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Credit Line Yale Center for British Art, Paul Mellon Fund

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Genre landscape

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1. Figures on a Balcony, probably at Westpoint

Figures on a Balcony, probably at Westpoint
Creator:
Thomas Creswick, 1811–1869
Date:
ca. 1843
Materials & Techniques:
Oil on panel
Dimensions:
8 x 12 inches (20.3 x 30.5 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Fund
On View:
Not on view

2. Village Scene (possibly Colickey Green, Essex)

Village Scene (possibly Colickey Green, Essex)
Creator:
Jessica Landseer, 1807–1880
Date:
1817
Materials & Techniques:
Oil on canvas
Dimensions:
14 x 17 1/2 inches (35.6 x 44.5 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Fund
On View:
Not on view

3. Beach Scene

Beach Scene
Creator:
Philip Wilson Steer, 1860–1942
Date:
1891
Materials & Techniques:
Oil on panel
Dimensions:
8 1/4 × 10 3/4 inches (21 × 27.3 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Fund
On View:
Not on view

4. Hackwood Park, Hampshire

Hackwood Park, Hampshire
Creator:
Paul Sandby, 1731–1809
Date:
undated, exhibited 1764
Materials & Techniques:
Oil on canvas
Dimensions:
40 3/16 x 50 1/4 inches (102.1 x 127.6 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Fund
On View:
Not on view

5. A Welsh Funeral

A Welsh Funeral
Creator:
Print made by Edward Radclyffe, 1809–1863
Date:
undated
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 13 5/8 x 19 3/8 inches (34.6 x 49.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

6. After Work

After Work
Creator:
Paul Drury, 1903–1987
Date:
1926
Materials & Techniques:
Etching on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 7 3/8 x 10 1/8 inches (18.7 x 25.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

7. Festa di San Antonio, Bay of Naples

Festa di San Antonio, Bay of Naples
Creator:
Thomas Uwins, 1782–1857
Date:
ca. 1840
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/8 × 33 inches (18.1 × 83.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

8. Little Missenden Church from the Southeast

Little Missenden Church from the Southeast
Creator:
Print made by Lydia Bates, active 1784
Date:
1784
Materials & Techniques:
Etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 11 7/16 x 17 1/8 inches (29 x 43.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

9. Classical Landscape with Travellers, a Dog and House on the left

Classical Landscape with Travellers, a Dog and House on the left
Creator:
Print made by Jean B. C. Chatelain, 1710–1771
Date:
1741
Materials & Techniques:
Etching on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 12 × 15 1/4 inches (30.5 × 38.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

10. Landscape with Shepherd

Landscape with Shepherd
Creator:
Sir Walter Thomas Monnington, 1902–1976
Date:
undated
Materials & Techniques:
Brown wash and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 × 9 inches (17.8 × 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

11. Choquer

Choquer
Creator:
Print made by George Arnald, 1763–1841
Date:
1821
Materials & Techniques:
Etching and mezzotint, printed in brown ink on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 8 11/16 × 11 1/8 inches (22 × 28.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

12. Meuse and Sambre, from the Gate of the Sambre

Meuse and Sambre, from the Gate of the Sambre
Creator:
Print made by George Arnald, 1763–1841
Date:
1822
Materials & Techniques:
Etching and mezzotint, printed in brown ink on moderately thick, rough, beige laid paper
Dimensions:
Sheet: 8 13/16 × 11 5/16 inches (22.4 × 28.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

13. Meuse and Sambre, from the Gate of the Sambre

Meuse and Sambre, from the Gate of the Sambre
Creator:
Print made by George Arnald, 1763–1841
Date:
1822
Materials & Techniques:
Etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 9/16 × 10 15/16 inches (21.8 × 27.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

14. Left Bank, Meuse

Left Bank, Meuse
Creator:
Print made by George Arnald, 1763–1841
Date:
between 1818 and 1828
Materials & Techniques:
Etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 3/8 × 10 7/8 inches (21.2 × 27.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

15. Bouvignes and Dinant

Bouvignes and Dinant
Creator:
Print made by George Arnald, 1763–1841
Date:
1822
Materials & Techniques:
Etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 7/16 × 11 9/16 inches (21.4 × 29.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

16. Bouvignes and Dinant

Bouvignes and Dinant
Creator:
Print made by George Arnald, 1763–1841
Date:
1822
Materials & Techniques:
Etching and mezzotint, printed in brown ink on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 8 11/16 × 11 3/4 inches (22.1 × 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

