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Creator Rowlandson, Thomas, 1756–1827

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Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Pen and red, red-brown and dark gray ink with brown wash over graphite on medium, moderately textured, beige wove paper
Dimensions:
Sheet: 6 1/2 x 9 3/4 inches (16.5 x 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View on Exmoor
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and red-brown ink, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 5 5/8 x 9 1/8 inches (14.3 x 23.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Interior of a Stable
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and gray and brown ink over graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 5 15/16 x 9 1/4 inches (15.1 x 23.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Bucks of the First Head
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1785
Materials & Techniques:
Watercolor, with pen and black, and gray-brown ink, over graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 7 1/8 x 8 11/16 inches (18.1 x 22.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Pier at Amsterdam (Version A)
Creator:
Thomas Rowlandson, 1756–1827
Date:
1792
Materials & Techniques:
Watercolor with pen and red-brown and brown ink over graphite on medium, slightly textured, wove paper
Dimensions:
Sheet: 8 7/16 x 11 1/8 inches (21.4 x 28.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Angry Scene in a Street
Creator:
Thomas Rowlandson, 1756–1827
Date:
between 1805 and 1810
Materials & Techniques:
Watercolor with pen and red-brown and gray-brown ink, over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 3/4 x 9 3/8 inches (14.6 x 23.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Recruiting Officer
Creator:
Thomas Rowlandson, 1756–1827
Date:
1797
Materials & Techniques:
Watercolor with pen and red-brown, gray and black ink; verso: watercolor stains. on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 4 x 6 inches (10.2 x 15.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Journalist, with a view of Auchinleck or the Land of Stones
Creator:
Thomas Rowlandson, 1756–1827
Date:
1786
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale University Art Gallery Collection
A Pier at Amsterdam
Creator:
Thomas Rowlandson, 1756–1827
Date:
1801
Materials & Techniques:
Watercolor, pen and gray ink, pen and black ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 × 11 1/2 inches (25.4 × 29.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Mrs. Abington
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor, pen and gray ink, pen and black ink, and gray wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 3/4 × 11 3/4 inches (19.7 × 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Cat Like Courtship
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor, pen and gray ink, pen and red-brown ink, gray wash, and graphite on medium, slightly textured, beige wove paper mounted on thick, moderately textured, beige wove paper
Dimensions:
Sheet: 9 5/8 × 7 3/4 inches (24.4 × 19.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Harvesters Resting in a Corn Field
Creator:
Thomas Rowlandson, 1756–1827
Date:
between 1805 and 1810
Materials & Techniques:
Watercolor, pen and black ink, pen and red ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 1/8 × 11 3/4 inches (20.6 × 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Arrival of Ferries at London Bridge (?)
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, and graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 7 1/8 × 9 1/2 inches (18.1 × 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Set of sixteen: Outlines of Figures and Landscapes
Creator:
Thomas Rowlandson, 1756–1827
Date:
1790-1792
Materials & Techniques:
Etching, colored by hand
Dimensions:
Sheet: 14 1/4 x 10 1/4in. (36.2 x 26cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Set of sixteen: Outlines of Figures and Landscapes
Creator:
Thomas Rowlandson, 1756–1827
Date:
1790-1792
Materials & Techniques:
Etching, colored by hand
Dimensions:
Sheet: 14 1/4 x 10 1/4in. (36.2 x 26cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Set of sixteen: Outlines of Figures and Landscapes
Creator:
Thomas Rowlandson, 1756–1827
Date:
1790-1792
Materials & Techniques:
Etching, colored by hand
Dimensions:
Sheet: 14 1/4 x 10 1/4in. (36.2 x 26cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Set of sixteen: Outlines of Figures and Landscapes
Creator:
Thomas Rowlandson, 1756–1827
Date:
1790-1792
Materials & Techniques:
Etching, colored by hand
Dimensions:
Sheet: 14 1/4 x 10 1/4in. (36.2 x 26cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Sketched at the Cockpit, Nottingham
Creator:
Thomas Rowlandson, 1756–1827
Date:
1801
Materials & Techniques:
Pen and brown ink with gray wash on laid paper
Dimensions:
Sheet: 4 3/8 x 6 7/8in. (11.1 x 17.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Melville and Naomi Stone
Bucks of the First Head
Creator:
Print made by unknown artist
Materials & Techniques:
Photomechanical reproduction
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Dr. Syntax Painting a Portrait
Creator:
Thomas Rowlandson, 1756–1827
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 4 9/16 x 7 9/16in. (11.6 x 19.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Undergraduate's Room
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and red-brown and brown-gray ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 3/4 x 7 9/16 inches (12.1 x 19.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Actresses Dressing Room at Drury Lane
Creator:
Thomas Rowlandson, 1756–1827
Date:
between 1800 and 1810
Materials & Techniques:
Watercolor with pen and red-brown and gray ink, over graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 7 3/8 x 6 inches (18.7 x 15.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Rowlandson and Wigstead on Tour
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and black and gray ink on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 7 5/16 x 11 7/16 inches (18.6 x 29.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Three Sportsmen Sleeping at the Table in Their Chairs
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and gray-brown ink, and graphite; verso: graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 x 6 15/16 inches (10.2 x 17.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Return of the Fleet to Great Yarmouth in 1797
Creator:
Thomas Rowlandson, 1756–1827
Date:
1797
Materials & Techniques:
Watercolor and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 3/4 x 17 inches (27.3 x 43.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Guards on the March for the Duke of York's Campaign in France
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, pen and red ink, pen and gray ink, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 6 3/4 × 9 1/4 inches (17.1 × 23.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Set of eight (3): Cries of London
Creator:
Thomas Rowlandson, 1756–1827
Date:
1799
Materials & Techniques:
Etching with aquatint, colored by hand
Dimensions:
Sheet: 14 1/2 x 11 3/4in. (36.8 x 29.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Set of eight (5): Cries of London
Creator:
Thomas Rowlandson, 1756–1827
Date:
1799
Materials & Techniques:
Etching with aquatint, colored by hand
Dimensions:
Sheet: 14 1/2 x 11 3/4in. (36.8 x 29.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Set of eight (2): Cries of London
Creator:
Thomas Rowlandson, 1756–1827
Date:
1799
Materials & Techniques:
Etching with aquatint, colored by hand
Dimensions:
Sheet: 14 1/2 x 11 3/4in. (36.8 x 29.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Set of eight (5): Cries of London
Creator:
Thomas Rowlandson, 1756–1827
Date:
1799
Materials & Techniques:
Etching with aquatint, colored by hand
Dimensions:
Sheet: 14 1/2 x 11 3/4in. (36.8 x 29.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Set of eight (6): Cries of London
Creator:
Thomas Rowlandson, 1756–1827
Date:
1799
Materials & Techniques:
Etching with aquatint, colored by hand
Dimensions:
Sheet: 14 1/2 x 11 3/4in. (36.8 x 29.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Set of eight (4): Cries of London
Creator:
Thomas Rowlandson, 1756–1827
Date:
1799
Materials & Techniques:
Etching with aquatint, colored by hand
Dimensions:
Sheet: 14 1/2 x 11 3/4in. (36.8 x 29.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Set of eight (7): Cries of London
Creator:
Thomas Rowlandson, 1756–1827
Date:
1799
Materials & Techniques:
Etching with aquatint, colored by hand
Dimensions:
Sheet: 14 1/2 x 11 3/4in. (36.8 x 29.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Set of sixteen: Outlines of Figures and Landscapes
Creator:
Thomas Rowlandson, 1756–1827
Date:
1790-1792
Materials & Techniques:
Etching, colored by hand
