Date: 1835 / Classification: Prints - YCBA Collections Search Search Results

201. Cock Fighting [a pair]: 2. The Trimm'd Cock

Creator:: Charles Turner, 1774–1857
Date:: 1835 (re-issue of 1812)
Materials & Techniques:: Mixed method, hand colored
Dimensions:: Sheet: 18 3/4 x 15 1/2in. (47.6 x 39.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

202. Set of four: A Celebrated Stag Hunt. Plate 2. Turning Out / Ben the Sailor

Creator:: Robert Havell, 1769–1832
Date:: 1835
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 16 1/4 x 26 5/8in. (41.3 x 67.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

203. Set of four: A Celebrated Stag Hunt. Plate 3. The Chase

Creator:: Robert Havell, 1769–1832
Date:: 1835
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 16 1/4 x 26 5/8in. (41.3 x 67.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

204. Set of four: A Celebrated Stag Hunt. Plate 3. Taking Soil

Creator:: Robert Havell, 1769–1832
Date:: 1835
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 16 1/4 x 26 5/8in. (41.3 x 67.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

205. [Set of four] Sporting in the Scottish Isles: No. II. Otter Hunting

Creator:: William Heath, 1795–1840
Date:: 1835
Materials & Techniques:: Hand colored lithograph
Dimensions:: Sheet: 8 7/8 x 12 5/8in. (22.5 x 32.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

206. [Set of four] Sporting in the Scottish Isles: No. IV. Deer Hunting in the Paps of Jura

Creator:: William Heath, 1795–1840
Date:: 1835
Materials & Techniques:: Hand colored lithograph
Dimensions:: Sheet: 8 7/8 x 12 5/8in. (22.5 x 32.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

207. [Set of four] Sporting in the Scottish Isles: No. III. Salmon Fishing

Creator:: William Heath, 1795–1840
Date:: 1835
Materials & Techniques:: Hand colored lithograph
Dimensions:: Sheet: 8 7/8 x 12 5/8in. (22.5 x 32.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

208. Fox Hunting [set of six]: Melton Mowbray No. 4. Taking the Shine out of a New Stultz

Creator:: Printed by Day & Co., 1824–1913
Date:: 1835
Materials & Techniques:: Hand colored lithograph
Dimensions:: Sheet: 9 7/8 x 13 3/8in. (25.1 x 34cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

209. Fox Hunting [set of six]: Melton Mowbray No. 3. Breaking Cover

Creator:: Printed by Day & Co., 1824–1913
Date:: 1835
Materials & Techniques:: Hand colored lithograph
Dimensions:: Sheet: 9 7/8 x 13 3/8in. (25.1 x 34cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

210. Fox Hunting [set of six]: Melton Mowbray No. 2. The Meet

Creator:: Printed by Day & Co., 1824–1913
Date:: 1835
Materials & Techniques:: Hand colored lithograph
Dimensions:: Sheet: 9 7/8 x 13 3/8in. (25.1 x 34cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

211. Fox Hunting [set of six]: Melton Mowbray No. 5. Taking the Gate at the Hinge Post while Snob walks thro'

Creator:: Printed by Day & Co., 1824–1913
Date:: 1835
Materials & Techniques:: Hand colored lithograph
Dimensions:: Sheet: 9 7/8 x 13 3/8in. (25.1 x 34cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

212. Fox Hunting [set of six]: Melton Mowbray No. 6. The Cream of the Thing

Creator:: Printed by Day & Co., 1824–1913
Date:: 1835
Materials & Techniques:: Hand colored lithograph
Dimensions:: Sheet: 9 7/8 x 13 3/8in. (25.1 x 34cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

213. Jerusalem, Pool of Bethesda

Creator:: Print made by Edward Francis Finden, 1791–1857
Date:: 1835-1836
Materials & Techniques:: Line engraving, engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

214. St. Germains

Creator:: Print made by James Baylis Allen, 1803–1876
Date:: 1835
Materials & Techniques:: Line engraving, engraver's proof on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:: Sheet: 8 1/2 × 12 1/8 inches (21.6 × 30.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

215. St. Germains

Creator:: Print made by James Baylis Allen, 1803–1876
Date:: 1835
Materials & Techniques:: Line engraving, engraver's proof, touched on moderately thick, slightly textured, cream wove paper
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

216. Saint Denis

Creator:: Print made by S. Fisher, active 1831–1844
Date:: 1835
Materials & Techniques:: Line engraving, engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

217. Bridge of St. Cloud & Sevres

Creator:: Print made by William Radclyffe, 1780–1855
Date:: 1835
Materials & Techniques:: Etching and engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

218. Saint Denis

Creator:: Print made by S. Fisher, active 1831–1844
Date:: 1835
Materials & Techniques:: Line engraving, engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

219. The Lanterne of St. Cloud

Creator:: Print made by James T. Willmore, 1800–1863
Date:: 1835
Materials & Techniques:: Etching and line engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

220. Bridge over St. Cloud from Sevres

Creator:: Print made by Edward Francis Finden, 1791–1857
Date:: 1835
Materials & Techniques:: Line engraving, engraver's proof, early
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

221. Bridge over St. Cloud from Sevres

Creator:: Print made by Edward Francis Finden, 1791–1857
Date:: 1835
Materials & Techniques:: Line engraving, engraver's proof, early, touched
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

222. Paris from the Barriere de Passy

Creator:: Print made by James T. Willmore, 1800–1863
Date:: 1835
Materials & Techniques:: Etching and line engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

223. Paris from the Barriere de Passy

Creator:: Print made by James T. Willmore, 1800–1863
Date:: 1835
Materials & Techniques:: Line engraving, engraver's proof (early)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

224. Paris from the Barriere de Passy

Creator:: Print made by James T. Willmore, 1800–1863
Date:: 1835
Materials & Techniques:: Line engraving, with scraping out and touched with graphite (Engraver's Proof)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

225. Pont-Neuf, Paris

Creator:: Print made by William Miller, 1796–1882
Date:: 1835
Materials & Techniques:: Line engraving, engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

226. Pont-Neuf, Paris

Creator:: Print made by William Miller, 1796–1882
Date:: 1835
Materials & Techniques:: Line engraving, engraver's proof, (early)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

227. Pont-Neuf, Paris

Creator:: Print made by William Miller, 1796–1882
Date:: 1835
Materials & Techniques:: Line engraving, engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

228. Marche aux Fleurs and Pont-au-Change

Creator:: Print made by William Radclyffe, 1780–1855
Date:: 1835
Materials & Techniques:: Line engraving, engraver's proof, (early)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

229. Hotel de Ville and Pont d'Arcole

Creator:: Print made by Thomas Jeavons, ca. 1800–1867
Date:: 1835
Materials & Techniques:: Line engraving, engraver's proof, touched, (early)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

230. Confluence of the Seine and Marne

Creator:: Print made by James Charles Armytage, 1802–1897
Date:: 1835
Materials & Techniques:: Etching and line engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

231. Marche aux Fleurs and Pont-au-Change

Creator:: Print made by William Radclyffe, 1780–1855
Date:: 1835
Materials & Techniques:: Line engraving, engraver's proof, touched (early)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

232. Confluence of the Seine and Marne

Creator:: Print made by James Charles Armytage, 1802–1897
Date:: 1835
Materials & Techniques:: Line engraving, engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

233. Melun

Creator:: Print made by William Miller, 1796–1882
Date:: 1835
Materials & Techniques:: Line engraving, engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

234. Melun

Creator:: Print made by William Miller, 1796–1882
Date:: 1835
Materials & Techniques:: Line engraving, engraver's proof, touched, (early)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

235. Bridge of Meulan

Creator:: Print made by John Cousen, 1804–1880
Date:: 1835
Materials & Techniques:: Line engraving, early engraver's proof, touched on moderately thick, slightly textured, beige wove paper with cream chine collé
Dimensions:: Sheet: 9 × 13 1/4 inches (22.9 × 33.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

236. HMS Bellerophon, Plymouth Sound

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1835
Materials & Techniques:: Etching and line engraving with graphite and scraping out; touched engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 × 5 3/4 inches (20.3 × 14.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

237. Babylon

Creator:: Print made by John Cousen, 1804–1880
Date:: 1835-1836
Materials & Techniques:: Line engraving, engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

