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1. Rievaulx Abbey

Rievaulx Abbey
Creator:
John Wootton, 1682–1764
Date:
ca. 1745
Materials & Techniques:
Oil on canvas
Dimensions:
22 x 22 inches (55.9 x 55.9 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

2. A Bridge Over the River Wye

A Bridge Over the River Wye
Creator:
John Taylor of Bath, 1735–1806
Date:
1776
Materials & Techniques:
Oil on copper
Dimensions:
9 7/8 x 13 inches (25.1 x 33 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

3. The Artist's Garden at Durbins, Guildford

The Artist's Garden at Durbins, Guildford
Creator:
Roger Fry, 1866–1934
Date:
ca. 1915
Materials & Techniques:
Oil on canvas
Dimensions:
18 3/8 x 29 7/8 inches (46.7 x 75.9 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Fund
On View:
Not on view

4. A View Supposedly Near Arundel, Sussex, with Figures in a Lane

A View Supposedly Near Arundel, Sussex, with Figures in a Lane
Creator:
George Smith, 1714–1776
Date:
mid-18th century
Materials & Techniques:
Oil on canvas
Dimensions:
15 7/8 x 19 3/4 inches (40.3 x 50.2 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

5. Temple, Fountain and Cave in Sezincote Park

Temple, Fountain and Cave in Sezincote Park
Creator:
Thomas Daniell, 1749–1840
Date:
1819
Materials & Techniques:
Oil on canvas
Dimensions:
39 15/16 × 50 inches (101.4 × 127 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

6. Kirkstall Abbey, Yorkshire

Kirkstall Abbey, Yorkshire
Creator:
George Lambert, 1700–1765
Date:
1747
Materials & Techniques:
Oil on canvas
Dimensions:
46 1/8 x 43 5/8 inches (117.2 x 110.8 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

7. View in Wales

View in Wales
Creator:
attributed to Paul Sandby, 1731–1809
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink and graphite on medium, slightly textured, cream card
Dimensions:
Sheet: 15 1/2 x 22 1/2 inches (39.4 x 57.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Wilmarth Lewis, Yale BA 1918, transfer from the Yale University Art Gallery

8. The Lecture House, Watford

The Lecture House, Watford
Creator:
William Henry Hunt, 1790–1864
Date:
ca. 1820
Materials & Techniques:
Watercolor, pen and brown ink, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 3/4 x 16 3/4 inches (32.4 x 42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. Aldenham Church

Aldenham Church
Creator:
William Henry Hunt, 1790–1864
Date:
ca. 1817
Materials & Techniques:
Watercolor and brown ink over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Contemporary drawn border: 10 x 12 7/8 inches (25.4 x 32.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. Italianate Landscape with Travellers no. 2

Italianate Landscape with Travellers no. 2
Creator:
Paul Sandby, 1731–1809
Date:
ca. 1760
Materials & Techniques:
Watercolor, pen and gray and brown ink over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 x 21 inches (36.8 x 53.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. Chalfont Lodge, Buckinghamshire

Chalfont Lodge, Buckinghamshire
Creator:
Thomas Girtin, 1775–1802
Date:
undated
Materials & Techniques:
Watercolor with pen and black ink over graphite on moderately thick, rough, gray-brown laid paper
Dimensions:
Sheet: 11 1/16 x 14 15/16 inches (28.1 x 37.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. View Near the Mill Looking Toward Licenza: Horace's Villa on the Left

View Near the Mill Looking Toward Licenza: Horace's Villa on the Left
Creator:
Jacob More, 1740–1793
Date:
1783
Materials & Techniques:
Gray wash, watercolor, pen and black ink, and graphite on moderately thick, slightly textured, cream laid paper
Dimensions:
Mount: 13 9/16 x 17 11/16 inches (34.5 x 45 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. Italianate Landscape with Travelers, No. 1

Italianate Landscape with Travelers, No. 1
Creator:
Paul Sandby, 1731–1809
Date:
ca. 1765
Materials & Techniques:
Watercolor and gouache over graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 14 3/4 x 21 3/16 inches (37.5 x 53.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. Conway Castle

Conway Castle
Creator:
Paul Sandby, 1731–1809
Date:
1789
Materials & Techniques:
Watercolor on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 18 7/8 x 25 3/8 inches (47.9 x 64.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. The Flight from Belgium

The Flight from Belgium
Creator:
William Lee Hankey, 1869–1952
Date:
1914
Materials & Techniques:
Etching, aquatint, soft-ground etching, drypoint, and roulette on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 20 1/16 x 23 1/16 inches (51 x 58.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

16. Enter Malvolio, Crossgartered...

Enter Malvolio, Crossgartered...
Creator:
Sir John Gilbert, 1817–1897
Date:
1863
Materials & Techniques:
Watercolor, pen and black ink, brown ink, gray ink, red ink, gouache, gum arabic, and graphite on thick, slightly textured, beige wove paper
Dimensions:
Sheet: 19 1/4 × 29 3/4 inches (48.9 × 75.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

17. The Cheesecake House, Hyde Park

The Cheesecake House, Hyde Park
Creator:
Thomas Hearne, 1744–1817
Date:
ca. 1795
Materials & Techniques:
Watercolor and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 13 1/8 × 10 1/4 inches (33.3 × 26 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. Cottage near Newcastle, Northumberland

Cottage near Newcastle, Northumberland
Creator:
Thomas Girtin, 1775–1802
Date:
ca. 1797
Materials & Techniques:
Watercolor, pen and brown ink and graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 4 5/8 × 8 1/8 inches (11.7 × 20.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. Guisborough Priory

Guisborough Priory
Creator:
follower of Thomas Girtin, 1775–1802
Date:
undated
Materials & Techniques:
Watercolor over graphite on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 11 15/16 x 20 1/8 inches (30.3 x 51.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. Valle Crucis Abbey, near Llangollen

Valle Crucis Abbey, near Llangollen
Creator:
imitator of Thomas Girtin, 1775–1802
Date:
between 1798 and 1801
Materials & Techniques:
Watercolor and graphite on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 8 1/4 × 11 5/8 inches (21 × 29.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. Lincoln Cathedral

Lincoln Cathedral
Creator:
Thomas Girtin, 1775–1802
Date:
ca. 1795
Materials & Techniques:
Watercolor, white gouache, pen and black ink and graphite on moerately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 6 5/8 × 11 5/8 inches (16.8 × 29.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. A Devonshire Farm

A Devonshire Farm
Creator:
Thomas Girtin, 1775–1802
Date:
ca. 1798
Materials & Techniques:
Watercolor, graphite and gouache on medium, slightly textured, cream laid paper, mounted on moderately thick, moderately textured, brown wove paper
Dimensions:
Sheet: 7 3/4 × 11 5/8 inches (19.7 × 29.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. Melville Castle, Midlothian

Melville Castle, Midlothian
Creator:
Thomas Girtin, 1775–1802
Date:
ca. 1796
Materials & Techniques:
Watercolor with pen in brown ink over graphite on very thick, moderately textured, brown wove paper
Dimensions:
Sheet: 6 7/8 x 9 1/4 inches (17.5 x 23.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. Turver's Farm, Wimbish, Essex

Turver's Farm, Wimbish, Essex
Creator:
Thomas Girtin, 1775–1802
Date:
ca. 1799
Materials & Techniques:
Watercolor with pen and brown ink and gouache over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 11 7/8 x 16 3/8 inches (30.2 x 41.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. The New Walk, York

The New Walk, York
Creator:
Thomas Girtin, 1775–1802
Date:
ca. 1798
Materials & Techniques:
Watercolor with pen and black ink and brown ink over graphite with gouache on thick, moderately textured, cream laid paper
Dimensions:
Sheet: 12 5/16 x 21 13/16 inches (31.3 x 55.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. Bodmin Moor

Bodmin Moor
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1825
Materials & Techniques:
Watercolor with pen and brown ink over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 11 3/16 x 16 15/16 inches (28.4 x 43 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. Jenny and Roger

Jenny and Roger
Creator:
Print made by David Allan, 1744–1796
Date:
1808
Materials & Techniques:
Etching and aquatint on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/8 x 8 7/8 inches (28.3 x 22.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

28. Sketch at Mulbarton

Sketch at Mulbarton
Creator:
Robert Dixon, 1780–1815
Date:
between 1810 and 1811
Materials & Techniques:
Soft-ground etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 5/8 x 8 3/16 inches (27 x 20.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. Pierre de Vaivre

Pierre de Vaivre
Creator:
Print made by Richard Parkes Bonington, 1802–1828
Date:
1827
Materials & Techniques:
Lithograph on moderately thick, smooth, cream wove paper with beige chine collé
Dimensions:
Sheet: 14 13/16 x 11 13/16 inches (37.7 x 30 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. Hampton Court

Hampton Court
Creator:
Print made by Sir Francis Seymour Haden, 1818–1910
Date:
1864
Materials & Techniques:
Etching and drypoint, with plate tone on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 7/8 x 9 7/16 inches (17.4 x 24 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Stanley J. Halle, Yale BA 1912, in memory of His Parents Jacques S. and Hattie S. Halle, transfer from the Yale University Art Gallery

31. The Towing Path

The Towing Path
Creator:
Print made by Sir Francis Seymour Haden, 1818–1910
Date:
1864
Materials & Techniques:
Etching and drypoint, with plate tone on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 15/16 x 10 5/16 inches (20.1 x 26.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

32. The Towing Path

The Towing Path
Creator:
Print made by Sir Francis Seymour Haden, 1818–1910
Date:
1864
Materials & Techniques:
Etching and drypoint, with plate tone on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 7 5/16 x 9 15/16 inches (18.5 x 25.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Miss Grace Tuttle in memory of her father Emerson Tuttle, Yale BA 1914, transfer from the Yale University Art Gallery

33. The Towing Path

The Towing Path
Creator:
Print made by Sir Francis Seymour Haden, 1818–1910
Date:
1864
Materials & Techniques:
Etching and drypoint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 x 9 13/16 inches (17.8 x 24.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. J. Dwight Dana

34. Patie and Peggy

Patie and Peggy
Creator:
Print made by David Allan, 1744–1796
Date:
1808
Materials & Techniques:
Etching and aquatint on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/8 x 8 15/16 inches (28.3 x 22.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

35. Between Chiswick and Brentford

Between Chiswick and Brentford
Creator:
Samuel Hieronymus Grimm, 1733–1794
Date:
1774
Materials & Techniques:
Watercolor with black ink over graphite on medium, smooth, cream laid paper
Dimensions:
Sheet: 8 3/8 x 11 1/8 inches (21.3 x 28.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36. Macbeth and the Witch

Macbeth and the Witch
Creator:
George Cruikshank, 1792–1878
Date:
undated
Materials & Techniques:
Watercolor with black and brown ink over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 7 1/2 × 9 3/4 inches (19.1 × 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

37. On the Sussex Downs

No cover image available
Creator:
William Lee Hankey, 1869–1952
Date:
1916
Materials & Techniques:
Etching on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 10 3/8 x 14 3/16 inches (26.3 x 36.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery