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Materials & Techniques stipple engraving
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1
- Tom Jones Assisting Molly Seagrim
- 1782
2
- Come Gentle Night: "Romeo and Juliet," Act III, Scene II
- between 1839 and 1849
3
- Mr. Kemble in the Character of King Richard the Third - "Richard III," Act V, Scene V
- 1789
4
- Ophelia: There Is Rue for You and Here's Some for Me
- 1784
5
- David Garrick as Richard III in the Drury Lane Theatre Performance, 1759
- 1811
6
- Queen Katherine's Dream - "Henry VIII"
- 1788
7
- Mr. Kemble in the Character of King Richard the Third - "Richard III," Act V, Scene V
- 1789
8
- Joseph Warton
- 1807
9
- Isaac Watts
- undated
10
- The Cottagers
- 1794
11
- King Henry VI, Second Part, Act 3, Scene 3
- 1801
12
- Dr. Joseph Warton
- undated
13
- Reflections on Clarissa Harlow
- 1785
14
- Sir John Suckling
- 1744
15
- Lovelace in Prison
- 1788
16
- Vede di Mezzo il Fiume un Cavaliero..
- 1773
17
- Lo Corse ad Abbracciare, e a Sargli Sesta..
- 1773
18
- Angelica, e Medoro in Varj Modi..
- 1773
19
- E d'Uccider se Stesso in Pensier Venne..
- 1773
20
- Illustration For The Book: Evelina, Or, The History Of A Young Lady's Entrance into The World
- 1778
21
- Illustration from Bell's Edition of the Poets of Great Britain, Volume LXXIII, Mallet
- 1785
22
- Troilus and Cressida, Act 4, Scene II
- 1794
23
- As You Like It, Act IV, Orlando and Oliver
- 1788
24
- Coriolanus, Act 5, Scene III
- 1783
25
- Soldier Kneeling On A Stone Embracing a Woman, Soldiers in Background
- undated
26
- Illustration from Orlando Furioso: "Che deb'bo sar? che poss'io sar qui sola? / che mi da ajuto, oime, che mi consola?"
- 1773
27
- A Plate from Orlando Furioso: Depicting Orlando and Rodomont Fighting
- 1773
28
- ...Scuote, il Lembo Pieno; e Nella Torbida Onda..
- 1773
29
- Stava Ella Nel Sepolcro; e Quivi Attrita..
- 1773
30
- Sed Placidam Pueri Metuens Turbare Quietem, Fixit Vicinis Basia Mille Rosis
- 1778
31
- Title page: L'Amico' de Fanciulli, Vol. III
- 1788
32
- Title page: Depicting Cupid, Venus, and Juno
- 1782
33
- Illustration From Bell's Edition of The Poets of Great Britain
- ca. 1785
34
- Illustration from Bell's Edition of the Poets of Great Britain, Volume: CVII Churchill
- ca.1785
35
- King Alboin Forcing Rosamund to Drink From The Skull of Her Murdered Father, Cunimund, King of the Gepids
- 1779
36
- Polyhemus, Playing The Panpipes For Galatea
- 1783
37
- Shakespeare's Tomb
- 1782
38
- The Birth of Shakespeare
- 1782
39
- Anthony and Cleopatra, Act 3, Scene II
- 1794
40
- King Lear, Act 4, Scene VII
- 1794
41
- Reverend Hugh Blair, D.D
- 1801
42
- Prospero Disarming Ferdinand, Act I, Scene II
- 1793
43
- Si Giacerebbe Inutile Per Terra Deserta Senza Frutto, E Senza Onore
- 1774
44
- Joseph Andrews
- 1781
45
- As You Like It: Act II, Scene VII: The Seven Ages Man (Third Age)
- 1803
46
- Alexander and Nerina
- 1784
47
- Sophia, Honour, and the Chambermaid
- 1780
48
- Hercules and Omphale
49
- The Snuff Box, Calais
- 1799
50
- Lauretta
- 1776
51
- Selim of the Shepherd's Moral
- 1788
52
- Cordelia
- 1784
53
- Sappho Embracing Love
- 1783
54
- Angelica And Medora
- 1787
55
- Rinaldo et Armida
- 1785
56
- Morte de Clorinda
- 1785
57
- My Son attend unto my Wisdom, and Bow Thine ear to my Understanding; Proverbs, Chapter V
58
- Pamela Swooning, after having discovered Mr. B. in the closet, He (frighted) endeavouring to recover her, Mrs. Jervis wringing her hands, and screaming
- 1745
59
- Chryseis Restored To Her Father
- 1786
60
- Death of Dido
61
- Jupiter and Io
- 1784
62
- Orlando Rescues Olympia From The Orca In The Island Ebuda
- 1768
63
- Tancred and Erminia
- 1784
64
- Vortigern And Rowena
- 1788
65
- Ophelia: There's Rue for You, and Here's Some for Me
- 1784
66
- Fonrose
- 1798
67
- Ticket for the Benefit of Madame Banti
- 1797
68
- The Interview of Tom Jones and Sophia, After the Reconciliation
- 1789
69
- Adelaide
- 1798
70
- Maria of Moulines
- 1784
71
- Ticket for the Benefit of Madame Banti
- 1797
72
- Ticket: For The Benefit Of Mad' Banti
- 1795
73
- Concert Ticket: Benefit Night of Luigi Borghi
- 1780
74
- Shakespeare's Tempest Act IV Scene I. Prospero's Cell
- 1800
75
- Ticket: Anacreontic Society Meeting
- 1779
76
- Joseph Baretti
- 1794
77
- Diligence and Dissipation: Good Advice from an Old Servant to the Young Ones (Plate 2)
- 1797
78
- Diligence and Dissipation: The Wanton in her Bed Chamber (Plate 3)
- 1797
79
- Miss Elizabeth Beauclerc as 'Una'
- 1782
80
- Sylvia
- 1786
81
- Lady Jane Grey
- 1834
82
- An Alcove
- 1834
83
- Children Swinging
- 1834
84
- The Mask
- 1834
85
- The Bird's Nest
- 1834
86
- An Arabesque
- 1834
87
- An Arabesque
- 1834
88
- A Voyage of Discovery
- 1834
89
- Shepherds
- 1834
90
- "Then go, bid the huntsmen wake them with their horns"
- 1802
91
- "Mark your divorce young sir, whom son I dare not call"
- 1804
92
- "Tempest", Act I, Scene I
- 1797
93
- John Hawkesworth
- 1806
94
- Mrs. Robinson
- 1792
95
- Mrs Seaforth as, Tuccia - The Vestal Virgin
- 1798
96
- Edmund Spenser
- 1727
97
- "Here, I and sorrows sit; here is my throne, bid kings come and bow to it"
- 1802
98
- Taming the Shrew, Act III, Scene II
- 1793
99
- Fallstaff Playing the Prince, The Prince Playing the King
- 1796
100
- Dodbery and Verges, with the Watch; "Much Ado About Nothing", Act III, Scene II
- 1794