Dimensions:
Sheet: 14 1/4 x 10 1/4in. (36.2 x 26cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Set of sixteen: Outlines of Figures and Landscapes
Creator:
Thomas Rowlandson, 1756–1827
Date:
1790-1792
Materials & Techniques:
Etching, colored by hand
Dimensions:
Sheet: 14 1/4 x 10 1/4in. (36.2 x 26cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Set of Sixteen: Outlines of Figure and Landscapes
Creator:
Thomas Rowlandson, 1756–1827
Date:
1790-1792
Materials & Techniques:
Etching, colored by hand
Dimensions:
Sheet: 14 1/4 x 10 1/4in. (36.2 x 26cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Set of sixteen: Outlines of Figures and Landscapes
Creator:
Thomas Rowlandson, 1756–1827
Date:
1790-1792
Materials & Techniques:
Etching, colored by hand
Dimensions:
Sheet: 14 1/4 x 10 1/4in. (36.2 x 26cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Soldiers on a March: "To pack up her tatters and follow the Drum"
Creator:
Thomas Rowlandson, 1756–1827
Date:
1811
Materials & Techniques:
Hand-colored etching
Dimensions:
Sheet: 8 3/4 x 9 1/4in. (22.2 x 23.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Picnic
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and gray and brown ink over graphite; verso: graphite on medium, slightly textured, cream wove paper, mounted on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 15/16 x 16 7/16 inches (27.8 x 41.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Dr. Syntax Made Free of the Cellar
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and brown and gray ink on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 5 1/4 x 8 3/8 inches (13.3 x 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Hospital, Middlesex
Creator:
Joseph Constantine Stadler, active 1780–1812
Date:
1808
Materials & Techniques:
Colored aquatint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Chauncey Brewster Tinker
Excise Office, Broad Street
Creator:
Thomas Sutherland, ca. 1785–1838
Date:
1810
Materials & Techniques:
Colored aquatint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Chauncey Brewster Tinker
West India Docks
Creator:
Print made by John Bluck, active 1791–1831
Date:
1810
Materials & Techniques:
Aquatint and etching with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 7/16 x 12 5/8 inches (24 x 32 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Chauncey Brewster Tinker
Four O'Clock in the Country
Creator:
Thomas Rowlandson, 1756–1827
Date:
between 1788 and 1790
Materials & Techniques:
Watercolor, pen and black ink, gray ink and graphite on medium, slightly textured, cream wove paper
Dimensions:
Mount: 12 7/8 x 15 3/4 inches (32.7 x 40 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Return from the Hunt
Creator:
Thomas Rowlandson, 1756–1827
Date:
1787
Materials & Techniques:
Watercolor, pen and gray ink, and black ink on moderately thick, slightly textured, cream laid paper
Dimensions:
Mount: 8 1/16 x 11 7/8 inches (20.5 x 30.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Runaway Coach
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1791
Materials & Techniques:
Watercolor, pen and black ink, gray ink, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 7 7/8 x 9 3/4 inches (20 x 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
How to Vault in the Saddle
Creator:
Thomas Rowlandson, 1756–1827
Date:
1813
Materials & Techniques:
Watercolor, pen and brown ink, gray ink, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Mount: 13 x 10 3/4 inches (33 x 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Horse Sale at Hopkins's Repository (An outline)
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Pen and black ink and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 5/16 x 15 11/16 inches (23.7 x 39.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Canterbury-Dover Coach Passing Vanbrugh Castle
Creator:
Thomas Rowlandson, 1756–1827
Date:
between 1795 and 1800
Materials & Techniques:
Watercolor, in pen with brown ink and gray ink, over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/2 x 17 15/16 inches (29.2 x 45.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Race on the Knavesmire at York
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, and gray ink on thick, slightly textured, brown wove paper
Dimensions:
Sheet: 8 1/2 x 14 inches (21.6 x 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Travelling in France
Creator:
Thomas Rowlandson, 1756–1827
Date:
between 1785 and 1789
Materials & Techniques:
Watercolor, pen and black ink, gray ink, and graphite on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 11 5/16 x 17 1/2 inches (28.7 x 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Horse Sale in Hopkins's Repository, Barbican
Creator:
Thomas Rowlandson, 1756–1827
Date:
between 1798 and 1800
Materials & Techniques:
Watercolor, pen and black ink, and gray ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Mount: 13 1/8 x 17 15/16 inches (33.3 x 45.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Stable of an Inn
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1790
Materials & Techniques:
Watercolor, pen and black ink, graphite, gouache and brown wash on medium, moderately textured, beige laid paper
Dimensions:
Mount: 10 1/4 × 17 13/16 inches (26 × 45.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

54. Mid-Day

Mid-Day
Creator:
unknown artist
Date:
1799
Materials & Techniques:
Watercolor, pen and black ink, gray ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 1/16 × 5 7/8 inches (10.3 × 14.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Crowded Race Meeting
Creator:
Thomas Rowlandson, 1756–1827
Date:
between 1805 and 1810
Materials & Techniques:
Watercolor, pen and brown ink, gray ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 7/8 × 9 1/2 inches (14.9 × 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Saddled Cavalry Horse
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Pen and gray ink, black ink, graphite, and brown wash on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/8 x 8 7/8 inches (18.1 x 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Bartholomew Fair
Creator:
John Bluck, active 1791–1831
Date:
1808
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Hall, Carlton House
Creator:
Augustus Charles Pugin, 1762–1832
Date:
1808
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 10 1/16 × 12 1/8 inches (25.6 × 30.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Billingsgate Market
Creator:
after Thomas Rowlandson, 1756–1827
Date:
1808
Materials & Techniques:
Hand colored aquatint on slightly textured, medium, cream wove paper
Dimensions:
Sheet: 9 1/8 × 11 1/8 inches (23.2 × 28.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Sessions House, Clerkenwell Green
Creator:
John Bluck, active 1791–1831
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 11 7/8 x 10in. (30.2 x 25.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Advantage of Shifting the Leg
Creator:
Thomas Rowlandson, 1756–1827
Date:
1798
Materials & Techniques:
Colored engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Heads: Philosophorum
Creator:
Thomas Rowlandson, 1756–1827
Date:
1800
Materials & Techniques:
Etching, colored
Dimensions:
Sheet: 10 1/2 x 5 1/2in. (26.7 x 14cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Soldiers Recreating
Creator:
Heinrich Joseph Schutz, active 1798
Date:
1798
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
An Italian Family
Creator:
Samuel Alken, 1756–1815
Date:
1785
Materials & Techniques:
Etching with aquatint
Dimensions:
Sheet: 16 1/4 x 21 3/4in. (41.3 x 55.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A French Family
Creator:
Samuel Alken, 1756–1815
Date:
1786
Materials & Techniques:
Etching with aquatint
Dimensions:
Sheet: 15 7/8 x 21 1/4in. (40.3 x 54cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Entrance from Hackney or Cambridge Heath Turnpike with a Distant iew of St. Paul's
Creator:
Heinrich Joseph Schutz, active 1798
Date:
1798
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Lottery Drawing, Coopers Hall
Creator:
Joseph Constantine Stadler, active 1780–1812
Date:
1809
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
House of Lords
Creator:
Thomas Rowlandson, 1756–1827
Date:
1809
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Boxes: O woe is me, t' have seen what I have seen Seeing what I see.
Creator:
Print made by Thomas Rowlandson, 1756–1827
Date:
1809
Materials & Techniques:
Etching, colored
Dimensions:
Sheet: 15 1/2 x 9 3/4 inches (39.4 x 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Miss Edith Wetmore
The Cobbler's Cure for a Scolding Wife
Creator:
Thomas Rowlandson, 1756–1827
Materials & Techniques:
Etching on wove paper
Dimensions:
Sheet: 14 7/8 x 9 7/8 inches (37.8 x 25.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Fry Print Collection
Witches in a Hayloft
Creator:
Thomas Rowlandson, 1756–1827
Date:
1813?
Materials & Techniques:
Etching, colored
Dimensions:
Sheet: 9 1/4 x 13 inches (23.5 x 33 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Fry Print Collection
A Picture of Misery
Creator:
Thomas Rowlandson, 1756–1827
Materials & Techniques:
Etching, colored
Dimensions:
Sheet: 9 5/8 x 13 3/4 inches (24.4 x 34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Fry Print Collection
Doctor Syntax, Rural Sports, from The Tour of Doctor Syntax in Search of the Picturesque
Creator:
Thomas Rowlandson, 1756–1827
Date:
1813
Materials & Techniques:
Aquatint, colored
Dimensions:
Sheet: 5 3/4 x 9 1/4 inches (14.6 x 23.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Leatrice and Mervyn Schacht
Pass-Room Bridewell
Creator:
Thomas Rowlandson, 1756–1827
Date:
1808
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Miseries Personal
Creator:
Thomas Rowlandson, 1756–1827
Date:
1807
Materials & Techniques:
Etching, colored
Dimensions:
Sheet: 11 x 14 1/2 inches (27.9 x 36.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection,Gift of Mrs. Paul Moore
An Execution Scene Outside Newgate
Creator:
unknown artist
Materials & Techniques:
Reproduction
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Newgate Chapel
Creator:
Joseph Constantine Stadler, active 1780–1812
Date:
1809
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Magdalen Chapel
Creator:
John Bluck, active 1791–1831
Date:
1809
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 8 7/8 x 10 5/8in. (22.5 x 27cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
St. Margarets, Westminster
Creator:
John Bluck, active 1791–1831
Date:
1809
Materials & Techniques:
Aquatint
Dimensions:
Sheet: 11 1/4 x 8 5/8in. (28.6 x 21.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Detection
Creator:
Thomas Rowlandson, 1756–1827
Materials & Techniques:
Etching and aquatint
Dimensions:
Sheet: 10 x 14in. (25.4 x 35.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Consequence of not Shifting the Leg
Creator:
Thomas Rowlandson, 1756–1827
Date:
1798
Materials & Techniques:
Colored engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Heads: Epicurum
Creator:
Thomas Rowlandson, 1756–1827
Date:
1800
Materials & Techniques:
Etching, colored
Dimensions:
Sheet: 10 1/2 x 5 1/2in. (26.7 x 14cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Heads: Fancynina
Creator:
Thomas Rowlandson, 1756–1827
Date:
1800
Materials & Techniques:
Etching, colored
Dimensions:
Sheet: 10 1/2 x 5 1/2in. (26.7 x 14cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Heads: Allegora
Creator:
Thomas Rowlandson, 1756–1827
Date:
1800
Materials & Techniques:
Etching, colored
Dimensions:
Sheet: 10 1/2 x 5 1/2in. (26.7 x 14cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Fox-Hunting [set of six]: 5. The Return
Creator:
Thomas Rowlandson, 1756–1827
Date:
1788
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 15 1/2 x 20 3/8in. (39.4 x 51.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Fox-Hunting [set of six]: 4. The Refreshment
Creator:
Thomas Rowlandson, 1756–1827
Date:
1788
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 15 3/4 x 20 1/8in. (40 x 51.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Fox-Hunting [set of six]: 2. The Chase
Creator:
Thomas Rowlandson, 1756–1827
Date:
between 1787 and 1788
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 15 3/4 x 20 1/8in. (40 x 51.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Fox-Hunting [set of six]: 3. The Death of the Fox
Creator:
Thomas Rowlandson, 1756–1827
Date:
1787
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 15 3/4 x 20 1/8in. (40 x 51.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
St. Paul's Cathedral
Creator:
Thomas Rowlandson, 1756–1827
Date:
1809
Materials & Techniques:
Aquatint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Post Office
Creator:
Thomas Rowlandson, 1756–1827
Date:
1809
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Greenwich Hospital, the Painted Hall
Creator:
Thomas Rowlandson, 1756–1827
Date:
1810
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Guildhall Examination of a Bankrupt before his Creditors
Creator:
Thomas Rowlandson, 1756–1827
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Common Council Chamber, Guildhall
Creator:
Thomas Rowlandson, 1756–1827
Date:
1808
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Roman Catholic Chapel, Lincoln's Inn Fields
Creator:
John Bluck, active 1791–1831
Date:
1808
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Candlewick Ward Association
Creator:
unknown artist
Date:
1799
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Corn Exchange
Creator:
John Bluck, active 1791–1831
Date:
1808
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Heads: Barberorum
Creator:
Thomas Rowlandson, 1756–1827
Date:
1800
Materials & Techniques:
Etching, colored
Dimensions:
Sheet: 10 1/2 x 5 1/2in. (26.7 x 14cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Heads: Virginia
Creator:
Thomas Rowlandson, 1756–1827
Date:
1800
Materials & Techniques:
Etching, colored
Dimensions:
Sheet: 10 1/2 x 5 1/2in. (26.7 x 14cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Heads: Publicorum
Creator:
Thomas Rowlandson, 1756–1827
Date:
1800
Materials & Techniques:
Etching, colored
Dimensions:
Sheet: 10 1/2 x 5 1/2in. (26.7 x 14cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Heads: Flora
Creator:
Thomas Rowlandson, 1756–1827
Date:
1800
Materials & Techniques:
Colored etching
Dimensions:
Sheet: 10 1/2 x 5 1/2in. (26.7 x 14cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection