Portrait of a Man and an Attendant carrying a Portfolio
ca. 1765
Not on view
11
Attributed to John Hamilton Mortimer, 1740–1779
Man attacking a monster
between 1770 and 1780
Not on view
12
Robert Blyth, 1750–1784
John Hamilton Mortimer
1782
13
John Hamilton Mortimer, 1740–1779
Choir and Orchestra (A Choral Band)
1776
14
John Hamilton Mortimer, 1740–1779
Three Soldiers in Armour Sitting on Stone Blocks
undated
15
John Hamilton Mortimer, 1740–1779
Saint Paul Preaching to the Britons
between 1775 and 1778
16
attributed to John Hamilton Mortimer, 1740–1779
Two Heads in a Roundel
undated
17
Print made by Lydia Bates, active 1784
Landscape with Classical Ruins
1784
18
Print made by Lydia Bates, active 1784
A Choral Band
ca. 1777
19
Print made by Lydia Bates, active 1784
Literary Characters Assembled around the Medallion of Shakespeare
ca. 1777
20
Print made by Lydia Bates, active 1784
Deucalion and Pyrrha after the Flood
1784
21
John Hamilton Mortimer, 1740–1779
Reclining Female Figure in an Italian Landscape
undated
22
John Hamilton Mortimer, 1740–1779
A Man Kneeling
1770
23
John Hamilton Mortimer, 1740–1779
Literary Characters Assembled Around the Medallion of Shakespeare
1776
24
John Hamilton Mortimer, 1740–1779
Studies of Academics
undated
25
John Hamilton Mortimer, 1740–1779
Two Men Fighting Before a Woman
1771
26
John Hamilton Mortimer, 1740–1779
Studies of Groups of Heads
undated
27
attributed to John Hamilton Mortimer, 1740–1779
Portrait of James Tuffs
undated
28
attributed to John Hamilton Mortimer, 1740–1779
Portrait of John Saxby
undated
29
James Jefferys, 1751–1784
Self-Portrait
between 1771 and 1775
30
Print made by Robert Blyth, 1750–1784
John Hamilton Mortimer
1782
31
Charles Reuben Ryley, 1752–1798
The Heads in this and the Following Plates were drawn by Mr. Mortimer, on a Chimney Piece, from Ideas suggested by the Natural Veins in the Marble
1780
32
Charles Reuben Ryley, 1752–1798
The Heads in this and the Following Plates were drawn by Mr. Mortimer, on a Chimney Piece, from Ideas suggested by the Natural Veins in the Marble
1780
33
John Hamilton Mortimer, 1740–1779
Death on a Pale Horse
ca. 1775
34
John Hamilton Mortimer, 1740–1779
Frontispiece dedicated to Sir Joshua Reynolds (no. 1 from Fifteen Etchings dedicated to Sir Joshua Reynolds)
1778
35
John Hamilton Mortimer, 1740–1779
Iphigenia's Late Procession from Kingston to Bristol - By Chudleigh Meadows, - Then the Dutchess was Brought into Court Attended by her Chaplain, Physician, Apothecary and Three Maids of Honor
1776
36
John Hamilton Mortimer, 1740–1779
Elegy (Four laid down on one sheet)(Notes to numbers 84-86 of Catalogue Mortimer Exhibition 1968)
37
John Hamilton Mortimer, 1740–1779
An Academy
ca. 1773
38
William Wynne Ryland, 1732–1783
King John Ratifying the Magna Charta
ca. 1783
39
Francesco Bartolozzi, 1728–1815
Vignette: Monk Giving Letter to a Pregnant Woman in a Cell
ca.1785
40
Francesco Bartolozzi, 1728–1815
Sed Placidam Pueri Metuens Turbare Quietem, Fixit Vicinis Basia Mille Rosis
1778
41
John Hamilton Mortimer, 1740–1779
Falstaff. Second part Henry IV, Act V, Scene 4th. "There's a merry heart good master Silence / I'll give you a health for that anon."
1776
42
William Woollett, 1735–1785
Dido and Aeneas
1787
43
Richard Brookshaw, 1736–1804
Monsieur Masson the Tennis Player
1769
44
Print made by Lydia Bates, active 1784
Coastal Scene
1784
45
John Hamilton Mortimer, 1740–1779
Edgar, "King Lear", Act III, Scene III
1775
46
John Hamilton Mortimer, 1740–1779
Cassandra, "Troilus and Cressida", Act II, Scene IV
1776
47
John Hamilton Mortimer, 1740–1779
Bardolph, "Henry IV", Part II, Act II, Scene IX
1775
48
John Hamilton Mortimer, 1740–1779
"Richard II", Act III, Scene II
1775
49
John Hamilton Mortimer, 1740–1779
The Poet, "A Midsummer Night's Dream", Act V, Scene I
1775
50
John Hamilton Mortimer, 1740–1779
York, "Henry IV", Part II, Act V, Scene IV
1775
51
Print made by Lydia Bates, active 1784
Little Missenden Church from the Southeast
1784
52
Print made by John Hall, 1739–1797
Comedies
ca. 1776
53
Samuel Ireland, active 1760–died 1800
Three etchings laid down on one sheet: Studies of Heads
54
Robert Blyth, 1750–1784
Two Studies, Each of Three (Historical ?) Characters, Two Male and One Female: a pair
1780
55
Robert Blyth, 1750–1784
Two untitled etchings laid down on one sheet: Bandits and Soldiers Fighting
1782
56
Robert Blyth, 1750–1784
Two untitled etchings laid down on one sheet: Man in Cloak and Woman with Fruit Seated, Overlooking a Bay
1781
57
Charles Reuben Ryley, 1752–1798
Two Women at Toilette
1780
58
Robert Blyth, 1750–1784
John Hamilton Mortimer, Historical Painter, Self-Portrait (Note to number 4 of Catalogue Mortimer Exhibition 1968)
1782
59
Robert Blyth, 1750–1784
Caius Marius sitting on the Ruins of Carthage (Number 34 of Catalogue Mortimer Exhibition 1968)
1782
60
Joseph Haynes, 1760–1829
Saint Paul Preaching to the Britons
1780
61
Joseph Haynes, 1760–1829
A Monumental Design (number 45 of Catalogue Mortimer Exhibition 1968)
1784
62
Print made by Robert Blyth, 1750–1784
Silenus
1779
63
John Hall, 1739–1797
Banditti Gambling (number 51 of Catalogue Mortimer Exhibition 1968)
64
Robert Blyth, 1750–1784
Banditti Going Out (number 52 of Catalogue Mortimer Exhibition 1968)
1780
65
John Hall, 1739–1797
Banditti Gambling (number 51 of Catalogue Mortimer Exhibition 1968)
66
John Hall, 1739–1797
Banditti at Market (number 41 of Catalogue Mortimer Exhibition 1968)
67
Robert Blyth, 1750–1784
Life and Death of a Soldier: Soldier's Courtship (notes to number 54 of Catalogue Mortimer Exhibition 1968)
1781
68
John Hall, 1739–1797
Banditti at Market (number 41 of Catalogue Mortimer Exhibition 1968)
69
Robert Blyth, 1750–1784
Life and Death of a Soldier: Soldier's Family (notes to number 55 of Catalogue Mortimer Exhibition 1968)
1781
70
unknown artist
Canterbury Tales: Miller of Trumpington (notes to numbers 77-78 of Catalogue Mortimer Exhibition 1968)
71
John Hamilton Mortimer, 1740–1779
Twelve etchings of Characters from Shakespeare: 5) Beatrice, from Much Ado About Nothing, Act 1, Scene 2 (sic)(Catalogue Mortimer Exhibition 1968 - Number 79)
72
John Hamilton Mortimer, 1740–1779
Twelve etchings of Characters from Shakespeare: 8) Bardolph, from Henry IV, Act II, Scene 9 (Catalogue Mortimer Exhibition 1968 - number 79)
73
John Hamilton Mortimer, 1740–1779
Twelve etchings from Shakespeare: 10) York, from Henry IV, Part 2, Act V, Scene 4 (Catalogue Mortimer Exhibition 1968 - number 79)
74
John Hamilton Mortimer, 1740–1779
'Poet, from A Midsummer Night's Dream, Act V, Scene i'
1775
75
Print made by Robert Blyth, 1750–1784
An Aga of the Janizaries
1779
76
John Hamilton Mortimer, 1740–1779
Revengeful Monsters (two states)
77
John Hamilton Mortimer, 1740–1779
Revengeful Monsters (two states)
78
Print made by Robert Blyth, 1750–1784
An Aga of the Janizaries
1779
79
Print made by Robert Blyth, 1750–1784
Banditti...Representing Banditti Variously Employed: Conversing with a Captive
1779
80
Thomas Burke, 1749–1815
The Battle of Agincourt
1783
81
Francesco Bartolozzi, 1728–1815
The Death of Sir Philip Sydney
1788
82
Robert Blyth, 1750–1784
Fisherman
1780
83
Charles Reuben Ryley, 1752–1798
The Heads in this and the Following Plates were drawn by Mr. Mortimer, on a Chimney Piece, from Ideas suggested by the Natural Veins in the Marble
1780
84
Simon François Ravenet, 1706–1774
Life Class
85
Anthony Walker, 1726–1765
Marcus Curius Dentatus rejecting the Bribes of the Samnites
86
Alexander Bannerman, ca. 1730–1780
Joseph Interpreting the Dreams of Pharoah's Chief Butler and Baker
1767
87
Robert Blyth, 1750–1784
Nebuccadnezzer Recovering his Reason
1781
88
John Hamilton Mortimer, 1740–1779
Presentation of the Lusiad to Britannia
89
Robert Blyth, 1750–1784
Portraits of Two Historical or Biblical Characters (a pair)
1782
90
Robert Blyth, 1750–1784
Banditti Conversing
1779
91
Charles Reuben Ryley, 1752–1798
Soldier with A Pike
1780
92
Robert Blyth, 1750–1784
Rustick Dance
1780
93
Simon François Ravenet, 1706–1774
The Shepherds in Arcadia
94
Robert Blyth, 1750–1784
Soldiers with Pack-Horse (Laid down on same sheet as B1977.14.12070)
1783
95
Robert Blyth, 1750–1784
Portraits of Two Historical or Biblical Characters (a pair)
1782
96
Robert Blyth, 1750–1784
Life and Death of a Soldier: Soldier's Funeral (notes to 57 of Catalogue Mortimer Exhibition 1968)
1781
97
Joseph Haynes, 1760–1829
Banditti
1780
98
Jacob Hogg, active 1751
Department of the Canterbury Pilgrims: Prologue, The Canterbury Tales (notes to numbers 77-78 of Catalogue Mortimer Exhibition 1968)
1787
99
Robert Blyth, 1750–1784
Life and Death of a Soldier: Soldier's Death (note to number 56 of Catalogue Mortimer Exhibition 1968)