"...esq. of Nottinghamshire (B)rown Mare Almost Black"
ca. 1749
3
Pierre Charles Canot, ca. 1710–1777
"A View of Charles Town the Capital of South Carolina in North America," from Scenographia Americana
1758-1760
4
James Bruce, 1730–1794
"Arch of Marcus Aurelius at Tripoli "
ca. 1766
5
James Seymour, 1702–1752
"Fearnought Going to Run Against The D: of Devon: Smart"
undated
6
unknown artist
"Heads and Tails" or "A Brisk Gale in St. Paul's Churchyard"
1785
7
Francis Legat, 1755–1809
"King Lear", Act V, Scene III
1792
8
George Romney, 1734–1802
"Lear in the Storm," King Lear, Act III, Scene II
undated
9
William Woollett, 1735–1785
"Maid of the Mill"
ca. 1765
10
Garnet Terry, active 1780–1796
"Mr. John Farley" Cook at the London Tavern
undated
11
James Seymour, 1702–1752
"Panton's Doctor": With Jockey Up, Walking to Left
undated
12
John Hamilton Mortimer, 1740–1779
"Richard II", Act III, Scene II
1775
13
John Vanderbank, 1694–1739
"The Capriole, When He Rises Before & at the Same Time Thro's Out His Hind Legs & Quarters Upon a Strait Line:" Engraved as Plate 25 in "Twenty Five Actions of the Manage Horse..."
1729
14
James Gillray, 1756–1815
"The Feast of Reason & the Flow of the Soul," - I.E. - The Wits of the Age, Setting the Table in a - Roar
1797
15
John Vanderbank, 1694–1739
"The Gallop with Left Leg:"Engraved as Plate 15 in "Twenty Five Actions of the Manage Horse..."
1729
16
Robert Dodd, 1748–1816
"The Indian Emperor" or "The Conquest of Mexico"
1792
17
John Vanderbank, 1694–1739
"The Manege-Gallop with the right leg" engraved as plate 14 in "Twenty Five Actions of the Manage Horse..."
1729
18
John Vanderbank, 1694–1739
"The Passage to the Right Aided by the Rider's Rod & the Master Holding the Alonge: Engraved as plate 10 in Twenty Five Actions of the Manage Horse..
1729
19
William Blake, 1757–1827
"There is No Natural Religion", London, by William Blake
ca. 1788
20
James Gillray, 1756–1815
"Two Pairs of Portraits;" presented to all the unbiased Electors of Great Britain
1798
21
William Blake, 1757–1827
"Visions of the Daughters of Albion", London, by William Blake
1793
22
Isaac Cruikshank, 1764–1811
"Westminster Races:" - ( A Political Heat, Run In Convent Garden, Between Old Veteran A Famous Horse The Property Of His M-----y, Dutchess A Filly, The Property Of The Duke Of D-----e, And Judas An Obstinate Ass, Who Was Clearly Distanced )
1784
23
John Kay, 1742–1826
"Why, Sir John, my face does you no harm..."
1789
24
unknown artist
'A Mapp of St. Andrews Holborn Parish...'
undated
25
unknown artist
'A Mapp of the Parish of St. Anns'
undated
26
Print made by William Blake, 1757–1827
'And vapid; sense and reason shew the door' (Page 72)
1797
27
Print made by William Blake, 1757–1827
'And vapid; sense and reason shew the door' (Page 72)
ca. 1797
28
Print made by William Blake, 1757–1827
'Angels should paint it, angels ever there' (Page 40)
1797
29
Print made by William Blake, 1757–1827
'Angels should paint it, angels ever there' (Page 40)
ca. 1797
30
Print made by William Blake, 1757–1827
'Angels should paint it, angels ever there' (Page 40)
1797
31
George Townly Stubbs, 1748–1815
'Anvil'
1794
32
Print made by William Blake, 1757–1827
'As if the sun could envy, check'd his beam' (Page 49)
1797
33
Print made by William Blake, 1757–1827
'As if the sun could envy, check'd his beam' (Page 49)
ca. 1797
34
Print made by William Blake, 1757–1827
'As if the sun could envy, check'd his beam' (Page 49)
1797
35
George Vertue, 1684–1756
'At the High Court of Justice for the trying and inditing of Charles Steuart King of England January Anno Dom. 1648'
1750
36
George Townly Stubbs, 1748–1815
'Baronet'
1794
37
George Townly Stubbs, 1748–1815
'Baronet'
1794
38
Print made by William Blake, 1757–1827
'Behold him, when past by; what then is seen' (Page 25)
1797
39
Print made by William Blake, 1757–1827
'Behold him, when past by; what then is seen' (Page 25)
1797
40
Print made by William Blake, 1757–1827
'Behold him, when past by; what then is seen' (Page 25)
ca. 1797
41
Print made by William Blake, 1757–1827
'But for the blessing wrestle not with heaven' (Page 88)
1797
42
Print made by William Blake, 1757–1827
'Death! great proprietor of all! 'tis thine' (Page 8)
1797
43
Print made by William Blake, 1757–1827
'Disease invades the chastest temperence' (Page 10)
ca. 1797
44
Print made by William Blake, 1757–1827
'Disease invades the chastest temperence' (Page 10)
1797
45
Print made by William Blake, 1757–1827
'Disease invades the chastest temperence' (Page 10)
1797
46
Print made by William Blake, 1757–1827
'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
ca. 1797
47
Print made by William Blake, 1757–1827
'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
1797
48
Print made by William Blake, 1757–1827
'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
1797
49
George Townly Stubbs, 1748–1815
'Dungannon'
1794
50
Print made by William Blake, 1757–1827
'Emblem of that which shall awake the dead' (Page 19)