Jerusalem, Plate 99, "All Human Forms identified...."
1804 to 1820
37
Print made by William Blake, 1757–1827
Jerusalem, Plate 27, "To the Jews...."
1804 to 1820
38
Print made by William Blake, 1757–1827
Jerusalem, Plate 6, "His Spectre driv'n...."
1804 to 1820
39
Print made by William Blake, 1757–1827
Jerusalem, Plate 76
1804 to 1820
40
Print made by William Blake, 1757–1827
Jerusalem, Plate 11, "To labours mighty...."
1804 to 1820
41
Print made by William Blake, 1757–1827
Jerusalem, Plate 100
1804 to 1820
42
Print made by William Blake, 1757–1827
Jerusalem, Plate 1, Frontispiece
1804 to 1820
43
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 4, "Muster around the bleak desarts . . . ." (Bentley 4)
1794
44
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 5 (Bentley 12)
1794
45
Print made by William Blake, 1757–1827
What is Man!, Frontispiece; Plate 1
1793
46
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 33, Experience Title Page (Bentley 29)
1794
47
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 42, "The Tyger" (Bentley 42)
1794
48
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 1, Innocence Frontispiece (Bentley 2)
1789
49
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 10, "The Chimney Sweeper" (Bentley 12)
1789
50
William Blake, 1757–1827
Visions of the Daughters of Albion, Plate 1, Frontispiece
1793
51
William Blake, 1757–1827
The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
52
Print made by William Blake, 1757–1827
Jerusalem, Plate 25, "And there was heard...."
1804 to 1820
53
Print made by William Blake, 1757–1827
Jerusalem, Plate 32, "Leaning against the pillars...."
1804 to 1820
54
Print made by William Blake, 1757–1827
Jerusalem, Plate 35, "Then the Divine hand...."
1804 to 1820
55
William Blake, 1757–1827
The Poems of Thomas Gray, Design 29, "A Long Story."
between 1797 and 1798
56
William Blake, 1757–1827
The Poems of Thomas Gray, Design 11, "Ode on the Death of a Favourite Cat."
between 1797 and 1798
57
William Blake, 1757–1827
The Poems of Thomas Gray, Design 17, "Ode on a Distant Prospect of Eton College."
between 1797 and 1798
58
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 11, "II Reason or the ratio . . . . " (Bentley b4)
ca. 1788
59
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 10, "The Terror Answered...."
1793
60
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 2, Title Page
1793
61
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 6, "Appear to the Americans...."
1793
62
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1)
ca. 1788
63
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 1, Frontispiece
1793
64
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 12, "Thus Wept the Angel Voice...."
1793
65
William Blake, 1757–1827
pl. 1: The Circle of the Lustful [' ...and like a corpse fell to the ground' Hell; Canto v. line 137.]
1827
66
William Blake, 1757–1827
Chaucer's Canterbury Pilgrims
1810 to 1820
67
William Blake, 1757–1827
Abraham and Isaac
1799 to 1800
68
William Blake, 1757–1827
Christ Giving Sight to Bartimaeus
1799 to 1800
69
William Blake, 1757–1827
Tiriel Supporting the Dying Myratana and Cursing His Sons
1786 to 1789
70
William Blake, 1757–1827
The Parable of the Wise and Foolish Virgins
ca. 1825
71
William Blake, 1757–1827
The Man Sweeping the Interpreter's Parlour
ca. 1822
72
William Blake, 1757–1827
The Widow Embracing Her Husband's Grave
1805 to 1808
73
William Blake, 1757–1827
Mary Magdalen at the Sepulchre
ca. 1805
74
William Blake, 1757–1827
A Descriptive Catalog of Pictures, Poetical and Historical Inventions, Painted by William Blake in Water-Colours, Being the Ancient Method of Fresco Painting Restored, London