238. The Temptation on the Mountain

Creator:: Print made by John Cousen, 1804–1880
Date:: 1835
Materials & Techniques:: Line engraving, first published state
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

239. Château Gaillard, from the South (Vignette)

Creator:: Print made by John Cousen, 1804–1880
Date:: 1835
Materials & Techniques:: Line engraving on steel
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

240. Santa Sabes and the Brook Kidron

Creator:: Print made by James Baylis Allen, 1803–1876
Date:: 1835-1836
Materials & Techniques:: Line engraving, engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

241. Mount Lebanon and the Convent of St. Antonio

Creator:: Print made by William Finden, 1787–1852
Date:: 1835-1836
Materials & Techniques:: Line engraving, engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

242. Joppa

Creator:: Print made by Edward Francis Finden, 1791–1857
Date:: 1835-1836
Materials & Techniques:: Line engraving, engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

243. Nineveh, Moussul on the Tigris

Creator:: Print made by William Radclyffe, 1780–1855
Date:: 1835-1836
Materials & Techniques:: Line engraving, engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

244. Nineveh, Moussul on the Tigris

Creator:: Print made by William Radclyffe, 1780–1855
Date:: 1835-1836
Materials & Techniques:: Line engraving, engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

245. St. Germains

Creator:: Print made by James Baylis Allen, 1803–1876
Date:: 1835
Materials & Techniques:: Line engraving, engraver's proof on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:: Sheet: 8 5/8 × 11 5/8 inches (21.9 × 29.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

246. St. Germains

Creator:: Print made by James Baylis Allen, 1803–1876
Date:: 1835
Materials & Techniques:: Line engraving, engraver's proof, touched on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 6 3/8 × 11 inches (16.2 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

247. Bridge of St. Cloud & Sevres

Creator:: Print made by William Radclyffe, 1780–1855
Date:: 1835
Materials & Techniques:: Line engraving, engraver's proof (early)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

248. Saint Denis

Creator:: Print made by S. Fisher, active 1831–1844
Date:: 1835
Materials & Techniques:: Line engraving, engraver's proof, touched
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

249. Bridge of Meulan

Creator:: Print made by John Cousen, 1804–1880
Date:: 1835
Materials & Techniques:: Line engraving, with scraping out, touched with graphite (Later Engraver's Proof) on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/2 × 12 inches (21.6 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

250. The Lanterne of St. Cloud

Creator:: Print made by James T. Willmore, 1800–1863
Date:: 1835
Materials & Techniques:: Line engraving, engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

251. Paris from the Barriere de Passy

Creator:: Print made by James T. Willmore, 1800–1863
Date:: 1835
Materials & Techniques:: Line engraving, engraver's proof, touched
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

252. St. Germains

Creator:: Print made by James Baylis Allen, 1803–1876
Date:: 1835
Materials & Techniques:: Line engraving, engraver's proof on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:: Sheet: 8 5/8 × 12 inches (21.9 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

253. Bridge of Meulan

Creator:: Print made by John Cousen, 1804–1880
Date:: 1835
Materials & Techniques:: Line engraving, touched with graphite (Later Engraver's Proof) on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:: Sheet: 7 × 10 inches (17.8 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

254. Malmaison

Creator:: Print made by William Miller, 1796–1882
Date:: 1835
Materials & Techniques:: Etching and line engraving; first published state on moderately thick, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 16 7/8 × 11 1/4 inches (42.9 × 28.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

255. Bridge of Meulan

Creator:: Print made by John Cousen, 1804–1880
Date:: 1835
Materials & Techniques:: Line engraving, engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/4 × 16 3/4 inches (29.8 × 42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

256. Fontainebleau

Creator:: Print made by William Miller, 1796–1882
Date:: 1835
Materials & Techniques:: Etching and line engraving, with graphite and scraping out; touched engraver's proof on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 13 1/4 × 8 1/2 inches (33.7 × 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

257. Dudley, Worcestershire

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1835
Materials & Techniques:: Etching, open etched state
Dimensions:: Sheet: 6 3/8 x 9 3/8in. (16.2 x 23.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

258. Boston, Lincolnshire

Creator:: Print made by Thomas Jeavons, ca. 1800–1867
Date:: 1835
Materials & Techniques:: Line engraving, first published state
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

259. Bridge of Meulan

Creator:: Print made by John Cousen, 1804–1880
Date:: 1835
Materials & Techniques:: Line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 × 10 5/8 inches (17.8 × 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Chauncey Brewster Tinker

260. Paris from the Barriere de Passy

Creator:: Print made by James T. Willmore, 1800–1863
Date:: 1835
Materials & Techniques:: Etching and line engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Chauncey Brewster Tinker

261. Melun

Creator:: Print made by William Miller, 1796–1882
Date:: 1835
Materials & Techniques:: Etching and line engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Chauncey Brewster Tinker

262. Le Retour de Paris, or, the Niece Presented to her Relatives by her French Governess

Creator:: Print made by George Cruikshank, 1792–1878
Date:: 1835
Materials & Techniques:: Etching, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 11 7/16 x 16 1/8 inches (29 x 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

263. Admiral Sir Richard King

Creator:: Charles Turner, 1774–1857
Date:: 1835
Materials & Techniques:: Mezzotint
Dimensions:: Sheet: 14 x 19 7/8in. (35.6 x 50.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Mr. and Mrs. J. Richardson Dilworth

264. Vernon

Creator:: Print made by James T. Willmore, 1800–1863
Date:: 1835
Materials & Techniques:: Line engraving, engraver's proof on moderately thick, slightly textured, beige wove paper with cream chine collé
Dimensions:: Sheet: 11 1/8 × 16 1/2 inches (28.3 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

265. Bridge of Meulan

Creator:: Print made by John Cousen, 1804–1880
Date:: 1835
Materials & Techniques:: Line engraving, engraver's proof on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:: Sheet: 7 1/2 × 10 3/8 inches (19.1 × 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

266. Château Gaillard, from the East

Creator:: Print made by John Smith, 1652–1743
Date:: 1835
Materials & Techniques:: Line engraving, engraver's proof on moderately thick, slightly textured, beige wove paper with cream chine collé
Dimensions:: Sheet: 11 7/8 × 17 inches (30.2 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

267. Bridge of St. Cloud & Sevres

Creator:: Print made by William Radclyffe, 1780–1855
Date:: 1835
Materials & Techniques:: Line engraving, engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

268. The Lanterne of St. Cloud

Creator:: Print made by James T. Willmore, 1800–1863
Date:: 1835
Materials & Techniques:: Line engraving, engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

269. Paris from the Barriere de Passy

Creator:: Print made by James T. Willmore, 1800–1863
Date:: 1835
Materials & Techniques:: Line engraving, engraver's proof, touched
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

270. Paris from the Barriere de Passy

Creator:: Print made by James T. Willmore, 1800–1863
Date:: 1835
Materials & Techniques:: Line engraving, engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

271. Pont-Neuf, Paris

Creator:: Print made by William Miller, 1796–1882
Date:: 1835
Materials & Techniques:: Line engraving, open etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

272. Bridge of St. Cloud from Sevres

Creator:: Print made by Edward Francis Finden, 1791–1857
Date:: 1835
Materials & Techniques:: Line engraving, engraver's proof (early)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

273. Marche aux Fleurs and Pont-au-Change

Creator:: Print made by William Radclyffe, 1780–1855
Date:: 1835
Materials & Techniques:: Line engraving, engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

274. Boulevards, Paris

Creator:: Print made by Thomas Higham, 1796–1844
Date:: 1835
Materials & Techniques:: Line engraving,, on steel, engraver's proof
Dimensions:: Sheet: 4 x 5 3/8in. (10.2 x 13.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

275. Hotel de Ville and Pont d'Arcole

Creator:: Print made by Thomas Jeavons, ca. 1800–1867
Date:: 1835
Materials & Techniques:: Line engraving, engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

276. Confluence of the Seine and Marne

Creator:: Print made by James Charles Armytage, 1802–1897
Date:: 1835
Materials & Techniques:: Line engraving, engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

277. Melun

Creator:: Print made by William Miller, 1796–1882
Date:: 1835
Materials & Techniques:: Line engraving, engraver's proof (early)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

278. Troyes

Creator:: Print made by James Charles Armytage, 1802–1897
Date:: 1835
Materials & Techniques:: Line engraving, engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

279. Pont de l'Arche

Creator:: Print made by James T. Willmore, 1800–1863
Date:: 1835
Materials & Techniques:: Line engraving, engraver's proof on moderately thick, slightly textured, beige wove paper with cream chine collé
Dimensions:: Sheet: 11 7/8 × 17 1/8 inches (30.2 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

280. St. Germains

Creator:: Print made by James Baylis Allen, 1803–1876
Date:: 1835
Materials & Techniques:: Line engraving, engraver's proof on moderately thick, slightly textured, crean wove paper with cream chine collé
Dimensions:: Sheet: 11 1/8 × 16 1/8 inches (28.3 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

281. Château Gaillard, from the South (Vignette)

Creator:: Print made by John Cousen, 1804–1880
Date:: 1835
Materials & Techniques:: Line engraving, engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:: Mount: 17 × 12 inches (43.2 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

282. Mantes

Creator:: Print made by William Radclyffe, 1780–1855
Date:: 1835
Materials & Techniques:: Line engraving, engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 5/8 × 17 inches (29.5 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

283. View on the Seine between Mantes and Vernon

Creator:: Print made by Robert Brandard, 1805–1862
Date:: 1835
Materials & Techniques:: Line engraving, engraver's proof on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:: Sheet: 11 1/8 × 16 5/8 inches (28.3 × 42.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

284. Saint Denis

Creator:: Print made by S. Fisher, active 1831–1844
Date:: 1835
Materials & Techniques:: Line engraving, engraver's proof on moderately thick, slightly textured, beige wove paper with cream chine collé
Dimensions:: Sheet: 11 1/8 × 16 5/8 inches (28.3 × 42.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

285. Ludlow Castle - Rising of the Water-Nymphs

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1835
Materials & Techniques:: Line engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

286. View of Lichfield, The Birth Place of Dr. Samuel Johnson

Creator:: Edward Francis Finden, 1791–1857
Date:: 1835
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 6 1/4 × 9 5/16 inches (15.9 × 23.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

287. Château Gaillard, from the East

Creator:: Print made by John Smith, 1799–1843
Date:: 1835
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, beige wove paper with cream chine collé
Dimensions:: Sheet: 11 1/8 × 16 1/4 inches (28.3 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

288. Vincennes

Creator:: Print made by William Miller, 1796–1882
Date:: 1835
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 16 1/4 × 10 1/4 inches (41.3 × 26 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

289. Damon and Pythias

Creator:: Print made by Frederick Bacon, 1803–1887
Date:: 1835
Materials & Techniques:: Line engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

290. Henry Liverseege

Creator:: Print made by Henry Cousins, died 1864
Date:: 1835
Materials & Techniques:: Mezzotint and etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/2 × 9 inches (29.2 × 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

291. Assos

Creator:: Print made by William Finden, 1787–1852
Date:: 1835-1836
Materials & Techniques:: Line engraving, engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

292. Solomon's Pools

Creator:: Print made by James Stephenson, 1808–1886
Date:: 1835-1836
Materials & Techniques:: Etching and engraving (First Published State)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

293. The Temptation on the Pinnacle

Creator:: Print made by Frederick Bacon, 1803–1887
Date:: 1835
Materials & Techniques:: Line engraving, first published state
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

294. Hog Hunting: The Burst

Creator:: S. W. Fores, 1761–1838
Date:: ca. 1840
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 21 5/8 x 29 3/8in. (54.9 x 74.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

295. Hog Hunting: The Charge

Creator:: Print made by S. W. Fores, 1761–1838
Date:: ca. 1840
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 21 5/8 x 29 3/8in. (54.9 x 74.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

296. Hog Hunting: The Tired Pig

Creator:: Print made by S. W. Fores, 1761–1838
Date:: ca. 1840
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 21 5/8 x 29 3/8in. (54.9 x 74.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

297. Shakspeare

Date:: 1835
Materials & Techniques:: Stipple engraving, line engraving and etching on wove paper
Dimensions:: Image: 5 1/8 x 4in. (13 x 10.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

298. Shakspeare

Creator:: Edward Scriven, 1775–1841
Date:: 1835
Materials & Techniques:: Stipple engraving, line engraving and etching on wove paper
Dimensions:: Image: 5 1/8 x 4in. (13 x 10.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

299. Shakspeare

Creator:: Edward Scriven, 1775–1841
Date:: 1835
Materials & Techniques:: Stipple engraving, line engraving and etching on wove paper
Dimensions:: Image: 5 1/8 x 4in. (13 x 10.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

300. London, from the Tower of St. Savior's Church

Creator:: Print made by Samuel Davenport, 1783–1867
Date:: 1835
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

YCBA Collections Search

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Date 1835

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201. Cock Fighting [a pair]: 2. The Trimm'd Cock

202. Set of four: A Celebrated Stag Hunt. Plate 2. Turning Out / Ben the Sailor

203. Set of four: A Celebrated Stag Hunt. Plate 3. The Chase

204. Set of four: A Celebrated Stag Hunt. Plate 3. Taking Soil

205. [Set of four] Sporting in the Scottish Isles: No. II. Otter Hunting

206. [Set of four] Sporting in the Scottish Isles: No. IV. Deer Hunting in the Paps of Jura

207. [Set of four] Sporting in the Scottish Isles: No. III. Salmon Fishing

208. Fox Hunting [set of six]: Melton Mowbray No. 4. Taking the Shine out of a New Stultz

209. Fox Hunting [set of six]: Melton Mowbray No. 3. Breaking Cover

210. Fox Hunting [set of six]: Melton Mowbray No. 2. The Meet

211. Fox Hunting [set of six]: Melton Mowbray No. 5. Taking the Gate at the Hinge Post while Snob walks thro'

212. Fox Hunting [set of six]: Melton Mowbray No. 6. The Cream of the Thing

213. Jerusalem, Pool of Bethesda

214. St. Germains

215. St. Germains

216. Saint Denis

217. Bridge of St. Cloud & Sevres

218. Saint Denis

219. The Lanterne of St. Cloud

220. Bridge over St. Cloud from Sevres

221. Bridge over St. Cloud from Sevres

222. Paris from the Barriere de Passy

223. Paris from the Barriere de Passy

224. Paris from the Barriere de Passy

225. Pont-Neuf, Paris

226. Pont-Neuf, Paris

227. Pont-Neuf, Paris

228. Marche aux Fleurs and Pont-au-Change

229. Hotel de Ville and Pont d'Arcole

230. Confluence of the Seine and Marne

231. Marche aux Fleurs and Pont-au-Change

232. Confluence of the Seine and Marne

233. Melun

234. Melun

235. Bridge of Meulan

236. HMS Bellerophon, Plymouth Sound

237. Babylon

238. The Temptation on the Mountain

239. Château Gaillard, from the South (Vignette)

240. Santa Sabes and the Brook Kidron

241. Mount Lebanon and the Convent of St. Antonio

242. Joppa

243. Nineveh, Moussul on the Tigris

244. Nineveh, Moussul on the Tigris

245. St. Germains

246. St. Germains

247. Bridge of St. Cloud & Sevres

248. Saint Denis

249. Bridge of Meulan

250. The Lanterne of St. Cloud

251. Paris from the Barriere de Passy

252. St. Germains

253. Bridge of Meulan

254. Malmaison

255. Bridge of Meulan

256. Fontainebleau

257. Dudley, Worcestershire

258. Boston, Lincolnshire

259. Bridge of Meulan

260. Paris from the Barriere de Passy

261. Melun

262. Le Retour de Paris, or, the Niece Presented to her Relatives by her French Governess

263. Admiral Sir Richard King

264. Vernon

265. Bridge of Meulan

266. Château Gaillard, from the East

267. Bridge of St. Cloud & Sevres

268. The Lanterne of St. Cloud

269. Paris from the Barriere de Passy

270. Paris from the Barriere de Passy

271. Pont-Neuf, Paris

272. Bridge of St. Cloud from Sevres

273. Marche aux Fleurs and Pont-au-Change

274. Boulevards, Paris