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1. Howatke

Howatke
Creator:
Edward Lear, 1812–1888
Date:
1867
Materials & Techniques:
Watercolor, graphite, pen and brown ink on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 3 13/16 x 9 1/16 inches (9.7 x 23 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

2. Opposite Beni Hassan

Opposite Beni Hassan
Creator:
Edward Lear, 1812–1888
Date:
1867
Materials & Techniques:
Watercolor, graphite, white gouache, pen and brown ink on moderately thick, slightly textured, gray wove paper
Dimensions:
Sheet: 5 15/16 x 9 13/16 inches (15.1 x 24.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

3. Jerusalem, Plate 53, "Jerusalem / Chap. 3"

Jerusalem, Plate 53, "Jerusalem / Chap. 3"
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 × 10 3/8 inches (34.3 × 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. The Poems of Thomas Gray, Design 59, "The Bard."

The Poems of Thomas Gray, Design 59, "The Bard."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. America. A Prophecy, Plate 15, "What Time the Thirteen Governors...."

America. A Prophecy, Plate 15, "What Time the Thirteen Governors...."
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Relief etching printed in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. Songs of Innocence, Plate 30, "The Little Black Boy" (Bentley 10)

Songs of Innocence, Plate 30, "The Little Black Boy" (Bentley 10)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in brown ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. The Poems of Thomas Gray, Design 43, "The Progress of Poesy."

The Poems of Thomas Gray, Design 43, "The Progress of Poesy."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. Visions of the Daughters of Albion, Plate 6, "And none but Bromian . . . . "

Visions of the Daughters of Albion, Plate 6, "And none but Bromian . . . . "
Creator:
William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Relief etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 13 5/8 x 9 3/4 inches (34.6 x 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. Jerusalem, Plate 28 Proof Impression

Jerusalem, Plate 28 Proof Impression
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1820
Materials & Techniques:
Relief etching printed in blue ink, with watercolor and pen and black ink; proof on medium, smooth wove paper
Dimensions:
Sheet: 4 3/8 x 6 1/4 inches (11.1 x 15.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. Jerusalem, Plate 11, "To labours mighty...."

Jerusalem, Plate 11, "To labours mighty...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. Jerusalem, Plate 24, "What have I said?...."

Jerusalem, Plate 24, "What have I said?...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. The Poems of Thomas Gray, Design 49, "The Progress of Poesy."

The Poems of Thomas Gray, Design 49, "The Progress of Poesy."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink over graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. The Poems of Thomas Gray, Design 9, "Ode on the Death of a Favourite Cat."

The Poems of Thomas Gray, Design 9, "Ode on the Death of a Favourite Cat."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. Young's Night Thoughts, Page 54, "The Vale of Death! That Hush'd Cimmerian Vale"

Young's Night Thoughts, Page 54, "The Vale of Death! That Hush'd Cimmerian Vale"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. The Village Well

The Village Well
Creator:
William Simpson, 1823–1899
Date:
1864
Materials & Techniques:
Watercolor, gouache and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/2 x 14 3/8 inches (26.7 x 36.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. The Grand Canal, Venice

The Grand Canal, Venice
Creator:
James Duffield Harding, 1798–1863
Date:
1835
Materials & Techniques:
Watercolor, with pen in brown and blue ink, gouache and arabic gum over graphite on moderately thick, moderately textured, cream wove paper, stretched over solid wooden frame
Dimensions:
Sheet: 30 x 41 3/16 inches (76.2 x 104.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. Country Scene: Figures by a Cottage Door and Cattle in a Stream

Country Scene: Figures by a Cottage Door and Cattle in a Stream
Creator:
Francis Wheatley, 1747–1801
Date:
1795
Materials & Techniques:
Watercolor and graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 9 7/8 x 10 3/4 inches (25.1 x 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. Lismore Castle, Ireland

Lismore Castle, Ireland
Creator:
Francis Wheatley, 1747–1801
Date:
1783
Materials & Techniques:
Watercolor and graphite with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 1/4 x 14 7/8 inches (26 x 37.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. The Artist Sketching Mlle. de St. Legier as a Shepherdess

The Artist Sketching Mlle. de St. Legier as a Shepherdess
Creator:
James Moore, 1762–1799
Date:
1787
Materials & Techniques:
Watercolor and graphite with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 1/2 × 10 inches (19.1 × 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. Torquay

Torquay
Creator:
William Payne, active 1850s
Date:
undated
Materials & Techniques:
Watercolor and graphite with pen and gray ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 4 3/16 × 6 inches (10.6 × 15.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. A Pier at Amsterdam (Version A)

A Pier at Amsterdam (Version A)
Creator:
Thomas Rowlandson, 1756–1827
Date:
1792
Materials & Techniques:
Watercolor with pen and red-brown and brown ink over graphite on medium, slightly textured, wove paper
Dimensions:
Sheet: 8 7/16 x 11 1/8 inches (21.4 x 28.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. The Launching of a Ship

The Launching of a Ship
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1800
Materials & Techniques:
Watercolor, pen and red ink, pen and brown ink, pen and gray ink, and graphite on medium, slightly textured, brown wove paper mounted on thick, rough, brown wove paper
Dimensions:
Sheet: 10 × 15 1/2 inches (25.4 × 39.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of John and Carmen Dugdale

23. The Ivory Coast, West Africa

The Ivory Coast, West Africa
Creator:
Thomas Rowlandson, 1756–1827
Date:
between 1810 and 1815
Materials & Techniques:
Watercolor, pen and brown ink, pen and gray ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 3/4 x 21 9/16 inches (37.5 x 54.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. Selling Fish on a Beach

Selling Fish on a Beach
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and gray and red-brown ink, and graphite; verso: watercolor blots on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 5 1/2 x 8 15/16 inches (14 x 22.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. A View at Blackwall

A View at Blackwall
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor, graphite, pen and brown ink, and pen and gray ink on medium, slightly textured, cream wove paper
Dimensions:
Mount: 7 5/8 x 10 inches (19.4 x 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. Plymouth Dock

Plymouth Dock
Creator:
Thomas Rowlandson, 1756–1827
Date:
1817
Materials & Techniques:
Watercolor with pen and gray ink, pen and red ink, and pen and brown ink on medium, moderately textured, beig, laid paper
Dimensions:
Sheet: 6 7/8 x 11 5/8 inches (17.5 x 29.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. A Pier at Amsterdam

A Pier at Amsterdam
Creator:
Thomas Rowlandson, 1756–1827
Date:
1801
Materials & Techniques:
Watercolor, pen and gray ink, pen and black ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 × 11 1/2 inches (25.4 × 29.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. The Return of the Fleet to Great Yarmouth in 1797

The Return of the Fleet to Great Yarmouth in 1797
Creator:
Thomas Rowlandson, 1756–1827
Date:
1797
Materials & Techniques:
Watercolor and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 3/4 x 17 inches (27.3 x 43.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. The Arrival of Ferries at London Bridge (?)

The Arrival of Ferries at London Bridge (?)
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, and graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 7 1/8 × 9 1/2 inches (18.1 × 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. A Dutch Packet in a Rising Breeze

A Dutch Packet in a Rising Breeze
Creator:
Thomas Rowlandson, 1756–1827
Date:
1791
Materials & Techniques:
Watercolor with pen and gray ink over graphite on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 7 3/4 x 10 13/16 inches (19.7 x 27.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

31. Comforts of Bath: The Bath

Comforts of Bath: The Bath
Creator:
Thomas Rowlandson, 1756–1827
Date:
1798
Materials & Techniques:
Watercolor, pen and gray ink, black ink, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 4 5/16 x 7 1/8 inches (11 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32. A Potter Returning from Market

A Potter Returning from Market
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1790
Materials & Techniques:
Watercolor with pen and brown and gray ink on medium, slightly textured, light blue, laid paper
Dimensions:
Sheet: 8 9/16 x 11 5/16 inches (21.7 x 28.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33. Nymphs at a Roman Bath

Nymphs at a Roman Bath
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and gray and brown ink over graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 13/16 x 7 7/16 inches (22.4 x 18.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34. View at Chelsea of the Annual Sculling Race for Doggett's Coat and Badge

View at Chelsea of the Annual Sculling Race for Doggett's Coat and Badge
Creator:
Edward Francis Burney, 1760–1848
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, gray ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 15/16 × 16 5/8 inches (27.8 × 42.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

35. The Canterbury-Dover Coach Passing Vanbrugh Castle

The Canterbury-Dover Coach Passing Vanbrugh Castle
Creator:
Thomas Rowlandson, 1756–1827
Date:
between 1795 and 1800
Materials & Techniques:
Watercolor, in pen with brown ink and gray ink, over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/2 x 17 15/16 inches (29.2 x 45.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36. Netting a Salmon Pool

Netting a Salmon Pool
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor and graphite with pen and brown ink and pen and gray ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 1/2 x 10 1/8 inches (16.5 x 25.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37. Tynemouth Priory, Northumberland

Tynemouth Priory, Northumberland
Creator:
Thomas Girtin, 1775–1802
Date:
ca. 1793
Materials & Techniques:
Watercolor over graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 5/8 x 8 5/8 inches (16.8 x 21.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38. Sandsend, Yorkshire

Sandsend, Yorkshire
Creator:
Thomas Girtin, 1775–1802
Date:
1802
Materials & Techniques:
Watercolor over graphite on thick, moderately textured, beige laid paper
Dimensions:
Sheet: 12 1/2 x 20 7/8 inches (31.8 x 53 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39. Arcadian Shepherds by a Pool

Arcadian Shepherds by a Pool
Creator:
Joshua Cristall, 1768–1847
Date:
undated
Materials & Techniques:
Watercolor and graphite, with scraping on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 12 1/8 x 8 3/8 inches (30.8 x 21.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40. Group of Peasants with Musical Instruments

Group of Peasants with Musical Instruments
Creator:
Attributed to John Absolon, 1815–1895
Date:
undated
Materials & Techniques:
Watercolor, gouache, graphite, pen, and brown ink on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 9 1/4 x 13 1/4 inches (23.5 x 33.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection