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Materials & Techniques black ink

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Materials & Techniques pens

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Credit Line Yale Center for British Art, Paul Mellon Collection

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Period 18th century

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1. Cobham Hall, Kent: Plan of Tower Staircase

Cobham Hall, Kent: Plan of Tower Staircase
Creator:
James Wyatt, 1746–1813
Date:
ca. 1790
Materials & Techniques:
Graphite, pen and black and brown ink, yellow wash on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 12 3/16 x 17 1/2 inches (31 x 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. Cobham Hall, Kent: Ceiling of Vestibule

Cobham Hall, Kent: Ceiling of Vestibule
Creator:
James Wyatt, 1746–1813
Date:
ca. 1790
Materials & Techniques:
Graphite and pen and black ink on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 14 × 22 1/4 inches (35.6 × 56.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. Composition: two travellers and a dog on a road passing cottages, with ruins on a hill

Composition: two travellers and a dog on a road passing cottages, with ruins on a hill
Creator:
Peter La Cave, active 1769–1810
Date:
1799
Materials & Techniques:
Watercolor, pen and black ink on medium, slightly textured, wove paper
Dimensions:
Sheet: 4 1/2 × 5 7/8 inches (11.4 × 14.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. London Cries: Fun upon Fun

London Cries: Fun upon Fun
Creator:
Paul Sandby, 1731–1809
Date:
1759
Materials & Techniques:
Watercolor, pen and black ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 1/8 x 5 7/8 inches (18.1 x 14.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. Design for a Country House

Design for a Country House
Creator:
James Lewis, 1751–1820
Date:
undated
Materials & Techniques:
Graphite, pen and black ink, watercolor on smooth, thick, brown laid paper
Dimensions:
Sheet: 8 5/8 × 25 5/8 inches (21.9 × 65.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. Coits Played opposite the Horns, Kennington Common

Coits Played opposite the Horns, Kennington Common
Creator:
Robert Dighton, 1752–1814
Date:
ca. 1784
Materials & Techniques:
Pen and black ink and brown ink and watercolor
Dimensions:
Sheet: 6 x 8in. (15.2 x 20.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. Cricket played by the Gentlemens Club, Whiteconduit House

Cricket played by the Gentlemens Club, Whiteconduit House
Creator:
Robert Dighton, 1752–1814
Date:
1784
Materials & Techniques:
Pen and black ink and brown ink and watercolor
Dimensions:
Sheet: 6 x 8in. (15.2 x 20.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. Foot Ball played at Market Place, Barnet

Foot Ball played at Market Place, Barnet
Creator:
Robert Dighton, 1752–1814
Date:
ca. 1784
Materials & Techniques:
Pen and black ink and brown ink and watercolor
Dimensions:
Sheet: 6 x 8in. (15.2 x 20.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. Trap Ball Played at the Black Prince, Newington, Butts

Trap Ball Played at the Black Prince, Newington, Butts
Creator:
Robert Dighton, 1752–1814
Date:
ca. 1784
Materials & Techniques:
Pen and black ink and brown ink and watercolor
Dimensions:
Sheet: 6 x 8in. (15.2 x 20.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. Four Corners Played at the Swan, Chelsea

Four Corners Played at the Swan, Chelsea
Creator:
Robert Dighton, 1752–1814
Date:
ca. 1784
Materials & Techniques:
Pen and black ink and brown ink and watercolor
Dimensions:
Sheet: 6 x 8in. (15.2 x 20.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. A Plan of Part of the Ancient City of Westminster, from College Street to Whitehall, and from the Thames to St. James's Park, in which are laid down all the New Streets that have been built & other alterations made since the building of Westminster Bridge

A Plan of Part of the Ancient City of Westminster, from College Street to Whitehall, and from the Thames to St. James's Park, in which are laid down all the New Streets that have been built & other alterations made since the building of Westminster Bridge
Creator:
unknown artist
Date:
printed 1740, drawn ca. 1760
Materials & Techniques:
Line engraving marked with pen and black ink, blue wash, and graphite on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 20 15/16 × 28 3/4 inches (53.2 × 73 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. Door on South Side of Painted Chamber

Door on South Side of Painted Chamber
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1793 and 1799
Materials & Techniques:
Graphite and pen and black ink on medium, slightly textured, white wove paper
Dimensions:
Sheet: 9 3/4 × 6 5/8 inches (24.8 × 16.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. Continuation of the Preceeding Ornaments

Continuation of the Preceeding Ornaments
Creator:
Attributed to John Carter, 1748–1817
Date:
1793
Materials & Techniques:
Graphite and pen and black ink on slightly textured, medium, white laid paper
Dimensions:
Sheet: 6 3/4 × 9 3/8 inches (17.1 × 23.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. Seats in Henry VII Chapel, Westminster Abbey

Seats in Henry VII Chapel, Westminster Abbey
Creator:
Attributed to John Carter, 1748–1817
Date:
ca. 1793
Materials & Techniques:
Graphite and pen and black ink on slightley textured, medium, white laid paper
Dimensions:
Sheet: 14 1/2 × 10 3/8 inches (36.8 × 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. South View of the Abbey Church, Westminster, Taken from Dean's Yard

South View of the Abbey Church, Westminster, Taken from Dean's Yard
Creator:
Attributed to John Carter, 1748–1817
Date:
1785
Materials & Techniques:
Graphite and pen and black ink on slightly textured, medium, white laid paper
Dimensions:
Sheet: 8 7/16 × 7 7/16 inches (21.4 × 18.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. Basso-relievos in the Groins of the Undercroft of St Stephen's Chapel

Basso-relievos in the Groins of the Undercroft of St Stephen's Chapel
Creator:
Attributed to John Carter, 1748–1817
Date:
ca. 1781
Materials & Techniques:
Graphite and pen and black and brown ink on three sheets of slightly textured, moderately thick, white laid paper pasted together
Dimensions:
Sheet: 14 5/8 × 8 3/4 inches (37.1 × 22.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
Creator:
Attributed to John Carter, 1748–1817
Date:
ca. 1780
Materials & Techniques:
Graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 1/8 × 4 inches (15.6 × 10.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
Creator:
Attributed to John Carter, 1748–1817
Date:
ca. 1781
Materials & Techniques:
Graphite and pen and black ink on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 10 1/4 × 13 1/2 inches (26 × 34.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
Creator:
Attributed to John Carter, 1748–1817
Date:
ca. 1780
Materials & Techniques:
Graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 7/8 × 5 5/8 inches (17.5 × 14.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. View through the South East Window of the Crypt beneath St Stephen's, Westminster

View through the South East Window of the Crypt beneath St Stephen's, Westminster
Creator:
George Johann Scharf, 1788–1860
Date:
1852
Materials & Techniques:
Graphite, gray watercolor and pen and black ink on Smooth, moderately thick, cream wove paper
Dimensions:
Sheet: 13 × 10 7/8 inches (33 × 27.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. North Side, Painted Chamber

North Side, Painted Chamber
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1793 and 1799
Materials & Techniques:
Graphite and pen and black ink on medium, slightly textured, white wove paper
Dimensions:
Sheet: 9 × 14 3/8 inches (22.9 × 36.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. Paintings on the Wall by H in Plan

Paintings on the Wall by H in Plan
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1793 and 1799
Materials & Techniques:
Pen and black ink and graphite on medium, slightly textured, white laid paper
Dimensions:
Sheet: 7 5/8 × 12 1/2 inches (19.4 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. Side Window, North, Painted Chamber

Side Window, North, Painted Chamber
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1793 and 1799
Materials & Techniques:
Graphite and pen and ink on medium, slightly textured, white laid paper
Dimensions:
Sheet: 6 7/8 × 7 3/4 inches (17.5 × 19.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. Plan of Painted Chamber

Plan of Painted Chamber
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1793 and 1799
Materials & Techniques:
Graphite and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 1/4 × 5 9/16 inches (15.9 × 14.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. East Front of Painted Chamber

East Front of Painted Chamber
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1793 and 1799
Materials & Techniques:
Graphite and pen and black ink on medium, slightly textured, white laid paper
Dimensions:
Sheet: 12 1/2 × 13 1/2 inches (31.8 × 34.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. Basso-relievos in the Groins of the Cloisters, Adjoining St Stephen's Chapel West

Basso-relievos in the Groins of the Cloisters, Adjoining St Stephen's Chapel West
Creator:
Attributed to John Carter, 1748–1817
Date:
ca. 1781
Materials & Techniques:
Pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 14 1/2 × 9 5/8 inches (36.8 × 24.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. Entrance to the House of Lords

Entrance to the House of Lords
Creator:
Attributed to William Capon, 1757–1827
Date:
1796
Materials & Techniques:
Graphite, pen and black and brown ink on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 8 × 6 7/8 inches (20.3 × 17.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. Fives played at the Tennis court Leicester Fields

Fives played at the Tennis court Leicester Fields
Creator:
Robert Dighton, 1752–1814
Date:
ca. 1784
Materials & Techniques:
Pen and black ink and brown ink and watercolor
Dimensions:
Sheet: 6 x 8in. (15.2 x 20.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. Polite Amusement of Brute Beasts at the Lyceum

Polite Amusement of Brute Beasts at the Lyceum
Creator:
Samuel Collings, active 1784–1795
Date:
undated
Materials & Techniques:
Pen and black ink with gray wash on medium, slightly textured, gray wove paper
Dimensions:
Sheet: 7 × 8 3/4 inches (17.8 × 22.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. Manning the Navy

Manning the Navy
Creator:
Samuel Collings, active 1784–1795
Date:
undated
Materials & Techniques:
Pen and black ink with gray wash and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 5/8 × 8 1/2 inches (16.8 × 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

31. Robin Hood and Clarinda Hunting Deer

Robin Hood and Clarinda Hunting Deer
Creator:
Joseph Slater, c. 1750– died after 1789
Date:
undated
Materials & Techniques:
Gray wash and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 3/8 × 3 7/8 inches (13.7 × 9.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32. The Battle of Cape St. Vincent

The Battle of Cape St. Vincent
Creator:
Robert Cleveley, 1747–1809
Date:
1797
Materials & Techniques:
Watercolor, graphite and black ink on medium, moderately thick, beige wove paper
Dimensions:
Sheet: 4 1/8 x 8in. (10.5 x 20.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33. Ecclesiastical Ruins beside the Thames (?)

Ecclesiastical Ruins beside the Thames (?)
Creator:
John Collet, ca. 1725–1780
Date:
undated
Materials & Techniques:
Gray wash, brown wash, and pen and black ink on moderately thick, moderately textured, white laid paper
Dimensions:
Sheet: 4 7/8 × 7 1/8 inches (12.4 × 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34. A Lady of Fashion with Black Shawl and Black Shoes

A Lady of Fashion with Black Shawl and Black Shoes
Creator:
Attributed to John Collet, ca. 1725–1780
Date:
1778
Materials & Techniques:
Watercolor, pen and black ink on medium, moderately textured, cream laid paper mounted to card
Dimensions:
Sheet: 4 7/8 × 3 1/8 inches (12.4 × 7.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

35. The Struggles of Virtue

The Struggles of Virtue
Creator:
Samuel Collings, active 1784–1795
Date:
undated
Materials & Techniques:
Pen and black ink with graphite and gray wash on medium, moderately textured, white wove paper
Dimensions:
Sheet: 6 7/8 × 8 7/8 inches (17.5 × 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36. An Ampitheatrical Version of the Fall of Bastille

An Ampitheatrical Version of the Fall of Bastille
Creator:
Samuel Collings, active 1784–1795
Date:
undated
Materials & Techniques:
Pen and black ink and gray wash on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 6 3/4 × 9 inches (17.1 × 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37. A Querulous Committee Meeting

A Querulous Committee Meeting
Creator:
Samuel Collings, active 1784–1795
Date:
undated
Materials & Techniques:
Pen and black ink, gray wash, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 7/8 × 10 5/8 inches (20 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38. Design for a Doorway

No cover image available
Creator:
John Yenn, 1750–1821
Date:
1781
Materials & Techniques:
Pen and black and brown ink and watercolor on slightly textured, moderately thick, cream laid paper
Dimensions:
Sheet: 21 × 14 1/4 inches (53.3 × 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection