An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The Front of the Monument of Aveline, First Wife of Edmund Crouchback (Plate I)
1780
2
James Basire the younger, 1769–1822
An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The Under Vaulting of one side of the Canopy of the Monument of Aveline, Coutess of Lancaster (Plate III)
1780
3
James Basire the younger, 1769–1822
An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The North Front of the Monument of King Schert (Plate IV)
1780
4
James Basire the younger, 1769–1822
An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The Figures supposed to be those of King Sebert and King Henry III (Plate V)
1780
5
James Basire the younger, 1769–1822
An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: Heads and Ornaments on the North Side of the Monument of King Sebert (Plate VI)
1780
6
Engraved by James Basire the younger, 1769–1822
An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The Monument of Ann of Cleves, fourth Wife of King Henry VIII (Plate VII)
1780
7
James Basire the younger, 1769–1822
An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The Figure of Aveline Countess of Lancaster, Cumbent on her Monument (Plate II)
1780
8
William Blake, 1757–1827
Virgin and Child
1825
Not on view
9
William Blake, 1757–1827
The Horse
ca. 1805
Not on view
10
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 40, "The Angel" (Bentley 41)
1794
11
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 17, "Night the Second, On Time, Death and Friendship."
ca. 1797
12
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 19, "Emblem of that which shall awake the dead"
ca. 1797
13
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 10, "Disease invades the chastest temperence"
ca. 1797
14
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 12, "Its favours here are trials, not rewards"
ca. 1797
15
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 13, "The present moment terminates our sight"
ca. 1797
16
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 27, "O treacherous conscience!"
ca. 1797
17
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 31, "'Tis greatly wise to talk with our past hours"
ca. 1797
18
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 35, "Teaching, we learn; and giving, we retain"
ca. 1797
19
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 1, Innocence Frontispiece (Bentley 2)
1789
20
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 2, Innocence Title Page (Bentley 3)
1789
21
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 3, "Introduction" (Bentley 4)
1789
22
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 4, "The Shepherd" (Bentley 5)
1789
23
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 14, "Laughing Song" (Bentley 15)
1789
24
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 32, Experience Frontispiece (Bentley 28)
1794
25
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 26, "A Cradle Song" (Bentley 16)
1789
26
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 34, "Introduction" (Bentley 30)
1794
27
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 37, "Nurses Song" (Bentley 38)
1794
28
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 38, "Holy Thursday" (Bentley 33)
1794
29
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 41, "A Poison Tree" (Bentley 49)
1794
30
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 24, "The Divine Image" (Bentley 18)
1789
31
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 42, "The Tyger" (Bentley 42)
1794
32
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 33, Experience Title Page (Bentley 29)
1794
33
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 43, "A Little Boy Lost" (Bentley 50)
1794
34
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 35, "Earth's Answer" (Bentley 31)
1794
35
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 28, "Infant Joy" (Bentley 25)
1789
36
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 30, "Night" (Bentley 20)
1789
37
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 36, "The Clod & the Pebble" (Bentley 32)
1794
38
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 39, "London" (Bentley 46)
1794
39
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 44, "A Little Girl Lost" (Bentley 51)
1794
40
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 12, "Spring" (Bentley 23)
1789
41
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 8, "The Ecchoing Green" (Bentley 6)
1789
42
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 16, "The Little Boy Lost" (Bentley 13)
1789
43
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 18, "The Lamb" (Bentley 8)
1789
44
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 20, "The Little Girl Lost" (Bentley 34)
1789
45
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 22, "The Little Girl Found" (Bentley 36)
1789
46
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 6, "The Little Black Boy" (Bentley 10)
1789
47
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 10, "The Chimney Sweeper" (Bentley 12)
1789
48
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 40, "Angels should paint it, angels ever there"
ca. 1797
49
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 54, "The vale of death! that hush'd cimmerian vale"
ca. 1797
50
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."
ca. 1797
51
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 73, "Draw the dire steel? -- ah no!"
ca. 1797
52
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 86, "His hand the good man fastens on the skies"
ca. 1797
53
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 7, "As the stars are apart from the earth . . . ." (Bentley 6)
1794
54
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 10, "7. From the caverns of his jointed spine . . . ." (Bentley 11)
1794
55
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 8 (Bentley 9)
1794
56
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 11, "Two nostrils bent down to the deep . . . ." (Bentley 13)
1794
57
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 12 (Bentley 22)
1794
58
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 13, "Thus the Eternal Prophet was divided . . . " (Bentley 15)
1794
59
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 14 (Bentley 14)
1794
60
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 15, "8. The globe of life blood trembled . . . ." (Bentley 18)
1794
61
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 17, "They call'd her Pity and fled . . . ." (Bentley 19)
1794
62
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 19, "Stretch'd for a work of eternity . . . ." (Bentley 20)
1794
63
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 16 (Bentley 17)
1794
64
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 21 (Bentley 27)
1794
65
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 18 (Bentley 21)
1794
66
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 22 (Bentley 24)
1794
67
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 20, "Of life forsaken mountains . . . ." (Bentley 23)
1794
68
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 25, "They lived a period of years . . . ." (Bentley 28)
1794
69
Print made by William Blake, 1757–1827
I Found Him Beneath a Tree; Plate 3
1793
70
Print made by William Blake, 1757–1827
Air; Plate 6
1793
71
Print made by William Blake, 1757–1827
Fire; Plate 7
1793
72
Print made by William Blake, 1757–1827
At Length for Hatching Ripe He Breaks the Shell; Plate 8
1793
73
Print made by William Blake, 1757–1827
I Want! I Want!; Plate 11
1793
74
Print made by William Blake, 1757–1827
My Son! My Son!; Plate 10
1793
75
Print made by William Blake, 1757–1827
Help! Help!; Plate 12
1793
76
Print made by William Blake, 1757–1827
Aged Ignorance; Plate 13
1793
77
William Blake, 1757–1827
Illustrations of The Book of Job, Title Page
1825
78
William Blake, 1757–1827
Book of Job, Plate 2, Satan before the Throne of God
1825
79
William Blake, 1757–1827
Book of Job, Plate 5, Satan Going Forth from the Presence of the Lord and Job's Charity
1825
80
William Blake, 1757–1827
Book of Job, Plate 8, Job's Despair
1825
81
William Blake, 1757–1827
Book of Job, Plate 11, Job's Evil Dreams
1825
82
William Blake, 1757–1827
Book of Job, Plate 15, Behemoth and Leviathan
1825
83
William Blake, 1757–1827
Book of Job, Plate 16, The Fall of Satan
1825
84
William Blake, 1757–1827
Book of Job, Plate 20, Job and His Daughters
1825
85
Print made by William Blake, 1757–1827
The Book of Thel, Plate 1, "Thel's Motto . . . ."
1789
86
William Blake, 1757–1827
Plate 6 (page 10): 'Disease invades the chastest temperence'
1797
87
William Blake, 1757–1827
Plate 7 (page 12): 'Its favours here are trials, not rewards'
1797
88
William Blake, 1757–1827
Plate 20 (page 35): 'Teaching, we learn; and giving, we retain'
1797
89
William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 46, "The Human Abstract" (Bentley 47)
1794
90
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 45, "The Chimney Sweeper" (Bentley 37)
1794
91
William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 48, "The Fly" (Bentley 40)
1794
92
William Blake, 1757–1827
Visions of the Daughters of Albion, Plate 4, "Visions | Enslav'd the Daughters . . . . "
1793
93
William Blake, 1757–1827
Visions of the Daughters of Albion, Plate 10, "In happy copulation . . . . "
1793
94
William Blake, 1757–1827
Plate 43 (page 95): 'The goddess bursts in thunder and in flame'
1797
95
Print made by William Blake, 1757–1827
The Book of Thel, Plate 5, "II. / O little Cloud . . . ."
1789
96
Print made by William Blake, 1757–1827
The Book of Thel, Plate 8, "IV. / The eternal gates . . . ."
1789
97
Engravings by William Blake, 1757–1827
Plate 9 (page 15):' The longest night though longer far, would fail'
1797
98
Engravings by William Blake, 1757–1827
Plate 13 (page 23): 'We censure nature for a span too short'
1797
99
William Blake, 1757–1827
Plate 18 (page 31): ''Tis greatly wise to talk with our past hours'
1797
100
William Blake, 1757–1827
Plate 19 (page 33): 'Like that, the dial speaks; and points to thee'