17. Heyday! Is This My Daughter Anne!

Heyday! Is This My Daughter Anne!
Creator:
Print made by Francis E. Adams, active ca.1760–1775
Date:
1773
Materials & Techniques:
Mezzotint and etching on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 14 × 10 1/16 inches (35.5 × 25.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

18. River Meuse

River Meuse
Creator:
Print made by Henry Dawe, 1790–1848
Date:
undated
Materials & Techniques:
Mezzotint and etching on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 8 3/16 × 10 3/8 inches (20.8 × 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

19. The Patriotic Peasant

The Patriotic Peasant
Creator:
Print made by Cornelis Dusart, 1660–1704
Date:
1695
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 12 15/16 x 9 1/16 inches (32.9 x 23 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

20. Augustus

Augustus
Creator:
Print made by Jacob Gole, 1660–1737
Date:
undated
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 1/16 x 7 9/16 inches (25.6 x 19.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

21. Left Bank, Meuse

Left Bank, Meuse
Creator:
Print made by George Arnald, 1763–1841
Date:
between 1818 and 1828
Materials & Techniques:
Etching and mezzotint, printed in brown ink on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 11 1/4 inches (22.2 × 28.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

22. Left Bank, Meuse

Left Bank, Meuse
Creator:
Print made by George Arnald, 1763–1841
Date:
between 1818 and 1828
Materials & Techniques:
Etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 3/4 × 11 1/8 inches (22.2 × 28.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

23. Choquer

Choquer
Creator:
Print made by George Arnald, 1763–1841
Date:
1821
Materials & Techniques:
Etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 7/16 × 11 inches (21.4 × 28 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

24. Castle above a River, Woodcutters in the Foreground

Castle above a River, Woodcutters in the Foreground
Creator:
Peter DeWint, 1784–1849
Date:
ca. 1820
Materials & Techniques:
Watercolor and graphite on medium, rough, cream wove paper
Dimensions:
Sheet: 20 1/4 x 33 3/4 inches (51.4 x 85.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

25. The School-Boy

The School-Boy
Creator:
Print made by Henry Thomas Alken, 1785–1851
Date:
1824
Materials & Techniques:
Soft-ground etching with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 7/8 × 11 1/4 inches (22.6 × 28.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

26. Left Bank, Meuse

Left Bank, Meuse
Creator:
Print made by George Arnald, 1763–1841
Date:
between 1818 and 1828
Materials & Techniques:
Etching and mezzotint, printed in brown ink on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 9 1/16 × 11 5/8 inches (23 × 29.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

27. Hastings Beach in August

Hastings Beach in August
Creator:
Theodore Casimir Roussel, 1847–1926
Date:
1924
Materials & Techniques:
Watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 7/8 × 6 3/4 inches (12.4 × 17.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

28. Udaipur, 1916

Udaipur, 1916
Creator:
Print made by Charles W. Bartlett, 1860–1940
Date:
1916
Materials & Techniques:
Color woodblock print on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 11 3/8 x 15 15/16 inches (28.9 x 40.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

29. The Junction of the Severn and the Wye with Chepstow in the Distance

The Junction of the Severn and the Wye with Chepstow in the Distance
Creator:
David Cox, 1783–1859
Date:
1830
Materials & Techniques:
Watercolor with stopping out, scraping out, and gouache on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 31 x 42 inches (78.7 x 106.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

30. Figures by a stream with cattle watering

Figures by a stream with cattle watering
Creator:
Philippe-Jacques de Loutherbourg, 1740–1812
Date:
undated
Materials & Techniques:
Pen and black ink, graphite, and gray wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 14 × 20 inches (35.6 × 50.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

31. Landscape with a Man Washing His Feet at a Fountain, after Poussin

Landscape with a Man Washing His Feet at a Fountain, after Poussin
Creator:
David Cox, 1783–1859
Date:
ca. 1821
Materials & Techniques:
Watercolor, pen and brown ink, gum arabic, and scratching out on very thick, slightly textured, beige cardboard
Dimensions:
Sheet: 11 3/4 x 15 5/8 inches (29.8 x 39.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

32. Crossing the Brook

Crossing the Brook
Creator:
Print made by Robert Brandard, 1805–1862
Date:
1842
Materials & Techniques:
Etching and line engraving with graphite; touched engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 19 × 15 1/2 inches (48.3 × 39.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

33. Windermere During the Regatta

Windermere During the Regatta
Creator:
David Cox, 1783–1859
Date:
1832
Materials & Techniques:
Watercolor, pen and red ink, brown ink, gray ink, gouache, graphite, gum arabic, and scratching out on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 17 3/4 x 24 inches (45.1 x 61 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund