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3401. Caudebec

Caudebec
Creator:
Print made by James Baylis Allen, 1803–1876
Date:
1833
Materials & Techniques:
Etching and line engraving, Engraver's proof on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:
Sheet: 7 7/8 × 10 3/4 inches (20 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3402. Loch Achray (Vignette)

Loch Achray (Vignette)
Creator:
Print made by William Miller, 1796–1882
Date:
1853 reprint
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 × 4 7/8 inches (20.3 × 12.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3403. Bally-Burgh Ness

Bally-Burgh Ness
Creator:
Print made by Edward Francis Finden, 1791–1857
Date:
1836-1837
Materials & Techniques:
Line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3404. Newark Castle (vignette)

Newark Castle (vignette)
Creator:
Print made by William John Cooke, 1797–1865
Date:
1854 reprint
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 × 5 inches (20.3 × 12.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3405. Jericho

Jericho
Creator:
Print made by William Finden, 1787–1852
Date:
1836
Materials & Techniques:
Line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3406. O'Connor's Child (Vignette)

O'Connor's Child (Vignette)
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1837
Materials & Techniques:
Line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3407. Gertrude of Wyomimg - The Waterfall (Vignette)

Gertrude of Wyomimg - The Waterfall (Vignette)
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1837
Materials & Techniques:
Line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3408. Crossing the Brook

Crossing the Brook
Creator:
Print made by William Richardson, active 1842–1877
Date:
between 1859 and 1861
Materials & Techniques:
Etching and line engraving on thick, slightly textured, beige wove paper
Dimensions:
Sheet: 15 1/2 × 11 3/4 inches (39.4 × 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3409. Boit. Baker.

Boit. Baker.
Creator:
Alexander Bannerman, ca. 1730–1780
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/4 x 9 inches (29.8 x 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3410. Francesco Bartolozzi, Esqr. R.A.

Francesco Bartolozzi, Esqr. R.A.
Creator:
John Romney, 1786–1863
Date:
1795
Materials & Techniques:
Line engraving and stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3411. John Bacon, R. A.

John Bacon, R. A.
Creator:
William Camden Edwards, 1777–1855
Date:
1830
Materials & Techniques:
Line engraving and etching on moderately thick, slightly textured, cream wove paper, laid in mount
Dimensions:
Sheet: 5 1/2 × 3 1/4 inches (13.9 × 8.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3412. Cibber

Cibber
Creator:
Print made by Alexander Bannerman, ca. 1730–1780
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 7/8 x 9 1/4 inches (30.2 x 23.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3413. Simon Du Bois

Simon Du Bois
Creator:
Alexander Bannerman, ca. 1730–1780
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 12 x 9 1/4 inches (30.5 x 23.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3414. Sir Charles Eastlake, R. A.

Sir Charles Eastlake, R. A.
Creator:
Print made by George T Doo, 1800–1886
Date:
1873
Materials & Techniques:
Line engraving and etching on thick, slightly textured, cream card with cream chine collé
Dimensions:
Sheet: 13 5/8 x 10 3/8 inches (34.6 x 26.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3415. William Faithorne

William Faithorne
Creator:
Alexander Bannerman, ca. 1730–1780
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 x 8 3/4 inches (27.9 x 22.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3416. John Greenhill

John Greenhill
Creator:
Alexander Bannerman, ca. 1730–1780
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 x 4 7/8 inches (17.8 x 12.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3417. John Greenhill

John Greenhill
Creator:
Print made by George T Doo, 1800–1886
Date:
undated
Materials & Techniques:
Line engraving and etching on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:
Sheet: 12 3/16 x 8 11/16 inches (30.9 x 22.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3418. John Greenhill

John Greenhill
Creator:
Alexander Bannerman, ca. 1730–1780
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 7/8 x 9 1/4 inches (30.2 x 23.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3419. George Gower

George Gower
Creator:
Print made by James Basire, 1730–1802
Date:
1800
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 x 10 11/16 inches (36.8 x 27.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3420. James Gibbs

James Gibbs
Creator:
Alexander Bannerman, ca. 1730–1780
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/4 x 9 1/4 inches (29.8 x 23.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3421. Marc Garrard

