Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]
1827
2
Print made by William Bernard Cooke, 1778–1855
Plymouth Citadel
1821
3
Print made by James C. Allen, active 1821–1831
Ehrenbreitstein
1824
4
Print made by James C. Allen, active 1821–1831
Ehenbreitstein, During the Demolition of the Fortress in 1817 from the Quay at Coblentz
1824
5
Print made by George Cooke, 1781–1834
Land's End, Cornwall
1814-1826
6
Print made by James C. Allen, active 1821–1831
St. Mawes, Cornwall
1814 to 1826
7
Print made by Francesco Bartolozzi, 1728–1815
The Earl of Mansfield
1786
8
Print made by William Bernard Cooke, 1778–1855
Plymouth Sound
1823
9
Print made by James Charles Armytage, 1802–1897
The Monk
between 1833 and 1853
10
Print made by James Charles Armytage, 1802–1897
The Balcony
between 1835 and 1854
11
Print made by James C. Allen, active 1821–1831
Dunwich
1819-1826
12
Print made by James C. Allen, active 1821–1831
Aldborough
ca. 1830
13
Print made by James C. Allen, active 1821–1831
Aldborough
1819-1826
14
Print made by William Bernard Cooke, 1778–1855
Plymouth Citadel
1823
15
Capt. Francis Grose, 1731–1791
Cowdray Court from the Lodging House
undated
16
Print made by Paul Fourdrinier, 1698–1758
A Sea Engagement between the English and Algerines
ca. 1743
17
Print made by Remi Parr, active 1723–1750
The taking of the St. Joseph a Spanish Carracca Ship, Sept. 23 1739, by the Chester and Canterbury Men of War, this Prize was Valued at upwards of 150,000 pounds
undated
18
Print made by Paul Fourdrinier, 1698–1758
Sweet William's Farewell to Black Eyed Susan
undated
19
Charles Robert Cockerell, 1788–1863
The Temple of Venus in the Port at Aegina: Elevations