Albion Compelling the Four Zoas to Their Proper Tasks
1804 to 1810
209
William Blake, 1757–1827
A Woody Landscape
ca. 1801
210
William Blake, 1757–1827
Joseph and Potiphar's Wife
1803 to 1805
211
William Blake, 1757–1827
An Angel with a Trumpet
between 1805 and 1808
212
William Blake, 1757–1827
Copy of the Laocoön, for Rees's Cyclopædia
1815
213
William Blake, 1757–1827
Socrates, a Visionary Head
ca. 1820
214
William Blake, 1757–1827
Study for a Destroying Deity
1820 to 1825
215
William Blake, 1757–1827
The Parable of the Wise and Foolish Virgins
ca. 1825
216
Print made by William Blake, 1757–1827
Pity
ca. 1795
217
Print made by William Blake, 1757–1827
Christ Appearing to the Apostles after the Resurrection
1795 to 1805
218
William Blake, 1757–1827
Christ Giving Sight to Bartimaeus
1799 to 1800
219
William Blake, 1757–1827
Tiriel Supporting the Dying Myratana and Cursing His Sons
1786 to 1789
220
William Blake, 1757–1827
Mary Magdalen at the Sepulchre
ca. 1805
221
William Blake, 1757–1827
A Visionary Head
1819 to 1820
222
William Blake, 1757–1827
Five Visionary Heads of Women
1819 to 1820
223
William Blake, 1757–1827
The Widow Embracing Her Husband's Grave
1805 to 1808
224
William Blake, 1757–1827
The Gambols of Ghosts According with Their Affections Previous to the Final Judgement
1805 to 1808
225
William Blake, 1757–1827
The Man Sweeping the Interpreter's Parlour
ca. 1822
226
William Blake, 1757–1827
Illustrations of Imitation of Eclogue I, Frontispiece
1821
227
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 25, "Behold him, when past by; what then is seen"
ca. 1797
228
William Blake, 1757–1827
An Essay on Sculpture on a Series of Epistles to John Flaxman
1800
229
William Blake, 1757–1827
An Essay on Sculpture on a Series of Epistles to John Flaxman
1800
230
William Blake, 1757–1827
An Essay on Sculpture on a Series of Epistles to John Flaxman
1800
231
William Blake, 1757–1827
Publius Virgilius Maro
1821
232
William Blake, 1757–1827
Beggar's Opera, Act III
c.1790
233
John Flaxman, 1755–1826
Portrait of William Blake
ca. 1804
234
George Richmond, 1809–1896
Portrait of Catherine Blake
ca. 1830
235
Print made by George Richmond, 1809–1896
Reproduction of "William Blake in Youth and Age"
ca. 1830
236
Print made by George Richmond, 1809–1896
Reproduction of "William Blake in Youth and Age"
ca. 1830
237
George Richmond, 1809–1896
William Blake in Youth and Age
ca. 1830
238
unknown artist
God Creating the Universe
ca. 1800
239
circle of John Linnell, 1792–1882
Title Page: Illustrations of the Book of Job
after 1825
240
Attributed to Sir Joseph Ayloffe, 1709–1781
An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The Front of the Monument of Aveline, First Wife of Edmund Crouchback (Plate I)
1780
241
James Basire the younger, 1769–1822
An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The Figure of Aveline Countess of Lancaster, Cumbent on her Monument (Plate II)
1780
242
James Basire the younger, 1769–1822
An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The Under Vaulting of one side of the Canopy of the Monument of Aveline, Coutess of Lancaster (Plate III)
1780
243
James Basire the younger, 1769–1822
An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The Figures supposed to be those of King Sebert and King Henry III (Plate V)
1780
244
Engraved by James Basire the younger, 1769–1822
An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The Monument of Ann of Cleves, fourth Wife of King Henry VIII (Plate VII)
1780
245
John Linnell, 1792–1882
Illustrations of the Book of Job
undated
246
James Basire the younger, 1769–1822
An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The North Front of the Monument of King Schert (Plate IV)
1780
247
James Basire the younger, 1769–1822
An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: Heads and Ornaments on the North Side of the Monument of King Sebert (Plate VI)
1780
248
William Blake, 1757–1827
Illustrations of the Book of Job, pl. 1 (Title Page): 'Illustrations of/ the/ Book/ of/ Job'
1826
249
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 1: Frontispiece: Thenot: 'Is it not Colinet I lonesome see,/ leaning with folded arms against the tree?'
1821, reprinted 1977
250
William Blake, 1757–1827
Illustrations to Dante's Divine Comedy
1827
251
William Blake, 1757–1827
A Father's Memoirs of His Child
1806
252
William Blake, 1757–1827
A Select Collection of English Songs
1783
253
William Blake, 1757–1827
Ballads
1805
254
William Blake, 1757–1827
The Life of George Romney
1809
255
William Blake, 1757–1827
Illustrations to Dante's "Divine Comedy"
1827
256
William Blake, 1757–1827
The Book of Thel
1789
257
Print made by William Blake, 1757–1827
The Life, and Posthumous Writings, of William Cowper, (volume 1)
1803-1804
258
William Blake, 1757–1827
"A Select Collection of English Songs," London, 1783
1783
259
William Blake, 1757–1827
The Triumphs of Temper
1803
260
William Blake, 1757–1827
The Life of George Romney
1809
261
William Blake, 1757–1827
Illustrations to Dante's Divine Comedy
1827
262
William Blake, 1757–1827
Illustrations of the Book of Job
1825
263
William Blake, 1757–1827
The Pastorals of Virgil, London, 1821
1821, reprinted 1977
264
William Blake, 1757–1827
A Father's Memoirs of His Child
1806
265
William Blake, 1757–1827
The Triumphs of Temper
1803
266
Print made by William Blake, 1757–1827
William Cowper
1803-1804
267
William Blake, 1757–1827
A Father's Memoirs of His Child
1806
268
Frederick Tatham, 1805–1878
Life of Blake
ca. 1832
269
Print made by Luigi Schiavonetti, 1765–1810
William Blake, Frontispiece
1808
270
Print made by Luigi Schiavonetti, 1765–1810
William Blake, Frontispiece
1808
271
Print made by Luigi Schiavonetti, 1765–1810
William Blake, Frontispiece
1808
272
unknown artist
Songs of Innocence and Experience
ca. 1808
273
George Cumberland, 1754–1848
Thoughts on outline, sculpture, and the system that guided the ancient artists in composing their figures and groupes..
1796
274
Christian Gotthilf Salzmann, 1744–1811
Gymnastics for Youth
1800
275
George Cumberland, 1754–1848
Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
1796
276
Prints made by Luigi Schiavonetti, 1765–1810
The Grave, A Poem, by Robert Blair
1808
277
Prints made by Luigi Schiavonetti, 1765–1810
The Grave, A Poem, by Robert Blair
1808
278
unknown artist
Songs of Innocence and of Experience
ca. 1808
279
Prints made by Luigi Schiavonetti, 1765–1810
The Grave, A Poem, by Robert Blair
1808
280
Attributed to George Cumberland, 1754–1848
Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
1796
281
Christian Gotthilf Salzmann, 1744–1811
Gymnastics for Youth
1800
282
George Cumberland, 1754–1848
Thoughts on outline, sculpture, and the system that guided the ancient artists in composing their figures and groupes..
1796
283
Text by John Gay, 1685–1732
Fables by John Gay, with a Life of the Author and Embellished with Seventy Plates, Volume 1
1793
284
Published by John Stockdale, ca. 1749–1814
Fables by John Gay, with a Life of the Author and Embellished with Seventy Plates, Volume 2