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Credit Line Yale Center for British Art, Paul Mellon Collection
Remove constraint Credit Line: Yale Center for British Art, Paul Mellon CollectionOn-site Access Accessible by appointment in the Study Room
Remove constraint On-site Access: Accessible by appointment in the Study RoomSearch Results
301
- Human Figure, Anterior View, Undissected (Finished Study for Table VI)
- 1795 to 1806
302
- Human Figure, Lateral View, Undissected (Finished Study for Table VIII)
- between 1795 and 1806
303
- Human Figure, Anterior View (Intended for a Plate That was Never Published)
- 1795 to 1806
304
- Human Figure, Posterior View, Partially Dissected (Finished Study for Table XII)
- 1795 to 1806
305
- Study of the Human Figure, Anterior View (Probably related to Table XI)
- 1795 to 1806
306
- Study of the Human Figure, Anterior View (Outline Drawing for Table VI)
- 1795 to 1806
307
- Fowl, Lateral View, with Skin and Underlying Fascial Layers Removed (Finished Study for Table XV)
- between 1795 and 1806
308
- Human Figure, Anterior View (Largely in outline)
- 1795 to 1806
309
- Human Skeleton, Anterior View
- 1795 to 1806
310
- Human Figure, Anterior View (Finished Study of Final Stage of Dissection)
- 1795 to 1806
311
- Human Skeleton, Anterior View (Final study)
- 1795 to 1806
312
- Human Figure, Anterior View (Outline drawing)
- 1795 to 1806
313
- Tiger Skeleton, Lateral View (Finished Study for Table IV)
- between 1795 and 1806
314
- Human Figure, Anterior View, Skin and Underlying Fascial Layers Removed (Finished Study for Table XI)
- 1795 to 1806
315
- Tiger, Lateral View, with the Connective Tissue Overlying the Muscles Removed (Finished Study for Table XIV)
- 1795 to 1806
316
- Human Figure, Lateral View, after Removal of the Skin and the Underlying Fascial Layers (Finished Study for Table XIII)
- between 1795 and 1806
317
- Human Figure, Anterior View (Outline figure)
- 1795 to 1806
318
- Human Figure, Posterior View (Almost Identical to Finished Drawing for Table XII)
- 1795 to 1806
319
- Human Body, Posterior View (Outline Drawing for Table VII)
- 1795 to 1806
320
- Human Figure, Posterior View, Undissected (Finished Study for Table VII)
- 1795 to 1806
321
- Grotesque Female Head
- undated
322
- Grotesque Male Head
- undated
323
- The First Stage of Cruelty
- ca. 1750
324
- Grotesque Male Head
- undated
325
- Grotesque Male Head
- undated
326
- Grotesque Male Head
- undated
327
- Grotesque Male Head
- undated
328
- Grotesque Female Head
- undated
329
- Grotesque Female Head
- undated
330
- Grotesque Male Head
- undated
331
- Grotesque Male Head
- undated
332
- Grotesque Male Head
- undated
333
- Trade Sheet for: Richard Hand, The Oldest Original Chelsey Bunn Baker at the King's Arms Chelsey
- 1718
334
- Grotesque Female Head
- undated
335
- Grotesque Male Head
- undated
336
- Grotesque Female Head
- undated
337
- Grotesque Male Head
- undated
338
- Painting of Pharoah's Daughter and Moses in the Foundling Hospital
- 1752
339
- The Four Times of Day, Plate IV: Night
- 1738
340
- The Four Times of Day, Plate II: Noon
- 1738
341
- A Rake's Progress, Plate I: He Takes Possession
- 1735
342
- A Rake's Progress, Plate II: His Levee
- 1735
343
- A Rake's Progress, Plate III: He Revels
- 1735
344
- A Rake's Progress, Plate IV: Goes to Court
- 1735
345
- A Rake's Progress, Plate VI: He Gambles
- 1735
346
- A Rake's Progress, Plate V: He Marries
- 1735
347
- A Rake's Progress, Plate VIII: In Bedlam
- 1735
348
- A Rake's Progress, Plate VII: In Fleet Street Prison
- 1735
349
- The Sleeping Congregation
- 1736
350
- A Consultation of Physicians
- 1736
351
- Colombus breaking the Egg
- 1753
352
- The Stage Coach; Or Country Inn Yard
- 1747
353
- The Distrest(ed) Poet
- 1740
354
- The Second Stage of Cruelty: Second, Coachman Beating a Fallen Horse
- 1751
355
- Southwark Fair
- 1733
356
- A Midnight Modern Conversation
- 1733
357
- Scholars at a Lecture (A Chorus of Singers)
- 1736
358
- The Enraged Musician
- 1741
359
- Strolling Actresses Dressing in a Barn
- 1738
360
- Simon Lord Lovat
- 1746
361
- Gulielmus Hogarth
- 1749
362
- Subscription Ticket: Three Characters and Four Caricaturas
- 1743
363
- The First Stage of Cruelty: First, Children Torturing Animals
- 1751
364
- The Invasion, Plate II: England
- 1756
365
- Analysis of Beauty, Plate I: A Statuary's Yard
- 1753
366
- An Election Entertainment, Plate I
- 1755-58
367
- The Polling, Plate III
- 1758
368
- Chairing the Members, Plate IV
- 1758
369
- The Bench
- 1758
370
- The Laughing Audience
- 1733
371
- And as he Reasoned of Righteousness, Temperance, and Judgment to Come, Felix Trembled
- 1752
372
- And the Child Grew, and She Brought Him unto Pharaohs Daughter, and He Became Her Son, and Called his name Moses
- 1752
373
- The Four Stages of Cruelty: Cruelty in Perfection (The Murderer)
- 1751
374
- The Four Stages of Cruelty: The Reward of Cruelty (Anatomy Theatre)
- 1751
375
- The Cockpit
- 1759
376
- Hogarth Painting the Comic Muse
- 1764
377
- The Invasion, Plate I: France
- 1756
378
- Analysis of Beauty, Plate II: A Country Dance
- 1753
379
- Fair Scene
- 1733
380
- The Four Times of Day, Plate I: Morning
- 1738
381
- William Hogarth
- 1764
382
- Prospectus print "Crown & Mitre"
- 1754
383
- Gabriel Hunt
- undated
384
- Hymen
- ca. 1748
385
- Operation Scene in a Hospital with Subsidiary Sketches in the Margin at the Lower Right
- undated
386
- Study for the Foundlings
- ca. 1739
387
- Study of a Female Nude
- undated
388
- Benjamin Read
- ca. 1757
389
- George Taylor's Epitaph: George Taylor Breaking the Ribs of Death
- ca. 1750
390
- George Taylor's Epitaph: Death Giving George Taylor a Cross Buttock
- ca. 1750
391
- Bridge and Cows
- 1807
392
- Bridge and Cows
- 1807
393
- Flint Castle, Vessels Unloading
- 1807
394
- Jason
- 1807
395
- The Straw Yard
- 1808
396
- The Castle above the Meadows
- 1808
397
- The Straw Yard
- 1808
398
- Mt. St. Gothard
- 1808
399
- Mt. St. Gothard
- 1808
400
- Ships in a Breeze
- 1808