<< YCBA Home Yale Center for British Art Yale Center for British Art << YCBA Home

YCBA Collections Search

Search Constraints

You searched for:

Materials & Techniques black ink

Remove constraint Materials & Techniques: black ink

Period 19th century

Remove constraint Period: 19th century

Image Use Free to Use

Remove constraint Image Use: Free to Use

Subject Terms clouds

Remove constraint Subject Terms: clouds

Search Results

Joseph Mallord William Turner Ship Aground Brighton
Joseph Mallord William Turner, 1775–1851
Ship Aground Brighton
1830
Joseph Mallord William Turner View of Hampton Court, Herefordshire, from the Northwest
Joseph Mallord William Turner, 1775–1851
View of Hampton Court, Herefordshire, from the Northwest
ca. 1806
Joseph Mallord William Turner Andernach
Joseph Mallord William Turner, 1775–1851
Andernach
1817
William Blake Jerusalem, Plate 43, "They saw their Wheels...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 43, "They saw their Wheels...."
1804 to 1820
William Blake Jerusalem, Plate 45, "Bath, healing City!...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 45, "Bath, healing City!...."
1804 to 1820
William Blake Jerusalem, Plate 74, "The Four Zoa's clouded rage...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 74, "The Four Zoa's clouded rage...."
1804 to 1820
William Blake Jerusalem, Plate 77, "To the Christians...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 77, "To the Christians...."
1804 to 1820
William Blake Jerusalem, Plate 78, "The Spectres of..."
William Blake, 1757–1827
Jerusalem, Plate 78, "The Spectres of..."
1804 to 1820
William Blake Jerusalem, Plate 8, "Rose up against me...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 8, "Rose up against me...."
1804 to 1820
William Blake Jerusalem, Plate 83, "Corruptability appears upon thy limbs...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 83, "Corruptability appears upon thy limbs...."
1804 to 1820
William Blake Jerusalem, Plate 14, "One hair nor particle of dust...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 14, "One hair nor particle of dust...."
1804 to 1820
William Blake Jerusalem, Plate 32, "Leaning against the pillars...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 32, "Leaning against the pillars...."
1804 to 1820
William Blake Jerusalem, Plate 50, "The Atlantic Mountains...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 50, "The Atlantic Mountains...."
1804 to 1820
William Blake Jerusalem, Plate 82, "I have heard Jerusalems groans...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 82, "I have heard Jerusalems groans...."
1804 to 1820
William Blake Jerusalem, Plate 92, "What do I see!...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 92, "What do I see!...."
1804 to 1820
William Blake Jerusalem, Plate 3, "To the Public...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 3, "To the Public...."
1804 to 1820
William Blake Jerusalem, Plate 81, "I have mockd those...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 81, "I have mockd those...."
1804 to 1820
William Blake Jerusalem, Plate 20, "But when they saw Albion...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 20, "But when they saw Albion...."
1804 to 1820
William Blake Jerusalem, Plate 31, "His western heaven...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 31, "His western heaven...."
1804 to 1820
William Blake Jerusalem, Plate 70, "And this the form of mighty Hand...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 70, "And this the form of mighty Hand...."
1804 to 1820
William Blake Jerusalem, Plate 12, "Why wilt thou give to her...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 12, "Why wilt thou give to her...."
1804 to 1820
William Blake The Parable of the Wise and Foolish Virgins
William Blake, 1757–1827
