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Richard Parkes Bonington Corso Sant'Anastasia, Verona
Richard Parkes Bonington, 1802–1828
Corso Sant'Anastasia, Verona
1828
On view at YUAG
George Morland Winter Landscape with Figures
George Morland, 1763–1804
Winter Landscape with Figures
ca. 1785
Not on view
William Tasker The Liverpool and National Steeplechase at Aintree, 1843
William Tasker, 1808–1852
The Liverpool and National Steeplechase at Aintree, 1843
ca. 1843
Not on view
John Varley A View along the Thames towards Chelsea Old Church
John Varley, 1778–1842
A View along the Thames towards Chelsea Old Church
between 1810 and 1815
Not on view
George Vincent A View of Cheddar Gorge
George Vincent, 1796–1832
A View of Cheddar Gorge
ca. 1820
Not on view
Arthur Nelson Landscape, with Dover Castle in the Distance
Arthur Nelson, active 1765–1773
Landscape, with Dover Castle in the Distance
ca. 1767
Not on view
John Inigo Richards Castel Sant'Angelo, Rome
John Inigo Richards, 1730/31?–1810
Castel Sant'Angelo, Rome
1776
Not on view
John Wootton Classical Landscape: Morning
John Wootton, 1682–1764
Classical Landscape: Morning
between 1740 and 1745
Not on view
William Frederick Witherington Mid-Day Rest, Harvest
William Frederick Witherington, 1785–1865
Mid-Day Rest, Harvest
ca. 1840
Not on view
John Ferneley Archery Meeting in Bradgate Park, Leicestershire
John Ferneley, 1782–1860
Archery Meeting in Bradgate Park, Leicestershire
1850
Not on view
Walter Richard Sickert The Taming of the Shrew
Walter Richard Sickert, 1860–1942
The Taming of the Shrew
ca. 1937
Not on view
Walter Richard Sickert St. Mark's Facade, Venice
Walter Richard Sickert, 1860–1942
St. Mark's Facade, Venice
1901
Not on view
Helen Bradley The End of a Perfect Day
Helen Bradley, 1900–1979
The End of a Perfect Day
1967
Not on view
Henry Dawson London from Greenwich Hill
Henry Dawson, 1811–1878
London from Greenwich Hill
1869 to 1870
Not on view
John Frederick Lewis On the Banks of the Nile, Upper Egypt
John Frederick Lewis, 1804–1876
On the Banks of the Nile, Upper Egypt
1876
Not on view
William Blake A Shepherd Reading the Epitaph (Design 115)
William Blake, 1757–1827
A Shepherd Reading the Epitaph (Design 115)
between 1797 and 1798
William Blake "One hair nor particle of dust..." (Plate 14)
Print made by William Blake, 1757–1827
"One hair nor particle of dust..." (Plate 14)
1804 to 1820
William Blake "But when they saw Albion fall'n..." (Plate 20)
Print made by William Blake, 1757–1827
"But when they saw Albion fall'n..." (Plate 20)
1804 to 1820
William Blake "Why wilt thou give to her a Body..." (Plate 12)
Print made by William Blake, 1757–1827
"Why wilt thou give to her a Body..." (Plate 12)
1804 to 1820
William Blake "And One stood forth from the Divine Family..." (Plate 37)
Print made by William Blake, 1757–1827
"And One stood forth from the Divine Family..." (Plate 37)
1804 to 1820
William Blake "The banks of the Thames are clouded..." (Plate 5)
Print made by William Blake, 1757–1827
"The banks of the Thames are clouded..." (Plate 5)
1804 to 1820
William Blake "Jerusalem, Chapter 3. But Los, who is the Vehicular Form..." (Plate 53)
Print made by William Blake, 1757–1827
"Jerusalem, Chapter 3. But Los, who is the Vehicular Form..." (Plate 53)
1804 to 1820
William Blake "And the voices of Bath & Canterbury & York & Edinburgh, Cry..." (Plate 57)
Print made by William Blake, 1757–1827
"And the voices of Bath & Canterbury & York & Edinburgh, Cry..." (Plate 57)
1804 to 1820
William Blake The Three Fatal Sisters (Design 67)
William Blake, 1757–1827
The Three Fatal Sisters (Design 67)
between 1797 and 1798
William Blake "What have I said? What have I done?..." (Plate 24)
Print made by William Blake, 1757–1827
"What have I said? What have I done?..." (Plate 24)
1804 to 1820
William Blake "Jerusalem, Chapter 2. Every ornament of perfection..." (Plate 28)
Print made by William Blake, 1757–1827
"Jerusalem, Chapter 2. Every ornament of perfection..." (Plate 28)
1804 to 1820
William Blake "To the Public. After my three years slumber..." (Plate 3)
Print made by William Blake, 1757–1827
"To the Public. After my three years slumber..." (Plate 3)
1804 to 1820
William Blake "Then all the Males conjoined into One Male..." (Plate 69)
Print made by William Blake, 1757–1827
"Then all the Males conjoined into One Male..." (Plate 69)
1804 to 1820
William Blake "And this the form of mighty Hand..." (Plate 70)
Print made by William Blake, 1757–1827
"And this the form of mighty Hand..." (Plate 70)
1804 to 1820
William Blake Jerusalem, Plate 28 Proof Impression
Print made by William Blake, 1757–1827
Jerusalem, Plate 28 Proof Impression
ca. 1820
William Blake "And none but Bromian can hear my lamentations..." (Plate 6)
William Blake, 1757–1827
"And none but Bromian can hear my lamentations..." (Plate 6)
1793
William Blake 'Its favours here are trials, not rewards' (Page 12)
Print made by William Blake, 1757–1827
'Its favours here are trials, not rewards' (Page 12)
ca. 1797
William Blake 'Its favours here are trials, not rewards' (Page 12)
Print made by William Blake, 1757–1827
'Its favours here are trials, not rewards' (Page 12)
1797
William Blake "Oft did the harvest to their sickle yield..." (Design 109)
William Blake, 1757–1827
"Oft did the harvest to their sickle yield..." (Design 109)
between 1797 and 1798
William Blake "Somevillage-Hampden, that with dauntless breast, The little tyrant of his fields withstood..," (Design 111)
William Blake, 1757–1827
"Somevillage-Hampden, that with dauntless breast, The little tyrant of his fields withstood..," (Design 111)
between 1797 and 1798
William Blake "The laughing flowers, that round them blow, Drink life and fragrance as they flow..." (Design 43)
William Blake, 1757–1827
"The laughing flowers, that round them blow, Drink life and fragrance as they flow..." (Design 43)
between 1797 and 1798
William Blake "From every-one of the Four Regions..." (Plate 18)
Print made by William Blake, 1757–1827
"From every-one of the Four Regions..." (Plate 18)
1804 to 1820
William Blake "Jerusalem, Chapter 1. Of the Sleep of Ulro!..." (Plate 4)
Print made by William Blake, 1757–1827
"Jerusalem, Chapter 1. Of the Sleep of Ulro!..." (Plate 4)
1804 to 1820
William Blake "Tho divided by the Cross & Nails & Thorns & Spear..." (Plate 89)
Print made by William Blake, 1757–1827
"Tho divided by the Cross & Nails & Thorns & Spear..." (Plate 89)
1804 to 1820
William Blake "What do I see! The Briton Saxon Roman Norman..." (Plate 92)
Print made by William Blake, 1757–1827
"What do I see! The Briton Saxon Roman Norman..." (Plate 92)
1804 to 1820
William Blake "Became a Space & an Allegory..." (Plate 85)
Print made by William Blake, 1757–1827
"Became a Space & an Allegory..." (Plate 85)
1804 to 1820
William Blake "Rose up against me thundering..." (Plate 8)
Print made by William Blake, 1757–1827
"Rose up against me thundering..." (Plate 8)
1804 to 1820
Thomas Shotter Boys Notre Dame, Paris
Thomas Shotter Boys, 1803–1874
Notre Dame, Paris
between 1831 and 1845
Francesco Bartolozzi Ascension of Madame Sage, Chevalier Biggin and Captain Vincent Lunardi in a Balloon, June 20, 1785
Print made by Francesco Bartolozzi, 1728–1815
Ascension of Madame Sage, Chevalier Biggin and Captain Vincent Lunardi in a Balloon, June 20, 1785
1785
Thomas Shotter Boys Le Château de Blois
attributed to Thomas Shotter Boys, 1803–1874
Le Château de Blois
undated
James Duffield Harding The Grand Canal, Venice
James Duffield Harding, 1798–1863
The Grand Canal, Venice
1835
James Duffield Harding Lyons from Quayside on the Rhone
James Duffield Harding, 1798–1863
Lyons from Quayside on the Rhone
ca. 1824
William Callow Madonna with a Rabbit
William Callow, 1812–1908
Madonna with a Rabbit
undated
Paul Sandby Roslin Castle, Midlothian
Paul Sandby, 1731–1809
Roslin Castle, Midlothian
ca. 1780
George Belton Moore A Proposed plan for Trafalgar Square
George Belton Moore, 1805–1875
A Proposed plan for Trafalgar Square
1841
Paul Sandby North West View of Wakefield Lodge in Whittlebury Forest, Northamptonshire
Paul Sandby, 1731–1809
North West View of Wakefield Lodge in Whittlebury Forest, Northamptonshire
1767
Paul Sandby Bridgenorth, Shropshire
Paul Sandby, 1731–1809
Bridgenorth, Shropshire
ca. 1801
Robert Dunkarton Sisters Contemplating on Mortality
Print made by Robert Dunkarton, 1744–1811
Sisters Contemplating on Mortality
1770
Thomas Watson The Honourable Mrs. Beresford with the Marchioness Townshend and the Hon. Mrs. Gardiner Adoring a Term of Hymen
Print made by Thomas Watson, 1743–1781
The Honourable Mrs. Beresford with the Marchioness Townshend and the Hon. Mrs. Gardiner Adoring a Term of Hymen
1776
Bernard Lens II Nymphs Bathing
Print made by Bernard Lens II, 1659–1725
Nymphs Bathing
undated
Thomas Park Mrs. Jordan in the Character of the Comic Muse
Print made by Thomas Park, ca. 1760–1834
Mrs. Jordan in the Character of the Comic Muse
1787
Thomas Girtin Tynemouth Priory, Northumberland
Thomas Girtin, 1775–1802
Tynemouth Priory, Northumberland
ca. 1793
Thomas Rowlandson Time and Death and Goody Barton
Thomas Rowlandson, 1756–1827
Time and Death and Goody Barton
undated
Thomas Rowlandson Embarkation at Southampton, June 20th 1794
Thomas Rowlandson, 1756–1827
Embarkation at Southampton, June 20th 1794
1794
Arthur Keen The Baptist Church House, Southampton Row, W. C.
Arthur Keen, 1861–1938
The Baptist Church House, Southampton Row, W. C
ca. 1901
John Sell Cotman Bridge in a Continental Town
John Sell Cotman, 1782–1842
Bridge in a Continental Town
ca. 1830
Thomas Shotter Boys Courtyard of an Inn on the Thames
Thomas Shotter Boys, 1803–1874
Courtyard of an Inn on the Thames
undated