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Materials & Techniques stipple engraving
Remove constraint Materials & Techniques: stipple engravingCollection Prints and Drawings
Remove constraint Collection: Prints and DrawingsGenre literary theme
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1
- Mr. Edwin and Mrs. Wells in the Characters of Lingo and Cowslip
- ca. 1787
2
- The Mask
- 1834
3
- An Arabesque
- 1834
4
- A Voyage of Discovery
- 1834
5
- Shepherds
- 1834
6
- The Bird's Nest
- 1834
7
- Lady Jane Grey
- 1834
8
- Children Swinging
- 1834
9
- An Alcove
- 1834
10
- An Arabesque
- 1834
11
- Queen Katherine's Dream
- 1788
12
- Death of Dido
13
- Jupiter and Io
- 1784
14
- Orlando Rescues Olympia From The Orca In The Island Ebuda
- 1768
15
- Vortigern And Rowena
- 1788
16
- Tancred and Erminia
- 1784
17
- King Lear, Act 4, Scene VII
- 1794
18
- Illustration from Orlando Furioso: "Che deb'bo sar? che poss'io sar qui sola? / che mi da ajuto, oime, che mi consola?"
- 1773
19
- Macbeth, Act I, Scene II
- 1784
20
- Tom Jones Assisting Molly Seagrim
- 1782
21
- April
- 1790
22
- Joseph Andrews
- 1781
23
- Cordelia
- 1784
24
- Sappho Embracing Love
- 1783
25
- Angelica And Medora
- 1787
26
- Morte de Clorinda
- 1785
27
- Alexander and Nerina
- 1784
28
- The Shepherdess of the Alps
- 1776
29
- Hercules and Omphale
30
- Lauretta
- 1776
31
- The Snuff Box, Calais
- 1799
32
- Sophia, Honour, and the Chambermaid
- 1780
33
- Selim of the Shepherd's Moral
- 1788
34
- Concert Ticket For The Benefit of Madame Banti
- 1795
35
- Mrs. Abington as Thalia
- 1783
36
- The Marriage Ceremony performed in Mr. B.'s own Chappel by Mr. Williams, Mr. Peters giving her away, Mrs. Jewkes waits behind Pamela and the Maid keeps the door
- 1745
37
- Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire
- 1745
38
- "This is fairy gold, boy, and will prove so"
- 1804
39
- Tom Jones: 'The Philosopher Square, Discovered in Molly Seagrim's Garret'
- 1789
40
- Mrs. W. West as Cordelia
- 1820
41
- Pamela having divided her clothes into threee Bundles, in order to leave the House, rejects that containing her Masters presents calling it the wicked bundle, & harangues over her own little Parcel which she huggs in her Arms;..
- 1745
42
- Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to
- 1745
43
- Angelica, e Medoro in Varj Modi..
- 1773
44
- E d'Uccider se Stesso in Pensier Venne..
- 1773
45
- Stava Ella Nel Sepolcro; e Quivi Attrita..
- 1773
46
- Sed Placidam Pueri Metuens Turbare Quietem, Fixit Vicinis Basia Mille Rosis
- 1778
47
- Illustration From Bell's Edition of The Poets of Great Britain
- ca. 1785
48
- Illustration from Bell's Edition of the Poets of Great Britain, Volume LXXIII, Mallet
- 1785
49
- Illustration from Bell's Edition of the Poets of Great Britain, Volume: CVII Churchill
- ca.1785
50
- King Alboin Forcing Rosamund to Drink From The Skull of Her Murdered Father, Cunimund, King of the Gepids
- 1779
51
- Frontispiece to Volume II of a Book, Woman pointing to a Tablet on which is written "Sanchos letters"
- 1782
52
- The Birth of Shakespeare
- 1782
53
- Ophelia vide Hamlet, Act 4, Scene VII
- 1794
54
- Troilus and Cressida, Act 4, Scene II
- 1794
55
- The Death of Alcestis
- 1796
56
- The Interview of Tom Jones and Sophia, After the Reconciliation
- 1789
57
- Mrs. Abington as Thalia
- ca. 1783
58
- Miss Anna Brunton
- 1785
59
- Taming of the Shrew, Act II Scene II
- 1795
60
- The Tempest, Act V, Scene I
- 1795
61
- Jane Shore
- 1790
62
- My Son attend unto my Wisdom, and Bow Thine ear to my Understanding; Proverbs, Chapter V
63
- Pamela Swooning, after having discovered Mr. B. in the closet, He (frighted) endeavouring to recover her, Mrs. Jervis wringing her hands, and screaming
- 1745
64
- Lo Corse ad Abbracciare, e a Sargli Sesta..
- 1773
65
- Title page: Depicting Cupid, Venus, and Juno
- 1782
66
- Polyhemus, Playing The Panpipes For Galatea
- 1783
67
- Shakespeare's Tomb
- 1782
68
- Anthony and Cleopatra, Act 3, Scene II
- 1794
69
- As You Like It, Act IV, Orlando and Oliver
- 1788
70
- Coriolanus, Act 5, Scene III
- 1783
71
- Soldier Kneeling On A Stone Embracing a Woman, Soldiers in Background
- undated
72
- Joseph Baretti
- 1794
73
- The Freeing of Amoret
- 1792
74
- The Deserted Village
- 1795
75
- Lodona
- 1792
76
- Chryseis Restored To Her Father
- 1786
77
- A Plate from Orlando Furioso: Depicting Orlando and Rodomont Fighting
- 1773
78
- Vede di Mezzo il Fiume un Cavaliero..
- 1773
79
- ...Scuote, il Lembo Pieno; e Nella Torbida Onda..
- 1773
80
- Illustration For The Book: Evelina, Or, The History Of A Young Lady's Entrance into The World
- 1778
81
- Title page: L'Amico' de Fanciulli, Vol. III
- 1788
82
- Illustration from Bell's Edition of the Poets of Great Britain, Volume LXXXVII Hammond
- 1780
83
- I Have Laid The Foundation And Another Buildeth Thereon, But Let Every Man Take Heed How He Buildeth Thereon, 1 Cor. 3, 10
- ca.1785
84
- February
- 1793
85
- October
- 1793
86
- Poetry And History, Presenting Painting, With Subjects For Her Pencil
- 1794
87
- Palamon and Arcite
- 1790
88
- King Henry VI, Part I: Act II, Scene V, A Room in the Tower (The Death of Mortimer)
- 1792
89
- King Richard III: Act III, Scene I (The Meeting of Edward V and His Brother, Richard, Duke of York)
- 1789
90
- Henry VI, Part III: Act I, Scene III, A Field of Battle betwixt Sandal Castle . .
- 1793
91
- Romeo and Juliet: Act IV, Scene III (A Monument Belonging to the Capulets)
- 1791
92
- John Henderson as Iago
- before 1786
93
- Fonrose
- 1798
94
- Sophia and Olivia
- 1784
95
- Ticket for the Benefit of Madame Banti
- 1797
96
- Ticket: For The Benefit Of Mad' Banti
- 1795
97
- Tancred and Clorinda
- 1785
98
- Griselda Returning to her Father
- after 1785
99
- Alcander and Nerina
- 1784
100
- Alphonso and Aciloe
- 1788