On-site Access: Accessible by appointment in the Study Room / Exhibition History: William Blake - His Art & Times (Art Gallery of Ontario, 1982-12-03 - 1983-02-06) / Work Type: drawing and watercolor

1. Title Page. America, A Prophecy (Plate 2)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Color-printed relief etching in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. Title Page, The Book of Thel (Plate 2)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in brown ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/8 x 9 inches (28.9 x 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. "Appear to the Americans upon the cloudy night..." (Plate 6)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief etching printed in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. "The Terror Answered: I am Orc, wreath'd round the accursed tree..." (Plate 10)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Color-printed relief etching in green-black ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. "To labours mighty, with vast strength..." (Plate 11)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. Jerusalem: The Emanation of The Giant Albion, Title Page (Plate 2)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. "And there was heard a great lamenting in Beulah..."; Chapter 1 Tailpiece (Plate 25)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. "Such visions have appeared to me..."; Chapter 2 Frontispiece (Plate 26)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 10 3/8 x 13 1/2 inches (26.4 x 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. Chapter 3 Frontispiece (Plate 51)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in black ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 10 3/8 x 13 1/2 inches (26.4 x 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. "Jerusalem, Chapter 3. But Los, who is the Vehicular Form..." (Plate 53)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 × 10 3/8 inches (34.3 × 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. "His Spectre driv'n by the Starry Wheels of Albions sons..." (Plate 6)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. "To the Jews..." (Plate 27)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. "Jerusalem, Chapter 2. Every ornament of perfection..." (Plate 28)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. "And this the form of mighty Hand..." (Plate 70)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. Songs of Innocence, Frontispiece (Plate 1)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in green ink, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. The Little Black Boy (Plate 6)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in green ink, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. The Chimney Sweeper (Plate 10)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in green ink, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. Night (Plate 30)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in green ink, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. Songs of Experience, Frontispiece (Plate 32)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. A Cradle Song (Plate 26)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in green ink, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. Infant Joy (Plate 28)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in green ink, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. The Lamb (Plate 18)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in green ink, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. The Little Girl Found (Plate 22)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in green ink, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. The Little Girl Lost (Plate 20)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in green ink, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. "In happy copulation; if in evening mild, wearied with work..." (Plate 10)

Creator:: William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 5/8 x 9 3/4 inches (34.6 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Preludium. "Of the primeval Priests assum'd power..." (Plate 2b)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in pale brown ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. Songs of Innocence, Title Page (Plate 2)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in green ink, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. The Shepherd (Plate 4)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in green ink, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. Spring (Plate 12)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in green ink, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. Laughing Song (Plate 14)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in green ink, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. The Ecchoing Green (Plate 8)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in green ink, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. Introduction (Plate 34)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Visions, Frontispiece (Plate 1)

Creator:: William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 5/8 x 9 3/4 inches (34.6 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Title Page, Visions of the Daughters of Albion (Plate 2)

Creator:: William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 5/8 x 9 3/4 inches (34.6 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. The Divine Image (Plate 24)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in green ink, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. The Clod & the Pebble (Plate 36)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. Songs of Experience, Title Page (Plate 33)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. Nurses Song (Plate 37)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. The Fly (Plate 48)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. "And none but Bromian can hear my lamentations..." (Plate 6)

Creator:: William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 5/8 x 9 3/4 inches (34.6 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. Frontispiece. Albion's Angel (Plate 1)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Color-printed relief etching in brown ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. "Thus wept the Angel voice & as he wept the terrible blasts..." (Plate 12)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief etching printed in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. "In thoughts perturb'd they rose..." (Plate 11)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Frontispiece, The Ancient of Days (Plate 1)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper inlaid to size
Dimensions:: Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. "Awake! Awake Jerusalem..." (Plate 97)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. "All Human Forms identified... The End of The Song of Jerusalem" Colophon (Plate 99)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. "Oft did the harvest to their sickle yield..." (Design 109)

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. "Malignant Fate sat by, and smil'd, The slipp'ry verge her feet beguil'd..." (Design 11)

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. "Up stairs in a whirlwind rattle..." (Design 29)

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Jerusalem, Frontispiece (Plate 1)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. Jerusalem, Tailpiece (Plate 100)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 10 3/8 x 13 1/2 inches (26.4 x 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. "Leaning against the pillars..." (Plate 32)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. "Then the Divine hand found the Two Limits..." (Plate 35)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. "To chase the rolling circle's speed..." (Design 17)

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. The Purple Year awaking from the Roots of Nature (Design 3)

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. "At the chapel-door stand sentry... (Design 31)

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. "Highgates heights & Hampsteads..." (Plate 84)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Chapter 4 Frontispiece (Plate 76)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. Mary Magdalen at the Sepulchre

Creator:: William Blake, 1757–1827
Date:: ca. 1805
Materials & Techniques:: Watercolor with pen and black ink and gray ink on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 17 1/4 x 12 1/4 inches (43.8 x 31.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. The Parable of the Wise and Foolish Virgins

Creator:: William Blake, 1757–1827
Date:: ca. 1825
Materials & Techniques:: Watercolor with pen and black ink on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 16 5/8 x 13 7/8 inches (42.2 x 35.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. Christ Giving Sight to Bartimaeus

Creator:: William Blake, 1757–1827
Date:: 1799 to 1800
Materials & Techniques:: Tempera with pen and black ink on canvas
Dimensions:: Sheet: 10 1/4 x 15 inches (26 x 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. Tiriel Supporting the Dying Myratana and Cursing His Sons

Creator:: William Blake, 1757–1827
Date:: 1786 to 1789
Materials & Techniques:: Pen and black ink with gray wash and watercolor on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 3/8 x 10 3/4 inches (18.7 x 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. The Widow Embracing Her Husband's Grave

Creator:: William Blake, 1757–1827
Date:: 1805 to 1808
Materials & Techniques:: Pen and gray ink with graphite and watercolor on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 6 x 8 1/8 inches (15.2 x 20.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. Christ Appearing to the Apostles after the Resurrection

Creator:: Print made by William Blake, 1757–1827
Date:: 1795 to 1805
Materials & Techniques:: Color monotype, watercolor, pen and black ink and varnish on moderately textured wove paper
Dimensions:: Sheet: 17 x 22 1/2 inches (43.2 x 57.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Purchased 1929

65. The Deposition

Creator:: Richard Cosway, 1742–1821
Date:: undated
Materials & Techniques:: Black ink, gray ink, graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:: Mount: 13 3/4 x 11 3/8 inches (34.9 x 28.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Mr. and Mrs. Stuart P. Feld

66. Get Thee Behind Me, Satan

Creator:: John Flaxman, 1755–1826
Date:: between 1783 and 1787
Materials & Techniques:: Gray ink with graphite and gray wash on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 16 x 21 7/8 inches (40.6 x 55.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

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On-site Access Accessible by appointment in the Study Room

Exhibition History William Blake - His Art & Times (Art Gallery of Ontario, 1982-12-03 - 1983-02-06)

Work Type drawing

Work Type watercolor

Search Results

1. Title Page. America, A Prophecy (Plate 2)

2. Title Page, The Book of Thel (Plate 2)

3. "Appear to the Americans upon the cloudy night..." (Plate 6)

4. "The Terror Answered: I am Orc, wreath'd round the accursed tree..." (Plate 10)

5. "To labours mighty, with vast strength..." (Plate 11)

6. Jerusalem: The Emanation of The Giant Albion, Title Page (Plate 2)

7. "And there was heard a great lamenting in Beulah..."; Chapter 1 Tailpiece (Plate 25)

8. "Such visions have appeared to me..."; Chapter 2 Frontispiece (Plate 26)

9. Chapter 3 Frontispiece (Plate 51)

10. "Jerusalem, Chapter 3. But Los, who is the Vehicular Form..." (Plate 53)

11. "His Spectre driv'n by the Starry Wheels of Albions sons..." (Plate 6)

12. "To the Jews..." (Plate 27)

13. "Jerusalem, Chapter 2. Every ornament of perfection..." (Plate 28)

14. "And this the form of mighty Hand..." (Plate 70)

15. Songs of Innocence, Frontispiece (Plate 1)

16. The Little Black Boy (Plate 6)

17. The Chimney Sweeper (Plate 10)

18. Night (Plate 30)

19. Songs of Experience, Frontispiece (Plate 32)

20. A Cradle Song (Plate 26)

21. Infant Joy (Plate 28)

22. The Lamb (Plate 18)

23. The Little Girl Found (Plate 22)

24. The Little Girl Lost (Plate 20)

25. "In happy copulation; if in evening mild, wearied with work..." (Plate 10)

26. Preludium. "Of the primeval Priests assum'd power..." (Plate 2b)

27. Songs of Innocence, Title Page (Plate 2)

28. The Shepherd (Plate 4)

29. Spring (Plate 12)

30. Laughing Song (Plate 14)

31. The Ecchoing Green (Plate 8)

32. Introduction (Plate 34)

33. Visions, Frontispiece (Plate 1)

34. Title Page, Visions of the Daughters of Albion (Plate 2)

35. The Divine Image (Plate 24)

36. The Clod & the Pebble (Plate 36)

37. Songs of Experience, Title Page (Plate 33)

38. Nurses Song (Plate 37)

39. The Fly (Plate 48)

40. "And none but Bromian can hear my lamentations..." (Plate 6)

41. Frontispiece. Albion's Angel (Plate 1)

42. "Thus wept the Angel voice & as he wept the terrible blasts..." (Plate 12)

43. "In thoughts perturb'd they rose..." (Plate 11)

44. Frontispiece, The Ancient of Days (Plate 1)

45. "Awake! Awake Jerusalem..." (Plate 97)

46. "All Human Forms identified... The End of The Song of Jerusalem" Colophon (Plate 99)

47. "Oft did the harvest to their sickle yield..." (Design 109)

48. "Malignant Fate sat by, and smil'd, The slipp'ry verge her feet beguil'd..." (Design 11)

49. "Up stairs in a whirlwind rattle..." (Design 29)

50. Jerusalem, Frontispiece (Plate 1)

51. Jerusalem, Tailpiece (Plate 100)

52. "Leaning against the pillars..." (Plate 32)

53. "Then the Divine hand found the Two Limits..." (Plate 35)

54. "To chase the rolling circle's speed..." (Design 17)

55. The Purple Year awaking from the Roots of Nature (Design 3)

56. "At the chapel-door stand sentry... (Design 31)

57. "Highgates heights & Hampsteads..." (Plate 84)

58. Chapter 4 Frontispiece (Plate 76)

59. Mary Magdalen at the Sepulchre

60. The Parable of the Wise and Foolish Virgins

61. Christ Giving Sight to Bartimaeus

62. Tiriel Supporting the Dying Myratana and Cursing His Sons

63. The Widow Embracing Her Husband's Grave

64. Christ Appearing to the Apostles after the Resurrection

65. The Deposition

66. Get Thee Behind Me, Satan