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1
- Brave tars and glorious commanders
- 2016
2
- The art of Henry Moore
- 2004
3
- Pope, poet and friend
- 2014
4
- From clay to bronze
- 2013
5
- The mystery of Henry Moore
- 2014
6
- Constable
- 2015
7
- [Introductory lecture prior to the screening of Gilbert and George, a documentary film]
- 2008
8
- This sporting life
- 2015
9
- Visualizing slavery & British culture in the eighteenth century
- 2014
10
- My civilization
- 2008
11
- Crystal Palace Soirée
- 2014
12
- Louis I. Kahn in conversation
- 2015
13
- Sculpture on the threshold
- 2015
14
- "Attempting impossibilities"
- 2015
15
- Romantic eye symposium
- 2015
16
- War requiem
- 1988
17
- Painting (v.) as image/painting (n.) as object
- 2007
18
- Andrew W. Mellon
- 2006
19
- Paul Mellon in his own words
- 2007
20
- Canaletto in England
- 2007]
21
- Paul Mellon: the galloping Anglophile
- 2007
22
- For an excellent purpose
- 2007
23
- Richard Hamilton
- 2004
24
- London in festival year 1951
- c2006
25
- The crown of the year
- c2004
26
- The pattern of Britain
- c2005
27
- Louis Kahn, architect
- [199-?], ©1972
28
- Jem Southam
- 2007
29
- The legacies of slavery and emancipation
- 2007
30
- [Ori Gersht lecture]
- 2007
31
- [Lecture]
- 2007
32
- The ordeal of Elizabeth Marsh
- 2007
33
- The English pastoral in art and music
- 2007
34
- Jamaican/Caribbean collective creative imagination
- 2007
35
- History of nothing
- 1963
36
- Moving rooms
- 2007
37
- An artful management
- 2007
38
- Shakespeare the thinker
- 2007
39
- Charters for the spirit
- 2007
40
- Postdramatic theater
- 2007
41
- Moggerhanger
- 2006
42
- Shakespeare's London
- 2006
43
- Liveness
- 2007
44
- Collectors, benefactors, scholarship and the public
- 2006
45
- Worlds of performance
- 2007
46
- Blood of Vilseck
- 2006
47
- "What lies beneath"
- 2005
48
- When this you see
- 2006
49
- The legacies of slavery and emancipation
- 2007
50
- "I never saw that you did painting need"
- 2006
51
- Performing subjects, performing artists
- 2007
52
- British Orientalist painting
- 2008
53
- Rags to reams
- 2006
54
- Intercultural performance
- 2007
55
- Extensive ritual
- 2007
56
- Movement and meaning
- 2007
57
- Reflections on the slave trade
- 2006
58
- Revealing Kew Palace
- 2006
59
- What is performance
- 2007
60
- Intensive ritual
- 2007
61
- Princes and goldsmiths
- 2006
62
- Play
- 2007
63
- Portraiture in Shakespeare's London
- 2006
64
- "The faithless column and the crumbling bust"
- 2004
65
- Performance analysis
- 2007
66
- Performance
- 2007
67
- Heart and flesh
- 2004
68
- Mapwork
- 2006
69
- Rediscovering William Hodges
- 2005
70
- The face as index of the soul
- 2007
71
- Louis Kahn panel discussion
- 2007
72
- John White, Richard Hakluyt, and the creation of American icons
- 2008
73
- Candidates for fame
- 2006
74
- African art in Europe today
- 2005
75
- Observation in the Englightenment
- 2007
76
- Art and music in medieval Britain
- 2006
77
- Classicism in color
- 2008
78
- Art and music in Britain's jazz age
- 2007
79
- An empire between
- 2008
80
- Art and music in Elizabethan England
- 2006
81
- Uneasy pieces
- 2005
82
- Emporium of images
- 2012
83
- The future of research
- 2012
84
- The preservation survey
- c2003
85
- Slaves waiting for sale
- 2012
86
- Edmund de Waal
- 2012
87
- Sculpture victorious
- 2014
88
- Animating the canvas
- 2014
89
- Figures of empire
- 2014
90
- Elasticity and sculptural form
- 2014
91
- Beyond fashion and fear
- 2014
92
- Inspiration and eccentricity
- 2014
93
- Embryo
- c1990
94
- Safeguarding our cultural heritage
- c1995
95
- The Garibaldi panorama
- [2004]
96
- V and A
- [2004]
97
- Media magica
- 2004
98
- "Grand Niagara"
- 2013
99
- Art, anxiety and protest in the Edwardian Belle Epoch
- 2013
100
- Robert Burns and Scottish independence
- 2012