Mr. Edwin and Mrs. Wells in the Characters of Lingo and Cowslip
ca. 1787
2
William Finden, 1787–1852
The Mask
1834
3
William Finden, 1787–1852
An Arabesque
1834
4
William Finden, 1787–1852
A Voyage of Discovery
1834
5
William Finden, 1787–1852
Shepherds
1834
6
William Finden, 1787–1852
The Bird's Nest
1834
7
William Finden, 1787–1852
Lady Jane Grey
1834
8
William Finden, 1787–1852
Children Swinging
1834
9
William Finden, 1787–1852
An Alcove
1834
10
William Finden, 1787–1852
An Arabesque
1834
11
Francesco Bartolozzi, 1728–1815
Queen Katherine's Dream
1788
12
Francesco Bartolozzi, 1728–1815
Death of Dido
13
Francesco Bartolozzi, 1728–1815
Jupiter and Io
1784
14
Francesco Bartolozzi, 1728–1815
Orlando Rescues Olympia From The Orca In The Island Ebuda
1768
15
Francesco Bartolozzi, 1728–1815
Vortigern And Rowena
1788
16
Francesco Bartolozzi, 1728–1815
Tancred and Erminia
1784
17
Francesco Bartolozzi, 1728–1815
King Lear, Act 4, Scene VII
1794
18
Francesco Bartolozzi, 1728–1815
Illustration from Orlando Furioso: "Che deb'bo sar? che poss'io sar qui sola? / che mi da ajuto, oime, che mi consola?"
1773
19
Francesco Bartolozzi, 1728–1815
Macbeth, Act I, Scene II
1784
20
Print made by Francesco Bartolozzi, 1728–1815
Tom Jones Assisting Molly Seagrim
1782
21
Francesco Bartolozzi, 1728–1815
April
1790
22
Francesco Bartolozzi, 1728–1815
Joseph Andrews
1781
23
Francesco Bartolozzi, 1728–1815
Cordelia
1784
24
Francesco Bartolozzi, 1728–1815
Sappho Embracing Love
1783
25
Francesco Bartolozzi, 1728–1815
Angelica And Medora
1787
26
Francesco Bartolozzi, 1728–1815
Morte de Clorinda
1785
27
Francesco Bartolozzi, 1728–1815
Alexander and Nerina
1784
28
Francesco Bartolozzi, 1728–1815
The Shepherdess of the Alps
1776
29
Francesco Bartolozzi, 1728–1815
Hercules and Omphale
30
Francesco Bartolozzi, 1728–1815
Lauretta
1776
31
Francesco Bartolozzi, 1728–1815
The Snuff Box, Calais
1799
32
James Gillray, 1756–1815
Sophia, Honour, and the Chambermaid
1780
33
Francesco Bartolozzi, 1728–1815
Selim of the Shepherd's Moral
1788
34
Francesco Bartolozzi, 1728–1815
Concert Ticket For The Benefit of Madame Banti
1795
35
Print made by Francesco Bartolozzi, 1728–1815
Mrs. Abington as Thalia
1783
36
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
The Marriage Ceremony performed in Mr. B.'s own Chappel by Mr. Williams, Mr. Peters giving her away, Mrs. Jewkes waits behind Pamela and the Maid keeps the door
1745
37
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire
1745
38
James Heath, 1757–1834
"This is fairy gold, boy, and will prove so"
1804
39
Peter Simon, 1750–1810
Tom Jones: 'The Philosopher Square, Discovered in Molly Seagrim's Garret'
1789
40
Print made by Thomas A. Woolnoth, 1785–1857
Mrs. W. West as Cordelia
1820
41
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela having divided her clothes into threee Bundles, in order to leave the House, rejects that containing her Masters presents calling it the wicked bundle, & harangues over her own little Parcel which she huggs in her Arms;..
1745
42
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to
1745
43
Francesco Bartolozzi, 1728–1815
Angelica, e Medoro in Varj Modi..
1773
44
Francesco Bartolozzi, 1728–1815
E d'Uccider se Stesso in Pensier Venne..
1773
45
Francesco Bartolozzi, 1728–1815
Stava Ella Nel Sepolcro; e Quivi Attrita..
1773
46
Francesco Bartolozzi, 1728–1815
Sed Placidam Pueri Metuens Turbare Quietem, Fixit Vicinis Basia Mille Rosis
1778
47
Francesco Bartolozzi, 1728–1815
Illustration From Bell's Edition of The Poets of Great Britain
ca. 1785
48
Francesco Bartolozzi, 1728–1815
Illustration from Bell's Edition of the Poets of Great Britain, Volume LXXIII, Mallet
1785
49
Francesco Bartolozzi, 1728–1815
Illustration from Bell's Edition of the Poets of Great Britain, Volume: CVII Churchill
ca.1785
50
Francesco Bartolozzi, 1728–1815
King Alboin Forcing Rosamund to Drink From The Skull of Her Murdered Father, Cunimund, King of the Gepids
1779
51
Francesco Bartolozzi, 1728–1815
Frontispiece to Volume II of a Book, Woman pointing to a Tablet on which is written "Sanchos letters"
1782
52
Francesco Bartolozzi, 1728–1815
The Birth of Shakespeare
1782
53
Francesco Bartolozzi, 1728–1815
Ophelia vide Hamlet, Act 4, Scene VII
1794
54
Francesco Bartolozzi, 1728–1815
Troilus and Cressida, Act 4, Scene II
1794
55
Francesco Bartolozzi, 1728–1815
The Death of Alcestis
1796
56
Peter Simon, 1750–1810
The Interview of Tom Jones and Sophia, After the Reconciliation
1789
57
Print made by Francesco Bartolozzi, 1728–1815
Mrs. Abington as Thalia
ca. 1783
58
Print made by Francesco Bartolozzi, 1728–1815
Miss Anna Brunton
1785
59
Peter Simon, 1750–1810
Taming of the Shrew, Act II Scene II
1795
60
Print made by Caroline Watson, 1760–1814
The Tempest, Act V, Scene I
1795
61
Francesco Bartolozzi, 1728–1815
Jane Shore
1790
62
Francesco Bartolozzi, 1728–1815
My Son attend unto my Wisdom, and Bow Thine ear to my Understanding; Proverbs, Chapter V
63
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela Swooning, after having discovered Mr. B. in the closet, He (frighted) endeavouring to recover her, Mrs. Jervis wringing her hands, and screaming
1745
64
Francesco Bartolozzi, 1728–1815
Lo Corse ad Abbracciare, e a Sargli Sesta..
1773
65
Francesco Bartolozzi, 1728–1815
Title page: Depicting Cupid, Venus, and Juno
1782
66
Francesco Bartolozzi, 1728–1815
Polyhemus, Playing The Panpipes For Galatea
1783
67
Francesco Bartolozzi, 1728–1815
Shakespeare's Tomb
1782
68
Francesco Bartolozzi, 1728–1815
Anthony and Cleopatra, Act 3, Scene II
1794
69
Francesco Bartolozzi, 1728–1815
As You Like It, Act IV, Orlando and Oliver
1788
70
Francesco Bartolozzi, 1728–1815
Coriolanus, Act 5, Scene III
1783
71
Francesco Bartolozzi, 1728–1815
Soldier Kneeling On A Stone Embracing a Woman, Soldiers in Background
undated
72
James Hardy, active 1770s
Joseph Baretti
1794
73
Francesco Bartolozzi, 1728–1815
The Freeing of Amoret
1792
74
Francesco Bartolozzi, 1728–1815
The Deserted Village
1795
75
Francesco Bartolozzi, 1728–1815
Lodona
1792
76
Francesco Bartolozzi, 1728–1815
Chryseis Restored To Her Father
1786
77
Francesco Bartolozzi, 1728–1815
A Plate from Orlando Furioso: Depicting Orlando and Rodomont Fighting
1773
78
Francesco Bartolozzi, 1728–1815
Vede di Mezzo il Fiume un Cavaliero..
1773
79
Francesco Bartolozzi, 1728–1815
...Scuote, il Lembo Pieno; e Nella Torbida Onda..
1773
80
Francesco Bartolozzi, 1728–1815
Illustration For The Book: Evelina, Or, The History Of A Young Lady's Entrance into The World
1778
81
Francesco Bartolozzi, 1728–1815
Title page: L'Amico' de Fanciulli, Vol. III
1788
82
Francesco Bartolozzi, 1728–1815
Illustration from Bell's Edition of the Poets of Great Britain, Volume LXXXVII Hammond
1780
83
Francesco Bartolozzi, 1728–1815
I Have Laid The Foundation And Another Buildeth Thereon, But Let Every Man Take Heed How He Buildeth Thereon, 1 Cor. 3, 10
ca.1785
84
Francesco Bartolozzi, 1728–1815
February
1793
85
Francesco Bartolozzi, 1728–1815
October
1793
86
Francesco Bartolozzi, 1728–1815
Poetry And History, Presenting Painting, With Subjects For Her Pencil
1794
87
Francesco Bartolozzi, 1728–1815
Palamon and Arcite
1790
88
Print made by Robert Thew, 1758–1802
King Henry VI, Part I: Act II, Scene V, A Room in the Tower (The Death of Mortimer)
1792
89
Print made by Robert Thew, 1758–1802
King Richard III: Act III, Scene I (The Meeting of Edward V and His Brother, Richard, Duke of York)
1789
90
Print made by Charles Gauthier Playter, died 1809
Henry VI, Part III: Act I, Scene III, A Field of Battle betwixt Sandal Castle . .
1793
91
Print made by Peter Simon, 1750–1810
Romeo and Juliet: Act IV, Scene III (A Monument Belonging to the Capulets)