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Creator Gender male

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Collection Prints and Drawings

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Credit Line Yale Center for British Art, Paul Mellon Collection

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Period 18th century

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Image Available Available

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Image Use Free to Use

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Classification Prints

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A Lion [A recumbent Lion]
Creator:
George Stubbs, 1724–1806
Date:
1788
Materials & Techniques:
Soft ground etching with roulette work, third state
Dimensions:
Sheet: 6 15/16 x 8 7/8in. (17.7 x 22.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Lion [A Lion resting on a Rock]
Creator:
George Stubbs, 1724–1806
Date:
1788
Materials & Techniques:
Etching with roulette work, first state
Dimensions:
Sheet: 9 x 12 1/4in. (22.9 x 31.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Tyger (Sleeping Leopard)
Creator:
George Stubbs, 1724–1806
Date:
1788
Materials & Techniques:
Mezzotint, second state
Dimensions:
Sheet: 6 x 8 inches (15.2 x 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Horse Affrighted by a Lion
Creator:
Print made by George Stubbs, 1724–1806
Date:
1788
Materials & Techniques:
Etching with roulette work, third state
Dimensions:
Plate: 9 7/8 x 13 inches (25.1 x 33 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Dog [A Foxhound on the Scent]
Creator:
George Stubbs, 1724–1806
Date:
1788
Materials & Techniques:
Soft ground etching with roulette work
Dimensions:
Plate: 3 3/4 x 4 1/8in. (9.5 x 10.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Tygers at Play
Creator:
George Stubbs, 1724–1806
Date:
1780
Materials & Techniques:
Etching, possibly finished with a graver, second state
Dimensions:
Image: 13 9/16 x 18 1/4in. (34.5 x 46.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Farmer's Wife and the Raven
Creator:
George Stubbs, 1724–1806
Date:
1788
Materials & Techniques:
Etching with roulette and rocker work, first state
Dimensions:
Sheet: 20 1/2 x 27 3/8in. (52 x 69.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Hay-Makers
Creator:
George Stubbs, 1724–1806
Date:
1791
Materials & Techniques:
Stipple engraving, second state
Dimensions:
Sheet: 16 11/16 x 21 13/16in. (42.4 x 55.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Sleeping Leopard
Creator:
Print made by George Stubbs, 1724–1806
Date:
1791
Materials & Techniques:
Soft-ground etching with roulette on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 x 13 3/4 inches (25.4 x 34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Tiger and a Sleeping Leopard
Creator:
Print made by George Stubbs, 1724–1806
Date:
1788
Materials & Techniques:
Soft-ground etching with roulette on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 3/4 × 12 1/2 inches (24.8 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Painting of Pharoah's Daughter and Moses in the Foundling Hospital
Creator:
William Hogarth, 1697–1764
Date:
1752
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Fair Scene
Creator:
William Hogarth, 1697–1764
Date:
1733
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Hogarth Painting the Comic Muse
Creator:
Print made by William Hogarth, 1697–1764
Date:
1764
Materials & Techniques:
Line engraving on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 16 x 14 inches (40.6 x 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
And as he Reasoned of Righteousness, Temperance, and Judgment to Come, Felix Trembled
Creator:
William Hogarth, 1697–1764
Date:
1752
Materials & Techniques:
Etching
Dimensions:
Sheet: 15 1/8 x 20in. (38.4 x 50.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Rake's Progress, Plate I: He Takes Possession
Creator:
William Hogarth, 1697–1764
Date:
1735
Materials & Techniques:
Line engraving
Dimensions:
Sheet: 12 1/2 x 15 3/16in. (31.8 x 38.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Rake's Progress, Plate II: His Levee
Creator:
William Hogarth, 1697–1764
Date:
1735
Materials & Techniques:
Engraving
Dimensions:
Sheet: 12 1/4 x 15 1/4in. (31.1 x 38.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Southwark Fair
Creator:
Print made by William Hogarth, 1697–1764
Date:
1733
Materials & Techniques:
Engraving
Dimensions:
Sheet: 13 7/16 × 17 3/4 inches (34.1 × 45.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Rake's Progress, Plate IV: Goes to Court
Creator:
William Hogarth, 1697–1764
Date:
1735
Materials & Techniques:
Line Engraving
Dimensions:
Sheet: 12 3/8 x 15 1/4in. (31.4 x 38.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Rake's Progress, Plate III: He Revels
Creator:
William Hogarth, 1697–1764
Date:
1735
Materials & Techniques:
Line Engraving
Dimensions:
Sheet: 12 3/8 x 15 1/4in. (31.4 x 38.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Midnight Modern Conversation
Creator:
Print made by William Hogarth, 1697–1764
Date:
1733
Materials & Techniques:
Engraving
Dimensions:
Sheet: 12 7/8 × 17 7/8 inches (32.7 × 45.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Rake's Progress, Plate V: He Marries
Creator:
Print made by William Hogarth, 1697–1764
Date:
1735
Materials & Techniques:
Engraving
Dimensions:
Sheet: 14 x 16in. (35.6 x 40.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Rake's Progress, Plate VI: He Gambles
Creator:
William Hogarth, 1697–1764
Date:
1735
Materials & Techniques:
Engraving
Dimensions:
Sheet: 12 1/4 x 15 1/8in. (31.1 x 38.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Rake's Progress, Plate VII: In Fleet Street Prison
Creator:
Print made by William Hogarth, 1697–1764
Date:
1735
Materials & Techniques:
Line engraving on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 12 3/8 x 15 1/8in. (31.4 x 38.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Rake's Progress, Plate VIII: In Bedlam
Creator:
William Hogarth, 1697–1764
Date:
1735
Materials & Techniques:
Line engraving
Dimensions:
Sheet: 12 3/8 x 15 1/8in. (31.4 x 38.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Stage Coach; Or Country Inn Yard
Creator:
William Hogarth, 1697–1764
Date:
1747
Materials & Techniques:
Engraving
Dimensions:
Sheet: 8 1/16 x 11 3/4in. (20.5 x 29.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Scholars at a Lecture (A Chorus of Singers)
Creator:
William Hogarth, 1697–1764
Date:
1736
Materials & Techniques:
Engraving
Dimensions:
Sheet: 8 1/8 x 6 7/8in. (20.6 x 17.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Sleeping Congregation
Creator:
Print made by William Hogarth, 1697–1764
Date:
1736
Materials & Techniques:
Engraving
Dimensions:
Sheet: 10 3/8 × 8 1/4 inches (26.4 × 21 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Distrest(ed) Poet
Creator:
William Hogarth, 1697–1764
Date:
1740
Materials & Techniques:
Engraving
Dimensions:
Sheet: 12 1/4 x 15 3/16in. (31.1 x 38.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Strolling Actresses Dressing in a Barn
Creator:
William Hogarth, 1697–1764
Date:
1738
Materials & Techniques:
Engraving
Dimensions:
Sheet: 16 1/2 x 21 3/16in. (41.9 x 53.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Enraged Musician
Creator:
William Hogarth, 1697–1764
Date:
1741
Materials & Techniques:
Line engraving
Dimensions:
Sheet: 14 1/8 x 16 1/8in. (35.9 x 41cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

31. The Bench

The Bench
Creator:
William Hogarth, 1697–1764
Date:
1758
Materials & Techniques:
Engraving on wove paper
Dimensions:
Sheet: 12 3/8 x 8 1/4in. (31.4 x 21cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Chairing the Members, Plate IV
Creator:
William Hogarth, 1697–1764
Date:
1758
Materials & Techniques:
Engraving
Dimensions:
Sheet: 15 5/8 x 21 1/4in. (39.7 x 54cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Cockpit
Creator:
William Hogarth, 1697–1764
Date:
1759
Materials & Techniques:
Engraving
Dimensions:
Sheet: 12 1/2 x 15in. (31.8 x 38.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Laughing Audience
Creator:
William Hogarth, 1697–1764
Date:
1733
Materials & Techniques:
Engraving
Dimensions:
Sheet: 7 1/2 x 6 7/8in. (19.1 x 17.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
And the Child Grew, and She Brought Him unto Pharaohs Daughter, and He Became Her Son, and Called his name Moses
Creator:
William Hogarth, 1697–1764
Date:
1752
Materials & Techniques:
Engraving
Dimensions:
Sheet: 15 1/8 x 19 3/4in. (38.4 x 50.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Colombus breaking the Egg
Creator:
William Hogarth, 1697–1764
Date:
1753
Materials & Techniques:
Etching
Dimensions:
Sheet: 5 1/2 x 6 7/8in. (14 x 17.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Consultation of Physicians
Creator:
William Hogarth, 1697–1764
Date:
1736
Materials & Techniques:
Engraving
Dimensions:
Sheet: 8 5/8 x 7in. (21.9 x 17.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Subscription Ticket: Three Characters and Four Caricaturas
Creator:
William Hogarth, 1697–1764
Date:
1743
Materials & Techniques:
Etching
Dimensions:
Sheet: 9 3/8 x 8 15/16in. (23.8 x 22.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The First Stage of Cruelty: First, Children Torturing Animals
Creator:
William Hogarth, 1697–1764
Date:
1751
Materials & Techniques:
Engraving
Dimensions:
Sheet: 15 3/8 x 12 3/4in. (39.1 x 32.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Gulielmus Hogarth
Creator:
William Hogarth, 1697–1764
Date:
1749
Materials & Techniques:
Engraving
Dimensions:
Sheet: 15 1/16 x 11 3/8in. (38.3 x 28.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Second Stage of Cruelty: Second, Coachman Beating a Fallen Horse
Creator:
William Hogarth, 1697–1764
Date:
1751
Materials & Techniques:
Engraving
Dimensions:
Sheet: 15 3/8 x 12 3/4in. (39.1 x 32.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Four Stages of Cruelty: The Reward of Cruelty (Anatomy Theatre)
Creator:
William Hogarth, 1697–1764
Date:
1751
Materials & Techniques:
Engraving
Dimensions:
Sheet: 14 x 11 3/4in. (35.6 x 29.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Four Stages of Cruelty: Cruelty in Perfection (The Murderer)
Creator:
William Hogarth, 1697–1764
Date:
1751
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Simon Lord Lovat
Creator:
William Hogarth, 1697–1764
Date:
1746
Materials & Techniques:
Etching
Dimensions:
Sheet: 13 1/8 x 8 7/8in. (33.3 x 22.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Analysis of Beauty, Plate II: A Country Dance
Creator:
William Hogarth, 1697–1764
Date:
1753
Materials & Techniques:
Engraving
Dimensions:
Sheet: 14 1/4 x 19 3/8in. (36.2 x 49.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Invasion, Plate I: France
Creator:
William Hogarth, 1697–1764
Date:
1756
Materials & Techniques:
Etching
Dimensions:
Sheet: 11 1/2 x 15in. (29.2 x 38.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
An Election Entertainment, Plate I
Creator:
William Hogarth, 1697–1764
Date:
1755-58
Materials & Techniques:
Engraving
Dimensions:
Sheet: 15 3/4 x 21 1/4in. (40 x 54cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Analysis of Beauty, Plate I: A Statuary's Yard
Creator:
William Hogarth, 1697–1764
Date:
1753
Materials & Techniques:
Engraving on paper
Dimensions:
Sheet: 14 1/4 x 19in. (36.2 x 48.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Polling, Plate III
Creator:
William Hogarth, 1697–1764
Date:
1758
Materials & Techniques:
Engraving
Dimensions:
Sheet: 17 3/8 x 22 1/8in. (44.1 x 56.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Invasion, Plate II: England
Creator:
William Hogarth, 1697–1764
Date:
1756
Materials & Techniques:
Etching
Dimensions:
Sheet: 11 1/2 x 14 3/4in. (29.2 x 37.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Prospectus print "Crown & Mitre"
Creator:
William Hogarth, 1697–1764
Date:
1754
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Four Times of Day, Plate I: Morning
Creator:
Print made by William Hogarth, 1697–1764
Date:
1738
Materials & Techniques:
Engraving
Dimensions:
Sheet: 18 x 14 7/8in. (45.7 x 37.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Four Times of Day, Plate II: Noon
Creator:
William Hogarth, 1697–1764
Date:
1738
Materials & Techniques:
Etching and engraving, second state
Dimensions:
Sheet: 19 3/8 x 16 1/16in. (49.2 x 40.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Four Times of Day, Plate IV: Night
Creator:
William Hogarth, 1697–1764
Date:
1738
Materials & Techniques:
Engraving
Dimensions:
Sheet: 17 3/8 x 14 1/2in. (44.1 x 36.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
William Hogarth
Creator:
William Hogarth, 1697–1764
Date:
1764
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
May-Day in London
Creator:
William Blake, 1757–1827
Date:
1784
Materials & Techniques:
Hand colored engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
What is Man!, Frontispiece; Plate 1
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 5 1/2 inches (14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
For Children. The Gates of Paradise, Title Page; Plate 2
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 5 1/2 inches (14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
I Found Him Beneath a Tree; Plate 3
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 5 1/2 inches (14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Water; Plate 4
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 5 1/2 inches (14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Air; Plate 6
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 5 1/2 inches (14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Fire; Plate 7
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 5 1/2 inches (14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
My Son! My Son!; Plate 10
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 5 1/2 inches (14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
I Want! I Want!; Plate 11
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 5 1/2 inches (14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Does Thy God O Priest Take such Vengeance as This?; Plate 14
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 5 1/2 inches (14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Traveller Hasteth in the Evening; Plate 16
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 5 1/2 inches (14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
I Have Said to the Worm, Thou Art My Mother & My Sister; Plate 18
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 5 1/2 inches (14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Songs of Innocence and of Experience, Plate 1, Innocence Frontispiece (Bentley 2)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in green ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Songs of Innocence and of Experience, Plate 2, Innocence Title Page (Bentley 3)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in green ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Songs of Innocence and of Experience, Plate 3, "Introduction" (Bentley 4)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in green ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Songs of Innocence and of Experience, Plate 6, "The Little Black Boy" (Bentley 10)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Songs of Innocence and of Experience, Plate 10, "The Chimney Sweeper" (Bentley 12)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in green ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Songs of Innocence and of Experience, Plate 20, "The Little Girl Lost" (Bentley 34)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Songs of Innocence and of Experience, Plate 33, Experience Title Page (Bentley 29)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Aged Ignorance; Plate 13
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 5 1/2 inches (14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Songs of Innocence and of Experience, Plate 14, "Laughing Song" (Bentley 15)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Songs of Innocence and of Experience, Plate 18, "The Lamb" (Bentley 8)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Songs of Innocence and of Experience, Plate 44, "A Little Girl Lost" (Bentley 51)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Songs of Innocence and of Experience, Plate 46, "The Human Abstract" (Bentley 47)
Creator:
William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Songs of Innocence and of Experience, Plate 47, "My Pretty Rose Tree" (Bentley 43)
Creator:
William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Visions of the Daughters of Albion, Plate 1, Frontispiece
Creator:
William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Relief etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 13 5/8 x 9 3/4 inches (34.6 x 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Visions of the Daughters of Albion, Plate 4, "Visions | Enslav'd the Daughters . . . . "
Creator:
William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Relief etching printed in green ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 13 5/8 x 9 3/4 inches (34.6 x 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Visions of the Daughters of Albion, Plate 6, "And none but Bromian . . . . "
Creator:
William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Relief etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 13 5/8 x 9 3/4 inches (34.6 x 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Visions of the Daughters of Albion, Plate 8, "But when the morn arose . . . . "
Creator:
William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Relief etching printed in green ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 13 5/8 x 9 3/4 inches (34.6 x 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Visions of the Daughters of Albion, Plate 10, "In happy copulation . . . . "
Creator:
William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Relief etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 13 5/8 x 9 3/4 inches (34.6 x 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Songs of Innocence and of Experience, Plate 43, "A Little Boy Lost" (Bentley 50)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Songs of Innocence and of Experience, Plate 45, "The Chimney Sweeper" (Bentley 37)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Songs of Innocence and of Experience, Plate 39, "London" (Bentley 46)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Visions of the Daughters of Albion, Plate 2, Title Page
Creator:
William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Relief etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 13 5/8 x 9 3/4 inches (34.6 x 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Songs of Innocence and of Experience, Plate 42, "The Tyger" (Bentley 42)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Songs of Innocence and of Experience, Plate 41, "A Poison Tree" (Bentley 49)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Songs of Innocence and of Experience, Plate 48, "The Fly" (Bentley 40)
Creator:
William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Songs of Innocence and of Experience, Plate 36, "The Clod & the Pebble" (Bentley 32)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Songs of Innocence and of Experience, Plate 26, "A Cradle Song" (Bentley 16)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in green ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Songs of Innocence and of Experience, Plate 30, "Night" (Bentley 20)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Songs of Innocence and of Experience, Plate 22, "The Little Girl Found" (Bentley 36)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in green ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 16, "Oft Bursts My Song beyond the Bounds of Life"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 24, "Time, in Advance, behind Him Hides His Wings"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 25, "Behold Him, When Past by; What Then Is Seen"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection