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Exhibition History The Critique of Reason : Romantic Art, 1760–1860 (Yale University Art Gallery, 2015-03-06 - 2015-07-26)
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1
- "Sound! sound! my loud war-trumpets & alarm my Thirteen Angels!..." (Plate 11)
- 1793
2
- "So cried he, rending off his robe & throwing down his scepter..." (Plate 14)
- 1793
3
- "What time the thirteen Governors that England sent convene..." (Plate 15)
- 1793
4
- Title Page. America, A Prophecy (Plate 2)
- 1793
5
- "Appear to the Americans upon the cloudy night..." (Plate 6)
- 1793
6
- "Albions Angel stood beside the Stone of night, and saw..." (Plate 7)
- 1793
7
- "In thunders ends the voice. Then Albions Angel wrathful burnt..." (Plate 9)
- 1793
8
- Chapter 4 Frontispiece (Plate 76)
- 1804 to 1820
9
- "Thus wept the Angel voice & as he wept the terrible blasts..." (Plate 12)
- 1793
10
- Preludium. "The shadowy daughter of Urthona stood before red Orc..." (Plate 3)
- 1793
11
- "Silent as despairing love, and strong as jealousy..." (Plate 4)
- 1793
12
- The Six-Footed Serpent Attacking Agnolo Brunelleschi (Plate 4)
- 1827
13
- "Jerusalem, Chapter 2. Every ornament of perfection..." (Plate 28)
- 1804 to 1820
14
- "Leaning against the pillars..." (Plate 32)
- 1804 to 1820
15
- "And One stood forth from the Divine Family..." (Plate 37)
- 1804 to 1820
16
- "Jerusalem, Chapter 1. Of the Sleep of Ulro!..." (Plate 4)
- 1804 to 1820
17
- Jerusalem: The Emanation of The Giant Albion, Title Page (Plate 2)
- 1804 to 1820
18
- "Bath who is Legions..." (Plate 41)
- 1804 to 1820
19
- "And the voices of Bath & Canterbury & York & Edinburgh, Cry..." (Plate 57)
- 1804 to 1820
20
- "One hair nor particle of dust..." (Plate 14)
- 1804 to 1820
21
- "And Hand & Hyle rooted into Jerusalem..." (Plate 15)
- 1804 to 1820
22
- "His Spectre driv'n by the Starry Wheels of Albions sons..." (Plate 6)
- 1804 to 1820
23
- "Repose on me till the morning of the Grave..." (Plate 62)
- 1804 to 1820
24
- The Baffled Devils Fighting (Plate 3)
- 1827
25
- The Pit of Disease: The Falsifiers (Plate 6)
- 1827
26
- "Her voice pierc'd Albions clay cold ear..." (Plate 95)
- 1804 to 1820
27
- "I have mock'd those who refused cruelty..." (Plate 81)
- 1804 to 1820
28
- "What do I see! The Briton Saxon Roman Norman..." (Plate 92)
- 1804 to 1820
29
- "Awake! Awake Jerusalem..." (Plate 97)
- 1804 to 1820
30
- The Circle of the Lustful: Francesca da Rimini, 'The Whirlwind of Lovers' (Plate 1)
- 1827
31
- Ciampolo the Barrator Tormented by the Devils (Plate 2)
- 1827
32
- The Serpent Attacking Buoso Donati (Plate 5)
- 1827
33
- Dante Striking against Bocca Degli Abati (Plate 7)
- 1827
34
- A Prophecy. "The Guardian Prince of Albion burns in his nightly tent..." (Plate 5)
- 1793
35
- Frontispiece. Albion's Angel (Plate 1)
- 1793
36
- "The Terror Answered: I am Orc, wreath'd round the accursed tree..." (Plate 10)
- 1793
37
- "In the flames stood & view'd the armies drawn out in the sky..." (Plate 16)
- 1793
38
- "Over the hills, the vales, the cities, rage the red flames fierce..." (Plate 18)
- 1793
39
- "The morning comes, the night decays, the watchmen leave their stations..." (Plate 8)
- 1793
40
- The Phoenix or the Resurrection of Freedom
- 1776
41
- King Lear and Cordelia, Act V, Scene 10
- 1776
42
- Lear, from King Lear, Act III, Scene ii
- 1776
43
- Caliban, from The Tempest
- 1775
44
- Cavalry Charging
- 1801
45
- The Blue Passion Flower, 1800, from Robert John Thornton, 'The Temple of Flora', London, 1799-1812
- 1800
46
- The Dragon Arum, 1801, from Robert John Thornton, the 'Temple of Flora', 1799-1812
- December 1, 1801
47
- Illustrations to Dante's Divine Comedy
- 1827