<< YCBA Home Yale Center for British Art Yale Center for British Art << YCBA Home

YCBA Collections Search

Search Constraints

You searched for:

Materials & Techniques black ink

Remove constraint Materials & Techniques: black ink

Materials & Techniques gray wash

Remove constraint Materials & Techniques: gray wash

Period 19th century

Remove constraint Period: 19th century

Work Type watercolor

Remove constraint Work Type: watercolor

Classification Drawing & Watercolors-Architectural

Remove constraint Classification: Drawing & Watercolors-Architectural

Search Results

James Wyatt Hinton St. George, Somerset: Plan of the Dressing Room
James Wyatt, 1746–1813
Hinton St. George, Somerset: Plan of the Dressing Room
1801
Augustus Welby Northmore Pugin Our Blessed Lady and St Thomas of Canterbury: Perspective of the Interior
Augustus Welby Northmore Pugin, 1812–1852
Our Blessed Lady and St Thomas of Canterbury: Perspective of the Interior
1838
Thomas Harrison Design for Grosvenor Bridge, Chester
Thomas Harrison, 1744–1829
Design for Grosvenor Bridge, Chester
ca. 1825
Thomas Grieve Design for Covent Garden Drop Curtain
Thomas Grieve, 1799–1882
Design for Covent Garden Drop Curtain
1823
Sir Robert Smirke the younger Design for London Bridge Approach
Print made by Sir Robert Smirke the younger, 1781–1867
Design for London Bridge Approach
between 1827 and 1835
John Bounarotti Papworth Design for a Country House
John Bounarotti Papworth, 1775–1847
Design for a Country House
undated
James Malton Preparatory drawing for Design 9, Plate 6 of A Collection of Designs for Rural Retreats
James Malton, 1761–1803
Preparatory drawing for Design 9, Plate 6 of A Collection of Designs for Rural Retreats
1802
James Malton Preparatory drawing for Design 1, Plate 1 of A Collection of Designs for Rural Retreats
James Malton, 1761–1803
Preparatory drawing for Design 1, Plate 1 of A Collection of Designs for Rural Retreats
1802
Sir Robert Smirke the younger Design for London Bridge Approach
Print made by Sir Robert Smirke the younger, 1781–1867
Design for London Bridge Approach
between 1827 and 1835
James Malton Preparatory drawing for Design 21, Plate 19 of A Collection of Designs for Rural Retreats
James Malton, 1761–1803
Preparatory drawing for Design 21, Plate 19 of A Collection of Designs for Rural Retreats
1802
Sir Jeffry Wyatville Windsor Castle, Berkshire: View
Studio of Sir Jeffry Wyatville, 1766–1840
Windsor Castle, Berkshire: View
after 1830
unknown artist Front Elevation of a House with Pedimented Central Bay
unknown artist
Front Elevation of a House with Pedimented Central Bay
undated
Edward Walhouse Mark The Doric Order
Edward Walhouse Mark, 1817–1895
The Doric Order
undated
Edward Walhouse Mark The Ionic Order, after Palladio
Edward Walhouse Mark, 1817–1895
The Ionic Order, after Palladio
undated
Edward Walhouse Mark The Corinthian Order
Edward Walhouse Mark, 1817–1895
The Corinthian Order
undated
James Thomson Grittleton, West Front Elevation, No.5
James Thomson, 1800–1883
Grittleton, West Front Elevation, No.5
1851
James Thomson Grittleton, East Front Elevation, No.7
James Thomson, 1800–1883
Grittleton, East Front Elevation, No.7
1851
John Adey Repton London: Houses of Parliament
John Adey Repton, 1775–1860
London: Houses of Parliament
undated
Edward Walhouse Mark The Tuscan Order
Edward Walhouse Mark, 1817–1895
The Tuscan Order
undated
Edward Walhouse Mark The Composite Order
Edward Walhouse Mark, 1817–1895
The Composite Order
undated
John Adey Repton London: Houses of Parliament
John Adey Repton, 1775–1860
London: Houses of Parliament
undated
John Adey Repton London: Houses of Parliament
John Adey Repton, 1775–1860
London: Houses of Parliament
undated