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Materials & Techniques black ink
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1
- Opening the Fold: Early Morning
- ca. 1880
2
- Grotesque Male Head
- undated
3
- Grotesque Female Head
- undated
4
- Grotesque Male Head
- undated
5
- Grotesque Male Head
- undated
6
- Grotesque Male Head
- undated
7
- Grotesque Male Head
- undated
8
- Grotesque Male Head
- undated
9
- Grotesque Male Head
- undated
10
- Grotesque Male Head
- undated
11
- Grotesque Female Head
- undated
12
- Grotesque Male Head
- undated
13
- Grotesque Female Head
- undated
14
- Grotesque Male Head
- undated
15
- Grotesque Female Head
- undated
16
- Abu Seer
- 1867
17
- Laocoon
- undated
18
- Borghese Gladiator
- undated
19
- The Wave
- undated
20
- Men Going out to Fight, with a Crowd of Cowering Women Behind
- undated
21
- Howard Visiting a Prison
- undated
22
- Manuscript Notes
- 1773
23
- Manuscript Notes
- 1773
24
- Manuscript Notes
- 1773
25
- Manuscript Notes
- 1773
26
- Manuscript Notes
- 1773
27
- Manuscript Notes
- 1773
28
- Manuscript Notes
- 1773
29
- Howard Visiting a Prison
- between 1749 and 1802
30
- Howard Visiting a Prison
- undated
31
- Howard Visiting a Prison
- between 1790 and 1794
32
- John Henderson as Falstaff
- 1780
33
- Manuscript Notes
- 1773
34
- Manuscript Notes
- 1773
35
- Manuscript Notes
- 1773
36
- Manuscript Notes
- 1773
37
- Tiriel Supporting the Dying Myratana and Cursing His Sons
- 1786 to 1789
38
- Moses Receiving the Law
- ca. 1780
39
- View in Surrey
- undated
40
- Bathing Houses at Margate
- undated
41
- Country House
- undated
42
- Richmond
- undated
43
- Chepstow Castle
- undated
44
- Bathampton Mill
- undated
45
- Hilly Landscape with House
- undated
46
- Road in the Forest
- undated
47
- Thatched-roof Barn
- undated
48
- Watley
- undated
49
- View near Bristol
- undated
50
- Allegorical female figure: piety holding a nest of pelicans
- undated
51
- Allegorical Female Figure: holding a flaming torch
- undated
52
- The Iron Bridge, Coalbrookdale
- undated
53
- Dancing Figure
- between 1910 and 1915
54
- Abstract Figure Composition
- between 1910 and 1915
55
- Two Studies for a Sculptural Column
- between 1910 and 1915
56
- Two Figure Studies
- between 1910 and 1915
57
- Position pour la Garde en Quarte
- 1763
58
- Seconde Position du Salut
- 1763
59
- Quatrieme Position du Salut
- 1763
60
- Shipping in an Estuary
- undated
61
- De la Parade de Quarte au Dedans des Armes sur le Coup de Quarte
- 1763
62
- De la Parade de Quarte au Dehors des Armes sur le Coup de Quarte hors des Armes
- 1763
63
- De la Parade du Demi-Cercle sur le Coup, de Quarte Basse
- 1763
64
- De la Risposte en Seconde aprés Avoir paré la Quarte sur les Armes
- 1763
65
- De la Risposte du Cavé de Pied Ferme sur le Coup de Flanconnade a ceux qui n'Opposent pas de la Main Gauche
- 1763
66
- De la Risposte de Quarte apres la Parade de Quarte
- 1763
67
- Du Coupé sur Pointe de Quarte en Quarte sur les Armes
- 1763
68
- Position Aprés Avoir Désarmé sur le Coup de Tierce
- 1763
69
- Du Desarmement Aprés la Parade au Dehors des Armes
- 1763
70
- Du Desarmement sur le Coup de Tierce
- 1763
71
- L'Epée & Lanterne Combattüe par L'Epée et Manteau
- 1763
72
- De la Garde Espagnole Combattüe Aprês la Parade du Coup d'Estramasson
- 1763
73
- Decorative Stern
- undated
74
- Battle Scene, Three Battleships, One Sinking; Figures on Left in Rowboat and Standing Pier
- undated
75
- Le Port Vieux de Toulon: Dessiné du Point C Marqué sur le Plan
- undated
76
- Faux-Bourg de St. Serran: Dessine du Point C. Marque sur Le Plan
- undated
77
- Le Port de Brest: Dessiné du Point, A, Marqué sur La Carte De La Rade
- undated
78
- Le Port De Brest: Dessiné Du Point F Marqué sur Le Plan
- undated
79
- L'Orient 1776: Map of the Port of Orient
- 1776
80
- Le Port de Rochefort: Vu Du Point A Marque sur le Plan
- undated
81
- The Arrival of Ferries at London Bridge (?)
- undated
82
- Westminster Bridge from Lambeth Walk
- undated
83
- Dancing Figure, in Profile
- between 1910 and 1915
84
- Nine Dancing Figures, in Three Registers
- between 1910 and 1915
85
- Male Dancing Figure, in Profile
- between 1910 and 1915
86
- Dancing Figure
- between 1910 and 1915
87
- Three Figure Studies
- between 1910 and 1915
88
- Seven Dancing Figures, in Three Registers
- between 1910 and 1915
89
- Dancing Figure
- between 1910 and 1915
90
- Premiere Position pour tirer L'Epée
- 1763
91
- Position pour la Garde en Quarte et le Coup de Quarte
- 1763
92
- Position pour la Garde en Tierce
- 1763
93
- Position pour le Garde en Tierce et le Coup de Tierce
- 1763
94
- Position de la Garde de Tierce et le Coup de Seconde
- 1763
95
- Position de la Garde en Quarte, et le Coup de Quarte Basse
- 1763
96
- Troisieme Position du Salut
- 1763
97
- Position de la Garde en Quarte, et le Coup de Flanconnade
- 1763
98
- Premiere Position du Salut
- 1763
99
- Position pour la Garde de Tierce, et le Coup de Quarte sur les Armes
- 1763
100
- Cinquieme Position du Salut
- 1763