife
1803 to 1805
6
Paul Sandby, 1731–1809
Landscape with a Castle
ca. 1808
Not on view
7
Jacques-Laurent Agasse, 1767–1849
Zebra
1803
Not on view
8
Benjamin Marshall, 1768–1835
Muly Moloch
1803
Not on view
9
Maria Spilsbury, 1777–1820
A Sunday School
1803
Not on view
10
George Morland, 1763–1804
Fisherman and Dog Sitting by the Coast
1803
11
unknown artist
Bambridge on Trial for Murder by a Committee of the House of Commons
1803
12
Print made by William Byrne, 1743–1805
Wickham from the Marlow Road
1803
13
William Collins, 1788–1847
Dartmouth
undated
14
Barber, J. T
A tour throughout South Wales and Monmouthshire
1803
15
William Green, 1760–1823
View of Lakes Buttermere and Crummock Water
1803
16
John Samuel Hayward, 1778–1822
Liverpool: The Windmill on the Edge of the Quarry
1803
17
George Jones, 1786–1869
Fire on the Thames
ca. 1808
18
Sir George Howland Beaumont seventh Baronet, 1753–1827
Romantic Landscape
1803
19
Cornelius Varley, 1781–1873
Mountain Panorama in Wales, Cader Idris
1803
20
Frederick Mackenzie, 1788–1854
The West Door, Rochester Cathedral, Kent
undated
21
Frederick Mackenzie, 1788–1854
Charts Edge, Kent
undated
22
Francis Nicholson, 1753–1844
Scarborough: Shipwreck at the Foot of the Castle Cliff
ca. 1808
23
Amos Green, 1735–1807
Views in England, Scotland and Wales: Ruins of Dunbar Castle, HG/Tour in Scotland
1803
24
Amos Green, 1735–1807
Trossacs
1803
25
Amos Green, 1735–1807
Views in England, Scotland, and Wales: Tour in Scotland; View at Sterling
1803
26
Amos Green, 1735–1807
Views in England, Scotland, and Wales: Tour in Scotland; Loch Katterine
1803
27
Amos Green, 1735–1807
Views in England, Scotland, and Wales: Tour in Scotland; The Trossacs, with Benvenue
1803
28
Amos Green, 1735–1807
Views in England, Scotland, and Wales: Tour in Scotland; Loch van-a-char, with the moutain called Benvenue
1803
29
Amos Green, 1735–1807
Views in England, Scotland, and Wales: Tour in Scotland; The Trossacs
1803
30
Amos Green, 1735–1807
Views in England, Scotland, and Wales: Tour in Scotland; Loch Katterine
1803
31
Amos Green, 1735–1807
Views in England, Scotland and Wales: Tour in Scotland; Glen Lochy
1803
32
Amos Green, 1735–1807
Views in England, Scotland and Wales: Tour in Scotland; The Fall of Moness
1803
33
Amos Green, 1735–1807
Loch Katterine
1803
34
Amos Green, 1735–1807
Views in England, Scotland and Wales: Tour in Scotland; Junction of the Lochy and the Dochart near Killin
1803
35
Amos Green, 1735–1807
Views in England, Scotland and Wales: Tour in Scotland; Scene above the Corie Lin
1803
36
Amos Green, 1735–1807
Views in England, Scotland and Wales: Tour in Scotland; Scenery in the Vicinity of Keswick
1803
37
Amos Green, 1735–1807
Views in England, Scotland and Wales; Tour in Scotland: Near Derwent Water
1803
38
Amos Green, 1735–1807
Views in England, Scotland and Wales; Tour in Scotland: Mountainous landscape with bridge
1803
39
Benjamin Robert Haydon, 1786–1846
Study of Two Seated Men in Their Traditional Costume
1803
40
Benjamin Robert Haydon, 1786–1846
Study of a Seated Man, Wearing a Pointed Hat
1803
41
unknown artist
Taming of the Shrew, Induc. Sc. II
1803
42
George Morland, 1763–1804
The Last Litter
1803
43
Cornelius Varley, 1781–1873
View in Suffolk
1803
44
George Morland, 1763–1804
The Hard Bargain
1803
45
Francesco Bartolozzi, 1728–1815
Wynnstay Theatre Ticket
1803
46
Edward Hawke Locker, 1777–1849
Reading Abbey Gateway
1803
47
George Johann Scharf, 1788–1860
St. Paul's, Deptford
undated
48
Thomas Girtin, 1775–1802
The Watermill Above the Bridge at Charenton
1803
49
Charles Towne, 1763–1840
Woman with Cattle
1803
50
Print made by William Byrne, 1743–1805
Eton, from the Slough Road
1803
51
Print made by William Say, 1768–1834
Lady Mildmay and Child
1803
52
Print made by Samuel William Reynolds, 1773–1835
Marchioness of Exeter
1803
53
Print made by Samuel William Reynolds, 1773–1835
Her Grace the Duchess of Bedford
1803
54
Print made by John Young, 1755–1825
George Canning
1803
55
Print made by James Ward, 1769–1859
Mrs. Billington as St. Cecilia
1803
56
Anker Smith, 1759–1819
Love's Labour Lost, Act IV, Sc. 3
1803
57
Charles Warren, 1767–1823
Much Ado... Act IV, Sc. 1
1803
58
Robert Bremmel Schnebbelie, active 1803–1849
Westminster, during Queen Caroline's Trial
undated
59
Amos Green, 1735–1807
Views in England, Scotland and Wales; Tour in Scotland: Mountainous landscape with goats
1803
60
Amos Green, 1735–1807
Views in England, Scotland and Wales; Tour in Scotland: Vale of Newlands, AG
1803
61
Amos Green, 1735–1807
Views in England, Scotland and Wales: Waterfall, Views in 1799
1803
62
Amos Green, 1735–1807
Views in England, Scotland and Wales: The North Homes near Ilkley
1803
63
George Cruikshank, 1792–1878
Devoted Wife
undated
64
Amos Green, 1735–1807
Views in England, Scotland and Wales: Casterton Hall near Shirkby Lonsdale
1803
65
Amos Green, 1735–1807
Views in England, Scotland and Wales: Colwith Force
1803
66
Amos Green, 1735–1807
Views in England, Scotland and Wales: Conway Castle
1803
67
Amos Green, 1735–1807
Views in England, Scotland and Wales: Furness Abbey
1803
68
Amos Green, 1735–1807
Views in England, Scotland and Wales: Capel Cerrig and Snowdon
1803
69
Amos Green, 1735–1807
Views in England, Scotland and Wales: Between Llanrwst and Capel Cerrig, The Mountain is Moel Shiabod, The River is Lligwy
1803
70
Amos Green, 1735–1807
Views in England, Scotland and Wales: Conway Castle
1803
71
Amos Green, 1735–1807
Views in England, Scotland and Wales: Snowdon, from Capel Cerrig
1803
72
Amos Green, 1735–1807
Views in England, Scotland and Wales: Near Tan-y-bwlch
1803
73
Amos Green, 1735–1807
Views in England, Scotland and Wales: Near Capel Cerrig
1803
74
Amos Green, 1735–1807
Views in England, Scotland and Wales: Upper Park Cascade
1803
75
Robert Thew, 1758–1802
MacBeth, Act I,V Scene I: "A Dark Cave in the Middle a Cauldrom Boiling"
1803
76
Print made by Thomas Trotter, ca. 1750–1803
MacBeth, Act I, Scene III: "A Heath"
1803
77
Peter Simon, 1750–1810
King Henry IV: Part I, Act III, Scene I, The Archdeacon of Bangor's House in Wales. Hotspur, Worcester, Mortimer, & Owen Glendower
1803
78
Robert Thew, 1758–1802
Henry IV, Part I, Act II, Scene IV: " The Boar's Head"
1803
79
William S. Leney, 1769–1831
Henry IV: Part II, Act II, Scene IV. "Doll Tearsheet, Falstaff, Henry & Poins"
1803
80
George Siegmund Facius, 1750–1804
Romeo and Juliet: Act IV, Scene V. "Juliet on her bed."
1803
81
Robert Thew, 1758–1802
Henry V: Act II, Scene ii, Southamptom. The King, Scroop, etc
1803
82
Robert Thew, 1758–1802
Henry IV, Part II: Act IV, The Palace at Westminster
1803
83
Thomas Ryder, 1746–1810
Henry IV, Part II: Act III, Justice Shallon's Seat in Gloucestershire
1803
84
And Johann G. Facius, 1750–after 1802
Antony and Cleopatra, Act III, Scene IX, The Palace in Alexandria . .
1803
85
Thomas Kirk, 1765–1797
Titus Andromicus, Act IV, Scene I, Titus' House
1803
86
Print made by Thomas Ryder, 1746–1810
Othello, Act II, Scene I, A Platform -- Desdemona, Othello etc
1803
87
Print made by Francis Legat, 1755–1809
Hamlet, Act IV, Scene v, Elsinore --King, Queen, Laertes, Ophelia, etc
1803
88
William Ridley, 1764–1838
William Cowper
1803
89
George Moutard Woodward, ca. 1760–1809
Coffee-House Characters, or Hints to the Readers of Newspapers Exemplified in Eight Characteristic Designs with Letter Press Elucidations to Each Plate
ca. 1808
90
Richard Banks Harraden, 1778–1862
The Waterworks at Marli; and St. German en Laye seen in the distance
1803
91
Samuel Middiman, ca. 1750–1831
As You Like It: Act II, Scene I: Forest of Arden
1803
92
Print made by John Sell Cotman, 1782–1842
Lakenham, near Norwich
ca. 1808
93
John Landseer, 1769–1852
Twickenham Meadows
1803
94
Print made by Thomas Barker, 1769–1847
Boy Seated
1803
95
Anthony Cardon, 1772–1813
Racing: The Return from Coursing
1803
96
Print made by Thomas Girtin, 1775–1802
View of Pont au Change, The City Theatre, Pont Neuf, Conceiergerie Prison and etc. taken from Pont Notre Dame
1803
97
Print made by Thomas Girtin, 1775–1802
On the Banks of the Marne below the Bridge at Charenton
1803
98
James Girtin, ca. 1780–after 1820
Half Title page for: Views in Paris and its Environs
1803
99
Print made by James Girtin, ca. 1780–after 1820
Dedication Page for: to the Right Honorable George Earl of Essex