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George Romney Studies for Portraits of a Man and of a Woman
George Romney, 1734–1802
Studies for Portraits of a Man and of a Woman
undated
George Romney Seated Woman, Two Studies
George Romney, 1734–1802
Seated Woman, Two Studies
undated
George Romney Seated Woman: Three Poses
George Romney, 1734–1802
Seated Woman: Three Poses
undated
George Romney Seated Woman, Possibly Mrs. Harris
George Romney, 1734–1802
Seated Woman, Possibly Mrs. Harris
undated
George Romney Seated Woman, Lightly Draped
George Romney, 1734–1802
Seated Woman, Lightly Draped
undated
George Romney Seated Woman, Possibly Mrs. Hayley
George Romney, 1734–1802
Seated Woman, Possibly Mrs. Hayley
undated
George Romney Samson Overpowered
George Romney, 1734–1802
Samson Overpowered
undated
George Romney Charity
George Romney, 1734–1802
Charity
undated
George Romney Iphigenia Kneeling over an Altar
George Romney, 1734–1802
Iphigenia Kneeling over an Altar
undated
George Romney The Indian Woman
George Romney, 1734–1802
The Indian Woman
undated
George Romney Seated Woman: Three Poses
George Romney, 1734–1802
Seated Woman: Three Poses
undated
George Romney Seated Woman
George Romney, 1734–1802
Seated Woman
undated
George Romney The Indian Woman
George Romney, 1734–1802
The Indian Woman
undated
George Romney The Indian Woman
George Romney, 1734–1802
The Indian Woman
undated
George Romney Howard Visiting a Prison
George Romney, 1734–1802
Howard Visiting a Prison
between 1790 and 1794
George Romney Pamela
George Romney, 1734–1802
Pamela
undated
George Romney Woman at a Column
George Romney, 1734–1802
Woman at a Column
undated
George Romney Lady Leaning on a Column: (Possibly a Sketch for "Miss Woodley")
George Romney, 1734–1802
Lady Leaning on a Column: (Possibly a Sketch for "Miss Woodley")
undated
George Romney Tom Hayley and William Meyer
George Romney, 1734–1802
Tom Hayley and William Meyer
between 1749 and 1802
George Romney Studies for the Head of a Lady (Studies of a Woman's Head)
George Romney, 1734–1802
Studies for the Head of a Lady (Studies of a Woman's Head)
undated
George Romney A Pensive Lady
George Romney, 1734–1802
A Pensive Lady
undated
George Romney Unidentified Subject: Woman, Child, Man and Horse
George Romney, 1734–1802
Unidentified Subject: Woman, Child, Man and Horse
undated
George Romney Seated Woman
George Romney, 1734–1802
Seated Woman
undated
George Romney Unidentified Subject: Reclining Woman and Other Figures
George Romney, 1734–1802
Unidentified Subject: Reclining Woman and Other Figures
undated
George Romney Mrs. Shelley (So-called)
George Romney, 1734–1802
Mrs. Shelley (So-called)
undated
George Romney Two Sketches of a Nude Woman
George Romney, 1734–1802
Two Sketches of a Nude Woman
undated
George Romney Woman and Two Children
George Romney, 1734–1802
Woman and Two Children
undated
George Romney Two Sketches of Women and Children Fleeing and Standing Female Figure Playing Tambourine as for Lady Anne Leveson in "Dancing Gower Children"
George Romney, 1734–1802
Two Sketches of Women and Children Fleeing and Standing Female Figure Playing Tambourine as for Lady Anne Leveson in "Dancing Gower Children"
undated
George Romney Head in Profile
George Romney, 1734–1802
Head in Profile
undated
George Romney Seated Nude Woman (Hygeia at Doctor Graham's)
George Romney, 1734–1802
Seated Nude Woman (Hygeia at Doctor Graham's)
undated
George Romney A Reclining Woman
George Romney, 1734–1802
A Reclining Woman
undated
George Romney Miranda, Prospero, and Caliban: The Tempest
George Romney, 1734–1802
Miranda, Prospero, and Caliban: The Tempest
undated
George Romney Two Lovers (Man Awakening from a Dream)
George Romney, 1734–1802
Two Lovers (Man Awakening from a Dream)
undated
George Romney Prospero and Miranda
George Romney, 1734–1802
Prospero and Miranda
ca. 1787
George Romney Seated Woman and Child
George Romney, 1734–1802
Seated Woman and Child
undated
George Romney Head of a Woman
George Romney, 1734–1802
Head of a Woman
undated
George Romney Standing Woman
George Romney, 1734–1802
Standing Woman
undated
George Romney Kneeling Woman
George Romney, 1734–1802
Kneeling Woman
undated
George Romney Seated Woman
George Romney, 1734–1802
Seated Woman
undated
