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Exhibition History The Creative Printmaker (Joseph and Margaret Muscarelle Museum of Art, 1986-03-05 - 1986-04-20)

Remove constraint Exhibition History: The Creative Printmaker (Joseph and Margaret Muscarelle Museum of Art, 1986-03-05 - 1986-04-20)

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Opening the Fold
Creator:
Print made by Samuel Palmer, 1805–1881
Date:
1880
Materials & Techniques:
Etching and drypoint, with plate tone on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 9/16 x 12 7/8 inches (26.9 x 32.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Opening the Fold: Early Morning
Creator:
Samuel Palmer, 1805–1881
Date:
ca. 1880
Materials & Techniques:
Graphite, gray wash, and pen and black ink, squared for transfer on medium, smooth, cream laid paper
Dimensions:
Sheet: 4 1/4 x 5 7/8 inches (10.8 x 14.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Opening the Fold
Creator:
Print made by Samuel Palmer, 1805–1881
Date:
1880
Materials & Techniques:
Etching and drypoint, with plate tone on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 7 15/16 x 10 5/8 inches (20.2 x 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery
A Sleeping Leopard
Creator:
Print made by George Stubbs, 1724–1806
Date:
1791
Materials & Techniques:
Soft-ground etching with roulette on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 x 13 3/4 inches (25.4 x 34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Tygers at Play
Creator:
George Stubbs, 1724–1806
Date:
1780
Materials & Techniques:
Etching, possibly finished with a graver, second state
Dimensions:
Image: 13 9/16 x 18 1/4in. (34.5 x 46.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The First Stage of Cruelty
Creator:
William Hogarth, 1697–1764
Date:
ca. 1750
Materials & Techniques:
Graphite and red chalk on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 1/2 x 13 1/8 inches (39.4 x 33.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Original Sketch of a Picture for W. Leader, Esq.
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1809
Materials & Techniques:
Etching and mezzotint, printed in brown ink; engraver's proof (b), touched by the artist in graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/8 inches (22.2 × 30.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Original Sketch of a Picture for W. Leader, Esq.
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1809
Materials & Techniques:
Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 × 16 1/4 inches (27.9 × 41.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Evening Gun
Creator:
Print made by Joseph Mallord William Turner, 1775–1851
Date:
ca. 1825
Materials & Techniques:
Mezzotint and scraping; touched engraver's proof c on medium, slightly textured, cream laid paper
Dimensions:
Plate: 7 1/2 x 9 3/16in. (19 x 23.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Evening Gun
Creator:
Print made by Joseph Mallord William Turner, 1775–1851
Date:
ca. 1825
Materials & Techniques:
Mezzotint ; engraver's proof d on medium, slightly textured, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Songs of Innocence and of Experience, Plate 1, Innocence Frontispiece (Bentley 2)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in green ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Songs of Innocence and of Experience, Plate 10, "The Chimney Sweeper" (Bentley 12)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in green ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Spring, from Songs of Innocence
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1795
Materials & Techniques:
Color-printed relief etching, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 1 7/8 x 2 3/4 inches (4.8 x 7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Pont-y-Pier near Llanroost, Denbighshire
Creator:
Paul Sandby, 1731–1809
Date:
ca. 1800
Materials & Techniques:
Watercolor and gouache on medium, smooth, cream wove paper
Dimensions:
Sheet: 7 3/4 x 10 1/2 inches (19.7 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Illustration to the Maids of Elfen-Mere
Creator:
Dante Gabriel Rossetti, 1828–1882
Date:
1854
Materials & Techniques:
Graphite with pen and black ink and pen and brown ink; verso: graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/8 x 3 1/4 inches (13 x 8.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
King Lear and Cordelia, Act V, Scene 10
Creator:
James Barry, 1741–1806
Date:
1776
Materials & Techniques:
Etching and aquatint; touched with india ink
Dimensions:
Plate: 21 7/8 x 20 1/8in. (55.6 x 51.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
King Lear and Cordelia
Creator:
Print made by James Barry, 1741–1806
Date:
1776
Materials & Techniques:
Etching and aquatint with India ink, published state
Dimensions:
Plate: 21 7/8 x 21 5/8 inches (55.6 x 54.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Wild Bull of Chillingham
Creator:
Print made by Thomas Bewick, 1753–1828
Date:
1781
Materials & Techniques:
Wood-engraving on vellum
Dimensions:
Sheet: 10 1/16 × 13 9/16 inches (25.5 × 34.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of Pont St. Michel, Taken from Pont Neuf
Creator:
Print made by Thomas Girtin, 1775–1802
Date:
1802
Materials & Techniques:
Soft-ground etching, first engraver's proof, touched in graphite by the artist on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 15/16 x 16 1/2 inches (22.7 x 41.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Funeral of the Late Duke of Wellington
Creator:
Imitator of George Baxter, 1804–1867
Date:
after 1852
Materials & Techniques:
Aquatint and stipple engraving; color woodcut done by an unknown later printer on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, smooth, yellow card
Dimensions:
Mount: 7 1/2 x 5 9/16 inches (19 x 14.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Alexander Pope, Poet 1744
Creator:
Jacques Christophe Le Blon, 1667–1741
Date:
1744
Materials & Techniques:
Colored mezzotint
Dimensions:
Sheet: 6 5/8 x 5 3/16in. (16.9 x 13.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
A Large Christmas Card
Creator:
Aubrey Vincent Beardsley, 1872–1898
Date:
1895
Materials & Techniques:
Pen and black ink over graphite on medium, slightly textured, laid paper
Dimensions:
Sheet: 9 5/8 × 6 1/4 inches (24.4 × 15.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Portrait of Lieutenant General Edmund Ludlow
Creator:
Robert White, 1645–1703
Date:
1689
Materials & Techniques:
Plumbago on vellum
Dimensions:
Sheet: 5 × 3 3/8 inches (12.7 × 8.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of John Hay Whitney, Yale BA 1926, Yale MA (HON.) 1956, transfer from the Yale University Library and the Yale University Art Gallery
View of the Pont St.Michel, taken from the Pont Neuf
Creator:
Thomas Girtin, 1775–1802
Date:
1803
Materials & Techniques:
Graphite tracing on thin, brown, laid paper
Dimensions:
Sheet: 7 1/8 x 12 3/16in. (18.1 x 31cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of the Pont St. Michael, taken from the Pont Neuf
Creator:
Etched by Thomas Girtin, 1775–1802
Date:
1803
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:
Image: 10 x 17 7/8in. (25.4 x 45.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Berwick; Printed with Counterproof of Dundee
Creator:
Print made by Sir David Young Cameron, 1865–1945
Date:
1890
Materials & Techniques:
Etching printed in brown ink over two counterproofs, engraver's proof; verso etching counterproof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 5/8 inches (19.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
A Manhattan Excavation
Creator:
Print made by Sir Muirhead Bone, 1876–1953
Date:
1923
Materials & Techniques:
Drypoint on medium, slightly textured, beige Asian paper
Dimensions:
Sheet: 15 3/16 x 11 1/8 inches (38.5 x 28.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
The Resolution Beating through the Ice, with the Discovery in the most eminent Danger in the Distance
Creator:
John Webber, 1752–1793
Date:
1792
Materials & Techniques:
Graphite, squared for transfer on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/4 × 16 7/8 inches (26 × 42.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Colonel Tarleton
Creator:
Print made by John Raphael Smith, 1752–1812
Date:
1782
Materials & Techniques:
Mezzotint (engraver's proof) on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 24 1/2 × 15 1/2 inches (62.2 × 39.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Tan-y-Bwlch, Merionethshire, North Wales
Creator:
Print made by John Sell Cotman, 1782–1842
Date:
between 1810 and 1817
Materials & Techniques:
Soft-ground etching on medium, rough, dark blue wove paper
Dimensions:
Sheet: 7 1/8 x 9 inches (18.1 x 22.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Self-portrait
Creator:
Thomas Frye, 1710–1762
Date:
ca. 1760
Materials & Techniques:
Mezzotint
Dimensions:
Plate: 19 7/8 x 13 3/4in. (50.5 x 34.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Wooded Landscape with Herdsman and Cows
Creator:
Print made by Thomas Gainsborough, 1727–1788
Date:
between 1785 and 1788
Materials & Techniques:
Soft-ground etching with aquatint, in gray ink on thick, slightly textured, brown laid paper
Dimensions:
Sheet: 11 5/8 x 14 1/4 inches (29.5 x 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Self-portrait of Antonie van Dyck
Creator:
Jacques Christophe Le Blon, 1667–1741
Date:
1738
Materials & Techniques:
Color printed mezzotint; progress proof on medium, slightly textured cream laid paper
Dimensions:
Sheet: 24 3/16 x 18 1/4in. (61.4 x 46.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Self-portrait of Antonie van Dyck
Creator:
Jacques Christophe Le Blon, 1667–1741
Date:
1738
Materials & Techniques:
Color printed mezzotint; progress proof on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 24 1/4 x 18 1/4in. (61.6 x 46.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Self-portrait of Antonie van Dyck
Creator:
Jacques Christophe Le Blon, 1667–1741
Date:
1738
Materials & Techniques:
Color printed mezzotint; progress proof on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 24 9/16 x 18 1/8in. (62.4 x 46cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Self-portrait of Antonie van Dyck
Creator:
Jacques Christophe Le Blon, 1667–1741
Date:
1738
Materials & Techniques:
Color printed mezzotint; progress proof on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 24 1/4 × 18 5/16 inches (61.6 × 46.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Wooded Landscape with Herdsman and Cows
Creator:
Print made by Thomas Gainsborough, 1727–1788
Date:
1797
Materials & Techniques:
Soft-ground etching and aquatint on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 × 13 3/4 inches (27.9 × 34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Resolution Beating through the Ice, with the Discovery in the most eminent Danger in the Distance
Creator:
John Webber, 1752–1793
Date:
1792
Materials & Techniques:
Graphite; verso: transferred soft ground on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/4 × 17 inches (29.8 × 43.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Lieu't Gover'r Gall-Stone, inspired by Alecto; or The Birth of Minerva
Creator:
James Gillray, 1756–1815
Date:
1790
Materials & Techniques:
Etching, aquatint and stipple engraving, proof before letters
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
An Old Manor House
Creator:
Print made by William Miller, 1796–1882
Date:
1834
Materials & Techniques:
Line engraving; touched proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 8 1/2 × 5 15/16 inches (21.6 × 15.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Funeral of the Late Duke of Wellington
Creator:
Imitator of George Baxter, 1804–1867
Date:
after 1893
Materials & Techniques:
Aquatint and stipple engraving; color woodcut by Mockler on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, slightly textured, orange-beige wove card
Dimensions:
Mount: 8 7/8 x 6 inches (22.5 x 15.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Funeral of the Late Duke of Wellington
Creator:
Imitator of George Baxter, 1804–1867
Date:
after 1893
Materials & Techniques:
Aquatint and stipple engraving; color woodcut by Mockler on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, slightly textured, orange-beige wove card
Dimensions:
Mount: 9 x 6 5/16 inches (22.9 x 16 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Funeral of the Late Duke of Wellington
Creator:
Imitator of George Baxter, 1804–1867
Date:
after 1852
Materials & Techniques:
Aquatint and stipple engraving; color woodcut done by an unknown later printer on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, smooth, yellow card
Dimensions:
Mount: 7 1/2 x 5 1/2 inches (19.1 x 14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Funeral of the Late Duke of Wellington
Creator:
Imitator of George Baxter, 1804–1867
Date:
after 1852
Materials & Techniques:
Aquatint and stipple engraving; color woodcut done by an unknown later printer on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, smooth, yellow card
Dimensions:
Mount: 7 1/2 x 5 1/2 inches (19 x 14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Funeral of the Late Duke of Wellington
Creator:
Imitator of George Baxter, 1804–1867
Date:
after 1893
Materials & Techniques:
Aquatint and stipple engraving; color woodcut by Mockler on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, slightly textured, orange-beige wove card
Dimensions:
Mount: 8 7/8 x 6 5/16 inches (22.6 x 16 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Kashmir Bridge
Creator:
Print made by Ernest Stephen Lumsden, 1883–1948
Date:
1924
Materials & Techniques:
Aquatint; 2nd state on medium, slightly textured, light blue laid paper
Dimensions:
Sheet: 5 5/8 × 7 3/8 inches (14.3 × 18.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

47. Ariccia

Ariccia
Creator:
Print made by John Robert Cozens, 1752–1797
Date:
between 1783 and 1789
Materials & Techniques:
Soft-ground etching on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 5 1/4 × 7 3/8 inches (13.3 × 18.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Tan-y-Bwlch, North Wales
Creator:
John Sell Cotman, 1782–1842
Date:
ca. 1806
Materials & Techniques:
Graphite on medium, moderately textured, white wove paper
Dimensions:
Sheet: 5 x 7 1/8 inches (12.7 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

49. Ariccia

Ariccia
Creator:
John Robert Cozens, 1752–1797
Date:
ca. 1783
Materials & Techniques:
Graphite and red chalk on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 7 5/8 x 9 inches (19.4 x 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No cover image available
Creator:
Print made by Samuel Palmer, 1805–1881
Date:
plate etched in 1880; impression printed in 1926
Materials & Techniques:
Etching and drypoint, with plate tone (printed under the supervision of Sir Frank Short, Martin Hardie and Frederick Landseer Maur Griggs, 1926) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 1/4 x 11 9/16 inches (18.4 x 29.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No cover image available
Creator:
Print made by Samuel Palmer, 1805–1881
Date:
plate etched in 1880; impression printed in 1920
Materials & Techniques:
Etching and drypoint, with plate tone (printed in brown ink by Sir Frank Short) on thin, smooth, cream laid paper
Dimensions:
Sheet: 6 15/16 x 10 1/2 inches (17.6 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No cover image available
Creator:
Print made by Pieter de Jode II, ca. 1606–1674
Date:
ca. 1635
Materials & Techniques:
Line engraving and stiipple engraving, (3rd state) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 7/16 × 7 5/8 inches (26.5 × 19.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No cover image available
Creator:
William M. Larkins, 1901–1974
Date:
1920
Materials & Techniques:
Graphite, pen and ink and watercolor
Dimensions:
Sheet: 7 x 10 1/16in. (17.8 x 25.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
No cover image available
Creator:
William M. Larkins, 1901–1974
Date:
1925
Materials & Techniques:
Etching and drypoint, state 4 of 5
Dimensions:
Plate: 7 15/16 x 6 15/16in. (20.2 x 17.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
No cover image available
Creator:
William M. Larkins, 1901–1974
Date:
1925
Materials & Techniques:
Graphite, pen and ink and watercolor
Dimensions:
Sheet: 8 15/16 x 7 1/16in. (22.7 x 18cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
No cover image available
Creator:
William M. Larkins, 1901–1974
Date:
1925
Materials & Techniques:
Etching and drypoint; 3rd state of 5 on wove paper
Dimensions:
Sheet: 11 1/2 x 8 11/16in. (29.2 x 22.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
No cover image available
Creator:
Print made by Pieter de Jode II, ca. 1606–1674
Date:
ca. 1635
Materials & Techniques:
Line engraving, stipple engraving and etching (1st state) on medium, slightly textured, cream laid paper
Dimensions:
Mount: 10 7/8 × 7 1/8 inches (27.6 × 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No cover image available
Creator:
Thomas Lound, 1802–1861
Date:
1832-1834; printed 1974
Materials & Techniques:
Etching and drypoint
Dimensions:
Sheet: 2 7/8 x 3 3/4in. (7.3 x 9.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No cover image available
Creator:
Print made by William Miller, 1796–1882
Date:
1833
Materials & Techniques:
Line engraving, 2nd state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 11/16 × 6 11/16 inches (29.7 × 17 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No cover image available
Creator:
Martin Hardie, 1875–1952
Date:
1926
Materials & Techniques:
Drypoint, engraver's proof
Dimensions:
Sheet: 10 1/2 x 6 15/16in. (26.7 x 17.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Gift of Daniel Bell
No cover image available
Creator:
Martin Hardie, 1875–1952
Date:
1926
Materials & Techniques:
Drypoint, state 1 of 1
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Gift of Daniel Bell
No cover image available
Creator:
Thomas Lound, 1802–1861
Date:
c.1833
Materials & Techniques:
Etching with drypoint, early proof
Dimensions:
Sheet: 3 1/2 x 2in. (8.9 x 5.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection