Europe. A Prophecy, Plate 12, "Albions Angel rose . . . . " (Bentley 14)
1794
5
William Blake, 1757–1827
The Poems of Thomas Gray, Design 115, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
6
William Blake, 1757–1827
The Poems of Thomas Gray, Design 47, "The Progress of Poesy."
between 1797 and 1798
7
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 20, "The Little Boy Lost" (Bentley 13)
1789
8
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 26, "Spring" (Bentley 23)
1789
9
Print made by William Blake, 1757–1827
Young's Night Thoughts, Title Page, "Night the First, on Life, Death and Immortality."
1797
10
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"
1797
11
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"
1797
12
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 40, "Angels Should Paint It, Angels Ever There"
1797
13
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 41, "One Radiant Mark; the Deathbed of the Just"
1797
14
William Blake, 1757–1827
The Poems of Thomas Gray, Design 3, "Ode on the Spring."
between 1797 and 1798
15
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 5, "A | Prophecy | The deep of winter came . . . . " (Bentley 6)
1794
16
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 7, "Now comes the night . . . . " (Bentley 8)
1794
17
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."
1797
18
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 93, "If Angels Tremble, 'Tis at Such a Sight"
1797
19
William Blake, 1757–1827
The Poems of Thomas Gray, Design 25, "A Long Story."
between 1797 and 1798
20
William Blake, 1757–1827
The Poems of Thomas Gray, Design 51, "The Progress of Poesy."
between 1797 and 1798
21
William Blake, 1757–1827
The Poems of Thomas Gray, Design 61, "The Bard."
between 1797 and 1798
22
William Blake, 1757–1827
The Poems of Thomas Gray, Design 63, "The Bard."
between 1797 and 1798
23
Sir James Thornhill, 1675–1734
The Angel appearing to the shepherds, the visitation, and the annunciation: a sheet of notes for a proposed decorative scheme with 3 sketches of paintings for overdoors
undated
24
Sir James Thornhill, 1675–1734
Moses and the Brazen Serpent - Design for the chapel at Dunster Castle
ca. 1723
25
Sir James Thornhill, 1675–1734
The Birth of Venus
undated
26
Thomas Carwitham, active 1723
Design for a Ceiling Decoration
1723
27
Print made by William Dickinson, 1746–1823
Mrs. Sheridan as 'St. Cecilia'
1776
28
Print made by Charles Howard Hodges, 1764–1837
Guardian Angels
1786
29
Richard Earlom, 1743–1822
The West Window of the Chapel, New College Oxford
1785
30
Print made by Simon Gribelin, 1662–1733
The Ceiling in the Banqueting House at Whitehall
ca. 1720
31
Print made by Simon Gribelin, 1662–1733
The Ceiling of the Banqueting House at Whitehall: The Union of the Crowns of England and Scotland
1720
32
Print made by John Baptist Jackson, 1701–1780
The Virgin in the Clouds and Six Saints
1742
33
Print made by Johann Philip Koch, ca. 1716–1796
Le Ete - Der Sommer
undated
34
Print made by William Sharp, 1749–1824
Niobe
1792
35
James Gillray, 1756–1815
Lieu't Gover'r Gall-Stone, inspired by Alecto; or The Birth of Minerva
1790
36
Thomas Carwitham, active 1723
Raphael receiving the money of Tobias from Gabael: Tobit 9:5