Albion Compelling the Four Zoas to Their Proper Tasks
1804 to 1810
206
William Blake, 1757–1827
The Widow Embracing Her Husband's Grave
1805 to 1808
207
Text by William Blake, 1757–1827
A Descriptive Catalog of Pictures, Poetical and Historical Inventions, Painted by William Blake in Water-Colours, Being the Ancient Method of Fresco Painting Restored, London
1809
208
William Blake, 1757–1827
The Gambols of Ghosts According with Their Affections Previous to the Final Judgement
1805 to 1808
209
William Blake, 1757–1827
Socrates, a Visionary Head
ca. 1820
210
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 25, "Behold him, when past by; what then is seen"
ca. 1797
211
William Blake, 1757–1827
An Essay on Sculpture on a Series of Epistles to John Flaxman
1800
212
William Blake, 1757–1827
An Essay on Sculpture on a Series of Epistles to John Flaxman
1800
213
William Blake, 1757–1827
An Essay on Sculpture on a Series of Epistles to John Flaxman
1800
214
William Blake, 1757–1827
Illustrations of Imitation of Eclogue I, Frontispiece
1821
215
William Blake, 1757–1827
Tiriel Supporting the Dying Myratana and Cursing His Sons
1786 to 1789
216
William Blake, 1757–1827
Satan Approaching the Court of Chaos
1784 to 1785
217
William Blake, 1757–1827
Moses Receiving the Law
ca. 1780
218
William Blake, 1757–1827
Abraham and Isaac
1799 to 1800
219
William Blake, 1757–1827
Landscape with Spire
ca. 1801
220
attributed to William Blake, 1757–1827
Thomas Alphonso Hayley, Half-Length Drawing
ca. 1800
221
William Blake, 1757–1827
A Woody Landscape
ca. 1801
222
William Blake, 1757–1827
An Angel with a Trumpet
between 1805 and 1808
223
William Blake, 1757–1827
Copy of the Laocoön, for Rees's Cyclopædia
1815
224
William Blake, 1757–1827
A Visionary Head
1819 to 1820
225
William Blake, 1757–1827
Five Visionary Heads of Women
1819 to 1820
226
William Blake, 1757–1827
Study for a Destroying Deity
1820 to 1825
227
William Blake, 1757–1827
The Parable of the Wise and Foolish Virgins
ca. 1825
228
William Blake, 1757–1827
The Man Sweeping the Interpreter's Parlour
ca. 1822
229
Print made by William Blake, 1757–1827
Christ Appearing to the Apostles after the Resurrection
1795 to 1805
230
Print made by William Blake, 1757–1827
Pity
ca. 1795
231
William Blake, 1757–1827
Publius Virgilius Maro
1821
232
William Blake, 1757–1827
Beggar's Opera, Act III
c.1790
233
John Flaxman, 1755–1826
Portrait of William Blake
ca. 1804
234
George Richmond, 1809–1896
Portrait of Catherine Blake
ca. 1830
235
unknown artist
God Creating the Universe
ca. 1800
236
circle of John Linnell, 1792–1882
Title Page: Illustrations of the Book of Job
after 1825
237
Print made by George Richmond, 1809–1896
Reproduction of "William Blake in Youth and Age"
ca. 1830
238
Print made by George Richmond, 1809–1896
Reproduction of "William Blake in Youth and Age"
ca. 1830
239
George Richmond, 1809–1896
William Blake in Youth and Age
ca. 1830
240
John Linnell, 1792–1882
Illustrations of the Book of Job
undated
241
James Basire the younger, 1769–1822
An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The Figures supposed to be those of King Sebert and King Henry III (Plate V)
1780
242
Attributed to Sir Joseph Ayloffe, 1709–1781
An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The Front of the Monument of Aveline, First Wife of Edmund Crouchback (Plate I)
1780
243
James Basire the younger, 1769–1822
An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The Figure of Aveline Countess of Lancaster, Cumbent on her Monument (Plate II)
1780
244
James Basire the younger, 1769–1822
An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The Under Vaulting of one side of the Canopy of the Monument of Aveline, Coutess of Lancaster (Plate III)
1780
245
James Basire the younger, 1769–1822
An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The North Front of the Monument of King Schert (Plate IV)
1780
246
James Basire the younger, 1769–1822
An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: Heads and Ornaments on the North Side of the Monument of King Sebert (Plate VI)
1780
247
Engraved by James Basire the younger, 1769–1822
An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The Monument of Ann of Cleves, fourth Wife of King Henry VIII (Plate VII)
1780
248
William Blake, 1757–1827
Illustrations of the Book of Job, pl. 1 (Title Page): 'Illustrations of/ the/ Book/ of/ Job'
1826
249
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 1: Frontispiece: Thenot: 'Is it not Colinet I lonesome see,/ leaning with folded arms against the tree?'
1821, reprinted 1977
250
William Blake, 1757–1827
Illustrations to Dante's Divine Comedy
1827
251
William Blake, 1757–1827
Illustrations to Dante's "Divine Comedy"
1827
252
William Blake, 1757–1827
Illustrations of the Book of Job
1825
253
William Blake, 1757–1827
The Pastorals of Virgil, London, 1821
1821, reprinted 1977
254
Print made by William Blake, 1757–1827
The Life, and Posthumous Writings, of William Cowper, (volume 1)
1803-1804
255
William Blake, 1757–1827
"A Select Collection of English Songs," London, 1783
1783
256
William Blake, 1757–1827
The Triumphs of Temper
1803
257
William Blake, 1757–1827
The Life of George Romney
1809
258
William Blake, 1757–1827
Illustrations to Dante's Divine Comedy
1827
259
William Blake, 1757–1827
The Book of Thel
1789
260
William Blake, 1757–1827
A Father's Memoirs of His Child
1806
261
William Blake, 1757–1827
A Father's Memoirs of His Child
1806
262
William Blake, 1757–1827
A Father's Memoirs of His Child
1806
263
William Blake, 1757–1827
The Triumphs of Temper
1803
264
Print made by William Blake, 1757–1827
William Cowper
1803-1804
265
William Blake, 1757–1827
A Select Collection of English Songs
1783
266
William Blake, 1757–1827
Ballads
1805
267
William Blake, 1757–1827
The Life of George Romney
1809
268
Print made by Luigi Schiavonetti, 1765–1810
William Blake, Frontispiece
1808
269
unknown artist
Songs of Innocence and Experience
ca. 1808
270
Print made by Luigi Schiavonetti, 1765–1810
William Blake, Frontispiece
1808
271
Print made by Luigi Schiavonetti, 1765–1810
William Blake, Frontispiece
1808
272
Frederick Tatham, 1805–1878
Life of Blake
ca. 1832
273
Attributed to George Cumberland, 1754–1848
Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
1796
274
Prints made by Luigi Schiavonetti, 1765–1810
The Grave, A Poem, by Robert Blair
1808
275
George Cumberland, 1754–1848
Thoughts on outline, sculpture, and the system that guided the ancient artists in composing their figures and groupes..
1796
276
Christian Gotthilf Salzmann, 1744–1811
Gymnastics for Youth
1800
277
Published by John Stockdale, ca. 1749–1814
Fables by John Gay, with a Life of the Author and Embellished with Seventy Plates, Volume 2
1793
278
Text by John Gay, 1685–1732
Fables by John Gay, with a Life of the Author and Embellished with Seventy Plates, Volume 1
1793
279
Prints made by Luigi Schiavonetti, 1765–1810
The Grave, A Poem, by Robert Blair
1808
280
Prints made by Luigi Schiavonetti, 1765–1810
The Grave, A Poem, by Robert Blair
1808
281
unknown artist
Songs of Innocence and of Experience
ca. 1808
282
George Cumberland, 1754–1848
Thoughts on outline, sculpture, and the system that guided the ancient artists in composing their figures and groupes..
1796
283
George Cumberland, 1754–1848
Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists