Portrait of Charles Frederick Schlaberg, London, 1827
1827
Not on view
6
John Ferneley, 1782–1860
Miss Catherine Herrick with her Nieces and Nephews, the Five Elder Children of the Rev. and Mrs. Henry Palmer
1827
Not on view
7
Richard Redgrave, 1804–1888
Self-Portrait
ca. 1832
Not on view
8
Sir Francis Leggatt Chantrey, 1781–1841
George IV
1827
Not on view
9
John Gibson, 1790–1866
An Unknown Young Woman
late 1820s
Not on view
10
Sir Francis Leggatt Chantrey, 1781–1841
Alexander Knox
late 1820s
Not on view
11
Francis Danby, 1793–1861
Study for "The Golden Age"
1827
12
John Constable, 1776–1837
Sky Study with Rainbow
1827
13
Joseph Mallord William Turner, 1775–1851
Design for an Illustration for Walter Scott's "Lady of the Lake", Loch Achray
ca. 1832
14
Joseph Mallord William Turner, 1775–1851
Carlisle
ca. 1832
15
Edward Lear, 1812–1888
Entrance to the Port of Marseille
undated
16
Edward Lear, 1812–1888
English Country Town
undated
17
Edward Lear, 1812–1888
People on the Road Near Kalicut, Malabar
undated
18
Edward Lear, 1812–1888
Venice, the Doge's Palace
undated
19
Edward Lear, 1812–1888
Illustration to Tennyson's "The Gardener's Daughter:" Mount Lebanon, Syria - `A Cedar spread his dark green layers of shade'
undated
20
Edward Lear, 1812–1888
Illustration to Tennyson's "You Ask Me Why": Areka Palms, Ratanapooru, Ceylon - `I will see before I die The Palms and Temples of the South'
undated
21
William Blake, 1757–1827
Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]
1827
22
William Blake, 1757–1827
Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,'Hell; Canto xxv. line 45.]
1827
23
William Blake, 1757–1827
Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]
1827
24
William Blake, 1757–1827
pl. 1: The Circle of the Lustful [' ...and like a corpse fell to the ground' Hell; Canto v. line 137.]
1827
25
William Blake, 1757–1827
Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm, / And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]
1827
26
William Blake, 1757–1827
Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]
1827
27
William Blake, 1757–1827
Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]
1827
28
Print made by Edward Goodall, 1795–1870
Rievaulx Abbey, Yorkshire
1827-1838
29
Print made by Edward Goodall, 1795–1870
Tivoli, a Composition
1827
30
Augustus Welby Northmore Pugin, 1812–1852
Design for a Gothic Wall Lamp
undated
31
Augustus Welby Northmore Pugin, 1812–1852
Chapel of the Archbishop's Palace, Croydon: View from the East End
1827
32
Augustus Welby Northmore Pugin, 1812–1852
Design for Inkstand for Westminster No. 1, End Elevation
undated
33
Augustus Welby Northmore Pugin, 1812–1852
Design for Gothic Ornamentation
undated
34
Augustus Welby Northmore Pugin, 1812–1852
Design for a Decorative Object
undated
35
Augustus Welby Northmore Pugin, 1812–1852
Design for a Gothic Church Altar and Organ
undated
36
Augustus Welby Northmore Pugin, 1812–1852
Elevation, Plan and Section of a Bell Tower
undated
37
Augustus Welby Northmore Pugin, 1812–1852
Design or a Gothic Screen
undated
38
Print made by Augustus Welby Northmore Pugin, 1812–1852
Designs for Gothic Candle Sticks and Branches
undated
39
Augustus Welby Northmore Pugin, 1812–1852
Design for a Baptismal Font
undated
40
Augustus Welby Northmore Pugin, 1812–1852
Design for Gothic Ornamentation
undated
41
Augustus Welby Northmore Pugin, 1812–1852
Design for a Coat of Arms
undated
42
Augustus Welby Northmore Pugin, 1812–1852
Sketches of Houses and a Floor Plan and Designs for the Speaker's Chair and Panels on the Cloister Door
undated
43
Print made by Augustus Welby Northmore Pugin, 1812–1852