Portrait of Charles Frederick Schlaberg, London, 1827
1827
Not on view
5
William Collins, 1788–1847
Frost Scene
1827
Not on view
6
John Ferneley, 1782–1860
Miss Catherine Herrick with her Nieces and Nephews, the Five Elder Children of the Rev. and Mrs. Henry Palmer
1827
Not on view
7
Richard Redgrave, 1804–1888
Self-Portrait
ca. 1832
Not on view
8
Sir Francis Leggatt Chantrey, 1781–1841
George IV
1827
Not on view
9
John Gibson, 1790–1866
An Unknown Young Woman
late 1820s
Not on view
10
Sir Francis Leggatt Chantrey, 1781–1841
Alexander Knox
late 1820s
Not on view
11
Francis Danby, 1793–1861
Study for "The Golden Age"
1827
12
John Constable, 1776–1837
Sky Study with Rainbow
1827
13
Joseph Mallord William Turner, 1775–1851
Carlisle
ca. 1832
14
Joseph Mallord William Turner, 1775–1851
Design for an Illustration for Walter Scott's "Lady of the Lake", Loch Achray
ca. 1832
15
Edward Lear, 1812–1888
Entrance to the Port of Marseille
undated
16
Edward Lear, 1812–1888
Illustration to Tennyson's "The Gardener's Daughter:" Mount Lebanon, Syria - `A Cedar spread his dark green layers of shade'
undated
17
Edward Lear, 1812–1888
Illustration to Tennyson's "You Ask Me Why": Areka Palms, Ratanapooru, Ceylon - `I will see before I die The Palms and Temples of the South'
undated
18
Edward Lear, 1812–1888
People on the Road Near Kalicut, Malabar
undated
19
Edward Lear, 1812–1888
Venice, the Doge's Palace
undated
20
Edward Lear, 1812–1888
English Country Town
undated
21
William Blake, 1757–1827
Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]
1827
22
William Blake, 1757–1827
Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,'Hell; Canto xxv. line 45.]
1827
23
William Blake, 1757–1827
Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm, / And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]
1827
24
William Blake, 1757–1827
pl. 1: The Circle of the Lustful [' ...and like a corpse fell to the ground' Hell; Canto v. line 137.]
1827
25
William Blake, 1757–1827
Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]
1827
26
William Blake, 1757–1827
Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]
1827
27
William Blake, 1757–1827
Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]
1827
28
Joseph Nash, 1808–1878
Fashionable Men and Women Promenading
1827
29
Joseph Nash, 1808–1878
Sketches of Towns People
1827
30
Sir George Hayter, 1792–1871
A Capriccio of Windsor Castle
1827
31
Sir George Hayter, 1792–1871
Banditti of Kurdistan Assisting Georgians in Surprising and Carrying off Circassian Women
1827
32
Frederick Christian Lewis the Elder, 1779–1856
River Tamar, near Endsleigh, Devon
ca. 1832
33
John Frederick Lewis, 1804–1876
The Via Mala
1827
34
John Frederick Lewis, 1804–1876
The Valley of Lutscheuen
1827
35
John Frederick Lewis, 1804–1876
St. Goarhausen on the Rhine between Koblenz and Mainz
1827
36
John Frederick Lewis, 1804–1876
Tyrolese Hunters
between 1827 and 1828
37
James Duffield Harding, 1798–1863
Fishermen's Houses at Sculcoats near Hull, Yorkshire
1827
38
Print made by Sir Robert Smirke the younger, 1781–1867
Design for London Bridge Approach
between 1827 and 1835
39
Print made by Sir Robert Smirke the younger, 1781–1867
Design for London Bridge Approach
between 1827 and 1835
40
Print made by Thomas Jeavons, ca. 1800–1867
Vesuvius in Eruption
1827
41
Print made by Robert Wallis, 1794–1878
St. Maurice (vignette)
1827
42
Print made by J. C. Varrall, active 1815–1827
Valle Crucis Abbey, Denbighshire
1827-1838
43
Print made by J. C. Varrall, active 1815–1827
Valle Crucis Abbey, Denbighshire
1827-1838
44
Print made by Edward Goodall, 1795–1870
Prudoe Castle, Northumberland
1827-1838
45
Print made by W. R. Smith, active 1819–1851
Entrance to Fowey Harbour, Cornwall
1827-1838
