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Remove constraint Materials & Techniques: watercolorExhibition History The Critique of Reason : Romantic Art, 1760–1860 (Yale University Art Gallery, 2015-03-06 - 2015-07-26)
Remove constraint Exhibition History: The Critique of Reason : Romantic Art, 1760–1860 (Yale University Art Gallery, 2015-03-06 - 2015-07-26)Search Results
1
- Saint Augustine's Gate, Canterbury
- ca. 1793
2
- Mer de Glace, in the Valley of Chamonix
- 1803
3
- Fluelen: Morning (looking towards the lake)
- 1845
4
- The Channel Sketchbook
- ca. 1845
5
- Vesuvius in Eruption
- between 1817 and 1820
6
- Upper Fall of the Reichenbach: Rainbow
- 1810
7
- America. A Prophecy, Plate 1, Frontispiece
- 1793
8
- America. A Prophecy, Plate 10, "The Terror Answered...."
- 1793
9
- Jerusalem, Plate 32, "Leaning against the pillars...."
- 1804 to 1820
10
- Jerusalem, Plate 37, "And One stood forth...."
- 1804 to 1820
11
- Jerusalem, Plate 62, "Repose on me...."
- 1804 to 1820
12
- Jerusalem, Plate 76
- 1804 to 1820
13
- Jerusalem, Plate 28, "Jerusalem / Chap. 2...."
- 1804 to 1820
14
- Jerusalem, Plate 4, "Jerusalem / Chap. 1...."
- 1804 to 1820
15
- Jerusalem, Plate 57, "And the voices of Bath...."
- 1804 to 1820
16
- Jerusalem, Plate 6, "His Spectre driv'n...."
- 1804 to 1820
17
- Jerusalem, Plate 81, "I have mockd those...."
- 1804 to 1820
18
- Jerusalem, Plate 14, "One hair nor particle of dust...."
- 1804 to 1820
19
- Jerusalem, Plate 15, "And Hand & Hyle...."
- 1804 to 1820
20
- Jerusalem, Plate 2, Title Page
- 1804 to 1820
21
- Jerusalem, Plate 92, "What do I see!...."
- 1804 to 1820
22
- Jerusalem, Plate 41, "Bath who is Legions...."
- 1804 to 1820
23
- Jerusalem, Plate 97, "Awake! Awake Jerusalem...."
- 1804 to 1820
24
- Jerusalem, Plate 95, "Her voice pierc'd Albions clay cold ear...."
- 1804 to 1820
25
- America. A Prophecy, Plate 9, "In Thunders Ends the Voice...."
- 1793
26
- America. A Prophecy, Plate 18, "Over the Hills...."
- 1793
27
- America. A Prophecy, Plate 2, Title Page
- 1793
28
- America. A Prophecy, Plate 3, "Preludium | The shadowy daughter...."
- 1793
29
- America. A Prophecy, Plate 6, "Appear to the Americans...."
- 1793
30
- America. A Prophecy, Plate 7, "Albions Angel stood...."
- 1793
31
- America. A Prophecy, Plate 12, "Thus Wept the Angel Voice...."
- 1793
32
- America. A Prophecy, Plate 5, "A | Prophecy | The Guardian Prince of Albion...."
- 1793
33
- America. A Prophecy, Plate 14, "So Cried He...."
- 1793
34
- America. A Prophecy, Plate 11, "Sound! Sound! My Loud War-Trumpets...."
- 1793
35
- America. A Prophecy, Plate 16, "In the Flames Stood...."
- 1793
36
- America. A Prophecy, Plate 4, "Silent as despairing love...."
- 1793
37
- America. A Prophecy, Plate 8, "The Morning Comes...."
- 1793
38
- America. A Prophecy, Plate 15, "What Time the Thirteen Governors...."
- 1793
39
- The Parable of the Wise and Foolish Virgins
- ca. 1825
40
- Mary Magdalen at the Sepulchre
- ca. 1805
41
- A Frank Encampment in the Desert of Mount Sinai. 1842 - The Convent of St. Catherine in the Distance
- 1856
42
- Sheik Hussein of Gebel Tor and His Son
- between 1842 and 1843
43
- Study of a Lioness
- ca. 1824
44
- Seated Turk
- between 1840 and 1841
45
- Portia and Bassanio
- ca. 1826
46
- Tryfan, Carnarvonshire
- 1826
47
- Saint Cuthbert's Holy Island
- 1797
48
- The Great Temple of Amon Karnak, The Hypostyle Hall
- 1838
49
- Jedburgh Abbey from the South East
- 1800
50
- Study of a Plunging Eagle
- undated
51
- Castle Acre Priory, Norfolk
- ca. 1804
52
- The Lake of Albano and Castel Gandolfo
- between 1783 and 1785
53
- Tree Study
- between 1800 and 1805
54
- A View of Snowdon from the Sands of Traeth Mawr, taken at the Ford Between Pont Aberglaslyn and Tremadoc
- 1834