George Romney Mother and Son
George Romney, 1734–1802
Mother and Son
undated
George Romney Seated Woman
George Romney, 1734–1802
Seated Woman
undated
George Romney Seated Woman
George Romney, 1734–1802
Seated Woman
undated
George Romney Woman Resting Her Head on a Bent Arm
George Romney, 1734–1802
Woman Resting Her Head on a Bent Arm
undated
William Blake Songs of Innocence and of Experience, Plate 16, "The Little Boy Lost" (Bentley 13)
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 16, "The Little Boy Lost" (Bentley 13)
1789
William Blake Songs of Innocence and of Experience, Plate 18, "The Lamb" (Bentley 8)
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 18, "The Lamb" (Bentley 8)
1789
William Blake Songs of Innocence and of Experience, Plate 26, "A Cradle Song" (Bentley 16)
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 26, "A Cradle Song" (Bentley 16)
1789
William Blake The Poems of Thomas Gray, Design 93, "Ode for Music."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 93, "Ode for Music."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 97, "Ode for Music."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 97, "Ode for Music."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 99, "Ode for Music."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 99, "Ode for Music."
between 1797 and 1798
William Blake Songs of Innocence, Plate 24, "On Anothers Sorrow" (Bentley 27)
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 24, "On Anothers Sorrow" (Bentley 27)
1789
William Blake Songs of Innocence, Plate 3, "Introduction" (Bentley 4)
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 3, "Introduction" (Bentley 4)
1789
William Blake Songs of Innocence, Plate 8, "The Lamb" (Bentley 8)
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 8, "The Lamb" (Bentley 8)
1789
William Blake Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"
1797
William Blake The Poems of Thomas Gray, Design 85, "The Descent of Odin."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 85, "The Descent of Odin."
between 1797 and 1798
William Blake Songs of Innocence, Plate 18, "A Cradle Song" (Bentley 16)
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 18, "A Cradle Song" (Bentley 16)
1789
William Blake There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1)
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1)
ca. 1788
William Blake The Poems of Thomas Gray, Design 31, "A Long Story."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 31, "A Long Story."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 43, "The Progress of Poesy."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 43, "The Progress of Poesy."
between 1797 and 1798
William Blake Songs of Innocence and of Experience
William Blake, 1757–1827
Songs of Innocence and of Experience
1789-1794
William Blake Young's Night Thoughts, Page 33, "Like That, the Dial Speaks; and Points to Thee"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 33, "Like That, the Dial Speaks; and Points to Thee"
1797
William Blake The Poems of Thomas Gray, Design 13, "Ode on a Distant Prospect of Eton College."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 13, "Ode on a Distant Prospect of Eton College."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 77, "The Descent of Odin."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 77, "The Descent of Odin."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 83, "The Descent of Odin."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 83, "The Descent of Odin."
between 1797 and 1798
William Blake Jerusalem, Plate 71, "And above Albions Land...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 71, "And above Albions Land...."
1804 to 1820
William Blake Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"
1797
William Blake The Poems of Thomas Gray, Design 101, "Ode for Music."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 101, "Ode for Music."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 105, "Elegy Written in a Country Church-Yard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 105, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 23, "A Long Story."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 23, "A Long Story."
between 1797 and 1798
William Blake Mary Magdalen at the Sepulchre
William Blake, 1757–1827
Mary Magdalen at the Sepulchre
ca. 1805
William Blake Sheet from the Blake-Varley Sketchbook of 1819, Pages 27 and 28
William Blake, 1757–1827
Sheet from the Blake-Varley Sketchbook of 1819, Pages 27 and 28
1819
Paul Sandby London Cries: Last Dying Speech and Confession
Paul Sandby, 1731–1809
London Cries: Last Dying Speech and Confession
ca. 1759
Mauritius Lowe Allegorical Subject
Mauritius Lowe, 1746–1793
Allegorical Subject
undated
unknown artist Ariadne
unknown artist
Ariadne
undated
Paul Sandby Lady in a Bonnet
Paul Sandby, 1731–1809
Lady in a Bonnet
between 1760 and 1765
Samuel Shelley Portrait of a Young Woman as Psyche
Samuel Shelley, 1750–1808
Portrait of a Young Woman as Psyche
undated
William Mulready Denial and Disappointment
William Mulready, 1786–1863
Denial and Disappointment
undated
Johann Heinrich Ramberg The Assignation
Johann Heinrich Ramberg, 1763–1840
The Assignation
undated
William Henry Hunt Aldenham Church
William Henry Hunt, 1790–1864
Aldenham Church
ca. 1817
William Henry Hunt Portrait Study of a Girl
William Henry Hunt, 1790–1864
Portrait Study of a Girl
ca. 1823
Ozias Humphry Mrs. James Paine, Newman Street
Ozias Humphry, 1742–1810
Mrs. James Paine, Newman Street
1781
John Linnell Mrs. William Wilberforce and Child
John Linnell, 1792–1882
Mrs. William Wilberforce and Child
1824
William Holman Hunt Studies of Edith Holman Hunt
William Holman Hunt, 1827–1910
Studies of Edith Holman Hunt
undated
Ozias Humphry Countess Poulett
Ozias Humphry, 1742–1810
Countess Poulett
undated
Ozias Humphry Study of the Artist's Mother Sewing
Ozias Humphry, 1742–1810
Study of the Artist's Mother Sewing
ca. 1776
John Martin The Woman at the Well
Attributed to John Martin, 1789–1854
The Woman at the Well
undated
Louis Philippe Boitard Woman with a Blue Smock
Louis Philippe Boitard, active 1734–1760
Woman with a Blue Smock
undated
unknown artist The Death of Cordelia
unknown artist
The Death of Cordelia
undated
Benjamin West Sketch for a Family Group
Benjamin West, 1738–1820
Sketch for a Family Group
undated
Paul Sandby London Cries: A Fishmonger
Paul Sandby, 1731–1809
London Cries: A Fishmonger
ca. 1759
Paul Sandby My Pretty Little Ginny Tarters for a Ha'penny a Stick or a Penny a Stick, or a Stick to Beat Your Wives or Dust Your Clothes
Paul Sandby, 1731–1809
My Pretty Little Ginny Tarters for a Ha'penny a Stick or a Penny a Stick, or a Stick to Beat Your Wives or Dust Your Clothes
ca. 1759
Paul Sandby London Cries: "Do You Want any Spoons..."
Paul Sandby, 1731–1809
London Cries: "Do You Want any Spoons..."
ca. 1759
Paul Sandby London Cries: "Black Heart Cherries..."
Paul Sandby, 1731–1809
London Cries: "Black Heart Cherries..."
ca. 1759
Paul Sandby London Cries: Fun upon Fun
Paul Sandby, 1731–1809
London Cries: Fun upon Fun
1759
Paul Sandby London Cries: Shoe Cleaner
Paul Sandby, 1731–1809
London Cries: Shoe Cleaner
ca. 1759
Paul Sandby London Cries: Throws for a Ha'penny Have You a Ha'penny
Paul Sandby, 1731–1809
London Cries: Throws for a Ha'penny Have You a Ha'penny
undated
Paul Sandby London Cries: Flowers
Paul Sandby, 1731–1809
London Cries: Flowers
undated
Paul Sandby London Cries: A Lace Seller
Paul Sandby, 1731–1809
London Cries: A Lace Seller
ca. 1759
Paul Sandby London Cries: A Muffin Man
Paul Sandby, 1731–1809
London Cries: A Muffin Man
ca. 1759
Paul Sandby London Cries: "Turn your Copper into Silver Now before Your Eyes" (Title Page Design)
Paul Sandby, 1731–1809
London Cries: "Turn your Copper into Silver Now before Your Eyes" (Title Page Design)
1760
John Thomas Smith Hogarth Declaring His Love to Miss Thornhill
John Thomas Smith, 1766–1833
Hogarth Declaring His Love to Miss Thornhill
1817