46
Print made by James T. Willmore, 1800–1863
Okehampton, Devonshire
1827-1838
47
Print made by James T. Willmore, 1800–1863
Okehampton, Devonshire
1827-1838
48
Print made by Robert Brandard, 1805–1862
Lancaster Sands
1827-1838
49
Print made by James T. Willmore, 1800–1863
Okehampton, Devonshire
1827-1838
50
Print made by Robert Brandard, 1805–1862
Lancaster Sands
1827-1838
51
Print made by Thomas Jeavons, ca. 1800–1867
Knaresborough, Yorkshire
1827-1838
52
Print made by Robert Brandard, 1805–1862
Lancaster Sands
1827-1838
53
Print made by Thomas Jeavons, ca. 1800–1867
Knaresborough, Yorkshire
1827-1838
54
Print made by Thomas Jeavons, ca. 1800–1867
Knaresborough, Yorkshire
1827-1838
55
Print made by J. C. Varrall, active 1815–1827
Malmsbury Abbey, Wiltshire
1827-1838
56
Print made by William Radclyffe, 1780–1855
Louth, Lincolnshire
1827-1838
57
Print made by William Radclyffe, 1780–1855
Louth, Lincolnshire
1827-1838
58
Print made by J. C. Varrall, active 1815–1827
Malmsbury Abbey, Wiltshire
1827-1838
59
Print made by J. C. Varrall, active 1815–1827
Malmsbury Abbey, Wiltshire
1827-1838
60
Print made by William Miller, 1796–1882
Great Yarmouth, Norfolk
1827-1838
61
Print made by William Radclyffe, 1780–1855
Louth, Lincolnshire
1827-1838
62
Print made by William Miller, 1796–1882
Great Yarmouth, Norfolk
1827-1838
63
Print made by William Radclyffe, 1780–1855
Louth, Lincolnshire
1827-1838
64
Print made by Thomas Jeavons, ca. 1800–1867
Devonport and Dockyard, Devonshire
1827-1838
65
Print made by Thomas Jeavons, ca. 1800–1867
Devonport and Dockyard, Devonshire
1827-1838
66
Print made by Charles Westwood, active 1819–1838
Hampton Court Palace
1827-1838
67
Print made by Robert Brandard, 1805–1862
Dunstanborough Castle, Northumberland
1827-1838
68
Print made by Robert Brandard, 1805–1862
Dunstanborough Castle, Northumberland
1827-1838
69
Print made by Thomas Jeavons, ca. 1800–1867
Devonport and Dockyard, Devonshire
1827-1838
70
Print made by Charles Westwood, active 1819–1838
Carisbrook Castle, Isle of Wight
1827-1838
71
Print made by Robert Brandard, 1805–1862
Dunstanborough Castle, Northumberland
1827-1838
72
Print made by Robert Wallis, 1794–1878
Cowes, Isle of Wight
1827-1838
73
Print made by Robert Wallis, 1794–1878
Cowes, Isle of Wight
1827-1838
74
Print made by William Miller, 1796–1882
Stamford, Lincolnshire
1827-1838
75
Print made by James T. Willmore, 1800–1863
Alnwick Castle, Northumberland
1827-1838
76
Print made by William Miller, 1796–1882
Stamford, Lincolnshire
1827-1838
77
Print made by James T. Willmore, 1800–1863
Alnwick Castle, Northumberland
1827-1838
78
Print made by James T. Willmore, 1800–1863
Alnwick Castle, Northumberland
1827-1838
79
Print made by James T. Willmore, 1800–1863
Alnwick Castle, Northumberland
1827-1838
80
Print made by William Tombleson, ca.1795–1835
Holy Island, Northumberland
1827-1838
81
Print made by William Tombleson, ca.1795–1835
Holy Island, Northumberland
1827-1838
82
Print made by James Baylis Allen, 1803–1876
Stonyhurst, Lancashire
1827-1838
83
Print made by James Baylis Allen, 1803–1876
Stonyhurst, Lancashire
1827-1838
84
Print made by James Baylis Allen, 1803–1876
Stonyhurst, Lancashire
1827-1838
85
Print made by Robert Wallis, 1794–1878
Trematon Castle, Cornwall
1827-1838
86
Print made by Josiah Henshall, 1806–1869
Winchelsea, Sussex
1827-1838
87
Print made by Robert Wallis, 1794–1878
Trematon Castle, Cornwall
1827-1838
88
Print made by Josiah Henshall, 1806–1869
Winchelsea, Sussex
1827-1838
89
Print made by James H. Kernot, active early 19th century
St. Mawes, Cornwall
1827-1838
90
Print made by James H. Kernot, active early 19th century
St. Mawes, Cornwall
1827-1838
91
Print made by James H. Kernot, active early 19th century