Marc Garrard
Creator:
Alexander Bannerman, ca. 1730–1780
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 5/8 x 8 7/8 inches (29.5 x 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3422. Rievaulx Abbey

Rievaulx Abbey
Creator:
Print made by Joseph C. Bentley, 1809–1851
Date:
1834-1836
Materials & Techniques:
Line engraving, Engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3423. Ticket to Mr. Fierville's Ball

Ticket to Mr. Fierville's Ball
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1781
Materials & Techniques:
Line engraving and stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3424. Marriage of Henry the seventh

Marriage of Henry the seventh
Creator:
Print made by George Barret Jr., 1767–1842
Date:
1796
Materials & Techniques:
Line engraving on slightly textured, medium, white wove paper
Dimensions:
Sheet: 4 1/8 × 4 15/16 inches (10.5 × 12.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3425. Château of Amboise

Château of Amboise
Creator:
Print made by James Baylis Allen, 1803–1876
Date:
1833
Materials & Techniques:
Line engraving and graphite; touched proof on moderately thick, slightly textured, cream wove paper
Dimensions:
Plate: 6 x 8 7/8in. (15.2 x 22.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3426. Jerusalem, Pool of Bethesda

Jerusalem, Pool of Bethesda
Creator:
Print made by Edward Francis Finden, 1791–1857
Date:
1835-1836
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3427. Between Quilleboeuf and Villequier

Between Quilleboeuf and Villequier
Creator:
Print made by Robert Brandard, 1805–1862
Date:
1834
Materials & Techniques:
Line engraving, engraver's proof on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:
Sheet: 10 1/2 × 16 inches (26.7 × 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3428. Caerlaverock Castle

Caerlaverock Castle
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1834
Materials & Techniques:
Line engraving; touched engraver's proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 1/4 × 11 1/2 inches (21 × 29.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3429. Nineveh, Moussul on the Tigris

Nineveh, Moussul on the Tigris
Creator:
Print made by William Radclyffe, 1780–1855
Date:
1835-1836
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3430. A Tempest – Voyage of Columbus

A Tempest – Voyage of Columbus
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1834
Materials & Techniques:
Line engraving, (First Published State) on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 17 3/16 × 11 5/8 inches (43.7 × 29.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3431. Datur Hora Quieti

Datur Hora Quieti
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1834
Materials & Techniques:
Line engraving, engraver's proof on moderately thick, slightly textured, cream wove paper, mounted on thick, smooth, cream wove paper
Dimensions:
Sheet: 14 1/8 × 8 9/16 inches (35.9 × 21.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3432. St. Julian's, Tours

St. Julian's, Tours
Creator:
Print made by William Radclyffe, 1780–1855
Date:
1833
Materials & Techniques:
Etching; open etched state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 6 3/4 × 9 5/8 inches (17.1 × 24.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3433. Jerusalem from the Latin Convent

Jerusalem from the Latin Convent
Creator:
Print made by Edward Francis Finden, 1791–1857
Date:
1833
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3434. Horae Serenae

Horae Serenae
Creator:
Print made by James Dobie, 1849–1911
Date:
1896
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 16 × 37 inches (40.6 × 94 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Donald and Julie Reid

3435. Ancient Temple at Kunkhul

Ancient Temple at Kunkhul
Creator:
Print made by Edward Francis Finden, 1791–1857
Date:
ca. 1840
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/2 × 7 1/8 inches (26.7 × 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Frank de Caro and Rosan Augusta Jordan

3436. Lunar Planisphere, Flat Light

Lunar Planisphere, Flat Light
Creator:
Print made by John Russell, 1745–1806
Date:
1805
Materials & Techniques:
Stipple and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 19 3/4 × 18 3/4 inches (50.2 × 47.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

3437. Lunar Planisphere, Hypothetical Oblique Light

Lunar Planisphere, Hypothetical Oblique Light
Creator:
Print made by John Russell, 1745–1806
Date:
1806
Materials & Techniques:
Stipple and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 17 × 16 3/8 inches (43.2 × 41.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

3438. The Banana Tree, Plate 16

The Banana Tree, Plate 16
Creator:
Print made by Georg Dionysius Ehret, 1708–1770
Date:
1750
Materials & Techniques:
Line engraving with hand coloring on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 12 3/4 × 8 5/8 inches (32.4 × 21.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Bernard Kosto, Yale 1957, MD 1962

3439. Onofrio Panvinio, Amplissimi Ornatissimique Triumphi, and Etienne Du Pérac, Urbis Romae Sciographia ex Antiquis

Onofrio Panvinio, Amplissimi Ornatissimique Triumphi, and Etienne Du Pérac, Urbis Romae Sciographia ex Antiquis
Creator:
Published by Giovanni Giacomo de Rossi, 1627–1691
Date:
between 1546 and 1590
Materials & Techniques:
Bound volume of intaglio prints on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 18 × 26 1/4 inches (45.7 × 66.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3440. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Oliverio Gatti, 1568–1651
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3441. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Oliverio Gatti, 1568–1651
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3442. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Oliverio Gatti, 1568–1651
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3443. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Oliverio Gatti, 1568–1651
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3444. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Oliverio Gatti, 1568–1651
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3445. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Oliverio Gatti, 1568–1651
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3446. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Oliverio Gatti, 1568–1651
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3447. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Oliverio Gatti, 1568–1651
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3448. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Oliverio Gatti, 1568–1651
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3449. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Oliverio Gatti, 1568–1651
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3450. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Oliverio Gatti, 1568–1651
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3451. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Oliverio Gatti, 1568–1651
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3452. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Oliverio Gatti, 1568–1651
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3453. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Oliverio Gatti, 1568–1651
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3454. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Oliverio Gatti, 1568–1651
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3455. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Oliverio Gatti, 1568–1651
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3456. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Oliverio Gatti, 1568–1651
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3457. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Oliverio Gatti, 1568–1651
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3458. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Oliverio Gatti, 1568–1651
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3459. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Oliverio Gatti, 1568–1651
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3460. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Oliverio Gatti, 1568–1651
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3461. Frontispiece: Hercules Fighting the Hydra

Frontispiece: Hercules Fighting the Hydra
Creator:
Print made by Francesco Curti, 1610–1690
Date:
ca. 1633
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3462. How a Great Daily Organ is Turned Out

How a Great Daily Organ is Turned Out
Creator:
Print made by Richard Hamilton, 1922–2011
Date:
1990
Materials & Techniques:
Composite of twenty mixed intaglio plate (various sizes): lift-ground aquatint, photogravure, drypoint, hard and soft-ground etching, burin, stipple, mezzotint, line engraving and roulette on medium, smooth, cream Hahnemuhle wove paper
Dimensions:
Sheet: 29 15/16 × 22 1/16 inches (76 × 56 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Friends of British Art Fund and Gift of Mr. and Mrs. James Duncan, Yale BA 1975

3463. Bronze by Gold

Bronze by Gold
Creator:
Print made by Richard Hamilton, 1922–2011
Date:
1985 to 1987
Materials & Techniques:
Soft-ground etching, lift-ground aquatint, line engraving, scraper and burnisher in twenty-three colors from five plates on medium, smooth, white Rives wove paper
Dimensions:
Sheet: 29 15/16 × 22 1/16 inches (76 × 56 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Friends of British Art Fund and Gift of Mr. and Mrs. James Duncan, Yale BA 1975

3464. O the Roast Beef of Old England, &c.

O the Roast Beef of Old England, &c.
Creator:
Print made by Charles Mosley, c.1720–c.1770
Date:
1749
Materials & Techniques:
Etching with line engraving
Dimensions:
Sheet: 15 1/8 × 18 inches (38.4 × 45.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art,Gift of Suzanne and William H. Speaker

3465. Marriage à la Mode, Plate 1

Marriage à la Mode, Plate 1
Creator:
Print made by Gerard Jean Baptiste Scotin, 1671–1716
Date:
1745
Materials & Techniques:
Etching with line engraving
Dimensions:
Sheet: 15 3/8 × 18 1/2 inches (39.1 × 47 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art,Gift of Suzanne and William H. Speaker

3466. Marriage à la Mode, Plate 5

Marriage à la Mode, Plate 5
Creator:
Print made by Simon François Ravenet, 1706–1774
Date:
1745
Materials & Techniques:
Etching with line engraving
Dimensions:
Sheet: 15 1/8 × 18 3/8 inches (38.4 × 46.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art,Gift of Suzanne and William H. Speaker

3467. Marriage à la Mode, Plate 3

Marriage à la Mode, Plate 3
Creator:
Print made by Bernard Baron, 1696–1762
Date:
1745
Materials & Techniques:
Etching with line engraving
Dimensions:
Sheet: 15 1/8 × 18 3/8 inches (38.4 × 46.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art,Gift of Suzanne and William H. Speaker

3468. Marriage à la Mode, Plate 4

Marriage à la Mode, Plate 4
Creator:
Print made by Simon François Ravenet, 1706–1774
Date:
1745
Materials & Techniques:
Etching with line engraving
Dimensions:
Sheet: 15 1/4 × 18 3/8 inches (38.7 × 46.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art,Gift of Suzanne and William H. Speaker

3469. Frontispiece, Monument to John Gay

Frontispiece, Monument to John Gay
Creator:
Print made by William C. Wilson, active 1798–1836
Date:
1793
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Binding: 10 1/2 inches (26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

3470. Fable X. The Elephant and the Bookseller

Fable X. The Elephant and the Bookseller
Creator:
Print made by Wilson, active 1793
Date:
1793
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Binding: 10 1/2 inches (26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

3471. Fable XI. The Peacock, the Turkey, and the Goose

Fable XI. The Peacock, the Turkey, and the Goose
Creator:
Print made by W. Grainger, active 1793
Date:
1793
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Binding: 10 1/2 inches (26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

3472. Fable XII. Cupid, Hymen, and Plutus

Fable XII. Cupid, Hymen, and Plutus
Creator:
Print made by William Skelton, 1763–1848
Date:
1793
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Binding: 10 1/2 inches (26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

3473. Fable IX. The Bull and the Mastiff

Fable IX. The Bull and the Mastiff
Creator:
Print made by W. Grainger, active 1793
Date:
1793
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Binding: 10 1/2 inches (26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

3474. Fable VIII. The Lady and the Wasp

Fable VIII. The Lady and the Wasp
Creator:
Print made by Lovegrove, active 1793
Date:
1793
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Binding: 10 1/2 inches (26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

3475. Fable XIV. The Monkey Who Had Seen the World

Fable XIV. The Monkey Who Had Seen the World
Creator:
Print made by Lovegrove, active 1793
Date:
1793
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Binding: 10 1/2 inches (26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

3476. Fable XV. The Philosopher and the Pheasants

Fable XV. The Philosopher and the Pheasants
Creator:
Print made by William Skelton, 1763–1848
Date:
1793
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Binding: 10 1/2 inches (26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

3477. Fable XVII. The Shepherd's Dog and the Wolf

Fable XVII. The Shepherd's Dog and the Wolf
Creator:
Print made by William Skelton, 1763–1848
Date:
1793
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Binding: 10 1/2 inches (26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

3478. Fable XXI. The Rat-catcher and Cats

Fable XXI. The Rat-catcher and Cats
Creator:
Print made by Wilson, active 1793
Date:
1793
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Binding: 10 1/2 inches (26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

3479. Fable XIX. The Lion and the Cub

Fable XIX. The Lion and the Cub
Creator:
Print made by W. Grainger, active 1793
Date:
1793
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Binding: 10 1/2 inches (26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

3480. Fable XXVII. The Sick Man and the Angel

Fable XXVII. The Sick Man and the Angel
Creator:
Print made by William Skelton, 1763–1848
Date:
1793
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Binding: 10 1/2 inches (26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

3481. Fable XXXI. The Universal Apparition

Fable XXXI. The Universal Apparition
Creator:
Print made by Philip Audinet, 1766–1837
Date:
1793
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Binding: 10 1/2 inches (26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

3482. Fable XXXIII. The Courtier and Proteus

Fable XXXIII. The Courtier and Proteus
Creator:
Print made by Wilson, active 1793
Date:
1793
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Binding: 10 1/2 inches (26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

3483. Fable XXXIV. The Mastiffs

Fable XXXIV. The Mastiffs
Creator:
Print made by Thomas Cook, 1744–1818
Date:
1793
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Binding: 10 1/2 inches (26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

3484. Fable XXXVI. Pythagoras and the Countryman

Fable XXXVI. Pythagoras and the Countryman
Creator:
Print made by Peter Mazell, active 1761–1797
Date:
1793
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Binding: 10 1/2 inches (26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

3485. Fable XLVI. The Cur, the Horse, and the Shepherd's Dog

Fable XLVI. The Cur, the Horse, and the Shepherd's Dog
Creator:
Print made by Wilson, active 1793
Date:
1793
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Binding: 10 1/2 inches (26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

3486. Fable IV. The Eagle and the Assembly of Animals

Fable IV. The Eagle and the Assembly of Animals
Creator:
Print made by W. Grainger, active 1793
Date:
1793
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Binding: 10 1/2 inches (26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

3487. Title Page, Fables by John Gay

Title Page, Fables by John Gay
Creator:
Print made by Brown, active 1793
Date:
1793
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Binding: 10 1/2 inches (26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

3488. Fable V. The Wild Boar and the Ram

Fable V. The Wild Boar and the Ram
Creator:
Print made by William Skelton, 1763–1848
Date:
1793
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Binding: 10 1/2 inches (26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

3489. Fable VII. The Lion, the Fox, and the Geese

Fable VII. The Lion, the Fox, and the Geese
Creator:
Print made by W. Grainger, active 1793
Date:
1793
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Binding: 10 1/2 inches (26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

3490. Fable XVIII. The Painter Who Pleased No Body and Every Body

Fable XVIII. The Painter Who Pleased No Body and Every Body
Creator:
Print made by Wilson, active 1793
Date:
1793
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Binding: 10 1/2 inches (26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

3491. Fable XX. The Old Hen and the Cock

Fable XX. The Old Hen and the Cock
Creator:
Print made by William Skelton, 1763–1848
Date:
1793
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Binding: 10 1/2 inches (26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

3492. Fable XXIII. The Old Woman and Her Cats

Fable XXIII. The Old Woman and Her Cats
Creator:
Print made by Lovegrove, active 1793
Date:
1793
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Binding: 10 1/2 inches (26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

3493. Fable XXVI. The Cur and the Mastiff

Fable XXVI. The Cur and the Mastiff
Creator:
Print made by Wilson, active 1793
Date:
1793
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Binding: 10 1/2 inches (26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

3494. Fable XXV. The Scold and the Parrot

Fable XXV. The Scold and the Parrot
Creator:
Print made by Philip Audinet, 1766–1837
Date:
1793
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Binding: 10 1/2 inches (26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

3495. Fable XXXV. The Barley-mow and the Dunghil

Fable XXXV. The Barley-mow and the Dunghil
Creator:
Print made by W. Grainger, active 1793
Date:
1793
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Binding: 10 1/2 inches (26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

3496. Fable XL. The Two Monkeys

Fable XL. The Two Monkeys
Creator:
Print made by Wilson, active 1793
Date:
1793
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Binding: 10 1/2 inches (26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

3497. Fable XXXIX. The Father and Jupiter

Fable XXXIX. The Father and Jupiter
Creator:
Print made by Wilson, active 1793
Date:
1793
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Binding: 10 1/2 inches (26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

3498. Fable XLIII. The Council of Horses

Fable XLIII. The Council of Horses
Creator:
Print made by W. Grainger, active 1793
Date:
1793
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Binding: 10 1/2 inches (26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

3499. Fable XLII. The Jugglers

Fable XLII. The Jugglers
Creator:
Print made by Philip Audinet, 1766–1837
Date:
1793
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Binding: 10 1/2 inches (26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

3500. Fable XLVIII. The Gardener and the Hog

Fable XLVIII. The Gardener and the Hog
Creator:
Print made by William Skelton, 1763–1848
Date:
1793
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Binding: 10 1/2 inches (26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Kenneth D. Rapoport, MD