The Parable of the Wise and Foolish Virgins
ca. 1825
John Nixon At Brighton, 1804: Three Women, Child and Man Looking Out to Sea
John Nixon, ca. 1760–1818
At Brighton, 1804: Three Women, Child and Man Looking Out to Sea
1804
John Martin Christ Stilling the Tempest
Attributed to John Martin, 1789–1854
Christ Stilling the Tempest
undated
Thomas Shotter Boys Le Pont Royal, Paris
Thomas Shotter Boys, 1803–1874
Le Pont Royal, Paris
ca. 1828
John Martin The Daughters of Jerusalem Weeping by the Waters of Babylon
John Martin, 1789–1854
The Daughters of Jerusalem Weeping by the Waters of Babylon
1834
Henry Monro High Street at Bushey, Hertfordshire
Henry Monro, 1791–1814
High Street at Bushey, Hertfordshire
1812
James Wyatt Design for an Unidentified Country House
James Wyatt, 1746–1813
Design for an Unidentified Country House
ca. 1800
James Ward Snowdon, an Approaching Storm
James Ward, 1769–1859
Snowdon, an Approaching Storm
1853
Samuel Owen Ships on a Stormy Sea
Samuel Owen, 1768–1857
Ships on a Stormy Sea
1836
Sir Robert Smirke the younger Design for London Bridge Approach
Print made by Sir Robert Smirke the younger, 1781–1867
Design for London Bridge Approach
between 1827 and 1835
Thomas Shotter Boys View Near Arundel Castle
Thomas Shotter Boys, 1803–1874
View Near Arundel Castle
1823 and 1874
Thomas Shotter Boys The North-West Porch of Salisbury Cathedral
Thomas Shotter Boys, 1803–1874
The North-West Porch of Salisbury Cathedral
1832
Henry Haseler Sidmouth from Offshore
Henry Haseler, active 1814–1825
Sidmouth from Offshore
ca. 1815
John White Abbott A View of Core's Library, Dawlish, Devon
John White Abbott, 1763–1851
A View of Core's Library, Dawlish, Devon
1837
Henry Monro A Wooded Track
Henry Monro, 1791–1814
A Wooded Track
1813
Anna Mills The Entrance to Hengrave Hall, 1819
Anna Mills, active 1819
The Entrance to Hengrave Hall, 1819
1819
Sir Jeffry Wyatville Windsor Castle, Berkshire: East View
Studio of Sir Jeffry Wyatville, 1766–1840
Windsor Castle, Berkshire: East View
ca. 1830
Sir Jeffry Wyatville Windsor Castle, Berkshire: Distant View from the South
Studio of Sir Jeffry Wyatville, 1766–1840
Windsor Castle, Berkshire: Distant View from the South
ca. 1830
Sir Jeffry Wyatville Windsor Castle, Berkshire: South-Facing View of the Upper Ward
Studio of Sir Jeffry Wyatville, 1766–1840
Windsor Castle, Berkshire: South-Facing View of the Upper Ward
ca. 1830
Sir Jeffry Wyatville Windsor Castle, Berkshire: North-Facing View of the Upper Ward
Studio of Sir Jeffry Wyatville, 1766–1840
Windsor Castle, Berkshire: North-Facing View of the Upper Ward
ca. 1830
Thomas Baker of Leamington A View of Doncaster Racecourse, Drawn From Nature, Sept. 2, 1848
Attributed to Thomas Baker of Leamington, 1809–1864
A View of Doncaster Racecourse, Drawn From Nature, Sept. 2, 1848
1848
John Linnell The Vision of Eliphaz
circle of John Linnell, 1792–1882
The Vision of Eliphaz
undated
John Linnell Job's Despair
circle of John Linnell, 1792–1882
Job's Despair
undated
John Glover St. Davids Head, Pembrokeshire
John Glover, 1767–1849
St. Davids Head, Pembrokeshire
ca. 1805
Sir Jeffry Wyatville Windsor Castle, Berkshire: Distant View from the South
Studio of Sir Jeffry Wyatville, 1766–1840
Windsor Castle, Berkshire: Distant View from the South
ca. 1830
Sir Jeffry Wyatville Windsor Castle, Berkshire: Distant View from the North
Studio of Sir Jeffry Wyatville, 1766–1840
Windsor Castle, Berkshire: Distant View from the North
1830
John Doyle ('H.B.') The Harpies Attacking the Daughters of Pandarus
Print made by John Doyle ('H.B.'), 1797–1868
The Harpies Attacking the Daughters of Pandarus
1848
James Pattison Cockburn Italianate Landscape
James Pattison Cockburn, 1779–1847
Italianate Landscape
ca. 1832
unknown artist Rushton Hall, Northamptonshire
unknown artist
Rushton Hall, Northamptonshire
ca. 1840