etching begun ca. 1800; impression printed in 1924
4
Print made by Samuel Palmer, 1805–1881
The Sleeping Shepherd
1857
5
Print made by Samuel Palmer, 1805–1881
The Lonely Tower
1879
6
Print made by Samuel Palmer, 1805–1881
The Sepulchre
between 1880 and 1883
7
Print made by Samuel Palmer, 1805–1881
The Vine
1852
8
Joseph Mallord William Turner, 1775–1851
Design for an Illustration for Walter Scott's "Lady of the Lake", Loch Achray
ca. 1832
9
Etched by Joseph Mallord William Turner, 1775–1851
Apuleia in Search of Apuleius
between 1813 and 1823
10
Edward Burne-Jones, 1833–1898
The Land of Beulah
1881
11
Print made by Henry Thomas Alken, 1785–1851
The School-Boy
1824
12
Samuel Howitt, 1756–1822
Going Out in the Morning: an illustration for Captain Thomas Williamson's "Oriental Field Sports"
1807
13
Samuel Howitt, 1756–1822
The Tiger at Bay: an illustration for Captain Thomas Williamson's "Oriental Field Sports"
1807
14
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower
1745
15
Print made by William Richardson, active 1842–1877
Ashestiel
1835
16
Print made by William Forrest, 1802–1889
Abbotsford, Large Vignette
1836
17
Richard Earlom, 1743–1822
Thomas King and Sophia Baddely in "The Clandestine Marriage"
1772
18
Henry Thomas Alken, 1785–1851
An Illustration of C.J. Apperley ('Nimrod'), "The Life of a Sportsman": 'A Night Scene with Sir Thomas Mostyn'
1842
19
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Meet: 'With Bright Faces and Merry Hearts'
undated
20
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Check: 'What the Devil Do You Do Here..'
undated
21
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": Getting Away: 'Let's Take the Lead'
undated
22
Print made by George Richmond, 1809–1896
The Fatal Bellman
1827
23
Joseph Farington, 1747–1821
Shakespearean Scene (?): A Pilgrim
1796
24
Richard Dadd, 1817–1886
Sketch for the Passions: Love
1853
25
Print made by Samuel Palmer, 1805–1881
Opening the Fold
plate etched in 1880; impression printed in 1926
26
Print made by Samuel Palmer, 1805–1881
Opening the Fold
plate etched in 1880; impression printed in 1920
27
William John Chamberlayne, 1821–1910
Mauritius - a scene with figures wearing classical costume standing by a pool flanked by palms; in the background is the Pieter Both Mountain