Materials & Techniques: etching (printing process) and line engraving / Author ss: after Joseph Mallord William Turner, 1775–1851, British / Genre: landscape / Subject Terms: church

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Materials & Techniques etching (printing process)

Materials & Techniques line engraving

Author ss after Joseph Mallord William Turner, 1775–1851, British

Genre landscape

Subject Terms church

Print made by W. R. Smith, active 1819–1851

Richmond, Yorkshire

1818-1823

Print made by W. R. Smith, active 1819–1851

Richmond, Yorkshire

1818-1823

Print made by Samuel Rawle, 1771–1860

Brignall Church

1818-1823

Print made by Samuel Rawle, 1771–1860

Brignall Church

1821

Print made by Charles Heath, 1785–1848

Kirkby Lonsdale Churchyard

1818-1823

Print made by William Radclyffe, 1780–1855

Hornby Castle from Tatham Church

1822

Print made by Charles Heath, 1785–1848

Kirkby Lonsdale Churchyard

1818-1823

Print made by William Radclyffe, 1780–1855

Hornby Castle from Tatham Church

1818-1823

Print made by Robert Wallis, 1794–1878

Folkstone, Kent

1814 to 1826

Print made by Robert Wallis, 1794–1878

Folkstone, Kent

1826

Print made by George Cooke, 1781–1834

Hythe, Kent

1824

Print made by George Cooke, 1781–1834

Hythe, Kent

1824

Print made by George Cooke, 1781–1834

Hythe, Kent

1824

Print made by Robert Wallis, 1794–1878

Folkstone, Kent

1825

Etched by Samuel Middiman, ca. 1750–1831

Lake of Nemi

1818-1820

Print made by John Pye, 1782–1874

Ehrenbreitstein

1845

Print made by James Baylis Allen, 1803–1876

Caudebec

1833

Print made by James Baylis Allen, 1803–1876

Caudebec

1833

Print made by W. R. Smith, active 1819–1851

Richmond, Yorkshire

1819

Print made by Samuel Rawle, 1771–1860

Brignall Church

1821

Print made by Samuel Rawle, 1771–1860

Brignall Church

1821

Print made by William Radclyffe, 1780–1855

Hornby Castle, from Tatham Church

1822

Print made by W. R. Smith, active 1819–1851

Richmond, Yorkshire

1819

Print made by Charles Heath, 1785–1848

Kirkby Lonsdale Churchyard

1821

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