Materials & Techniques: aquatint / Work Type: intaglio print / Subject Terms: birds

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Materials & Techniques aquatint

Work Type intaglio print

Subject Terms birds

Print made by James Clark, 19th century

Cowdray Ruins

1824

Print made by Bradshaw & Blacklock, active ca.1850

Castles in England

after 1850

Bradshaw & Blacklock, active ca.1850

Tintern Abbey

after 1850

Robert Havell, 1769–1832

Clifton Spring and Woods near Maidenhead

1818

J. Hill, active 19th century

A Frigate in a Calm

1811

J. Hill, active 19th century

A Sloop of War in a Light Breeze

1811

J. Hill, active 19th century

A First Rate after a Storm

1811

J. Hill, active 19th century

A Seventy-four in a Fresh Gale

1811

Print made by George Cruikshank, 1792–1878

Mr. B. Mastheaded -or, enjoying the fresh air for the 304th time - Plate 4

1820

Print made by David Allan, 1744–1796

Glaud and Peggy

1808

Print made by Matthew Dubourg, active 1786–1838

Grouse Shooting

1822

Print made by Matthew Dubourg, active 1786–1838

Partridge Shooting

1822

Print made by Matthew Dubourg, active 1786–1838

Pheasant Shooting

1822

James Gillray, 1756–1815

The Valley of the Shadow of Death

1808

after George Baxter, 1804–1867

The Miraculous Draught of Fishes

after 1855

after George Baxter, 1804–1867

The Miraculous Draught of Fishes

after 1855

Print made by Bradshaw & Blacklock, active ca.1850

Constantinople

after 1850

Engraved by Henry Pyall, 1795–1833

Mail Coach Behind Time

1827

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