Prospero, Miranda and Ariel, from "The Tempest," Act I, scene ii
ca. 1799
Not on view
2
Charles Reuben Ryley, 1752–1798
'The Vicar of Wakefield,' Vol. II, Chap. III: The Return of Olivia
1786
Not on view
3
Charles Reuben Ryley, 1752–1798
'The Vicar of Wakefield,' Vol. I, Chap. VIII: Dining in the Hayfields' (Surprised by Mr. Thornhill's Chaplain)
1786
Not on view
4
Benjamin West, 1738–1820
Cymon and Iphigenia
ca. 1766
Not on view
5
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 2, "Preludium to the Book of Urizen" (Bentley 2a)
1794
6
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 12, "Its favours here are trials, not rewards"
ca. 1797
7
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 32, Experience Frontispiece (Bentley 28)
1794
8
Print made by William Blake, 1757–1827
What is Man!, Frontispiece; Plate 1
1793
9
Print made by William Blake, 1757–1827
The Book of Thel, Plate 3, "Thel / I / The daughters of Mne Seraphim . . . ."
1789
10
Print made by William Blake, 1757–1827
The Book of Thel, Plate 8, "IV. / The eternal gates . . . ."
1789
11
Print made by William Blake, 1757–1827
Young's Night Thoughts, Title Page, "Night the First, On Life, Death and Immortality."
ca. 1797
12
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 13, "The present moment terminates our sight"
ca. 1797
13
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 54, "The vale of death! that hush'd cimmerian vale"
ca. 1797
14
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 24 (Bentley 26)
1794
15
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 87, "Is lost in love! thou great Philanthropist"
ca. 1797
16
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 35, "Teaching, we learn; and giving, we retain"
ca. 1797
17
Print made by William Blake, 1757–1827
The Book of Thel, Plate 6, "III. / Then Thel astonish'd . . . ."
1789
18
Print made by William Blake, 1757–1827
The Book of Thel, Plate 7, "But he that loves the lowly . . . ."
1789
19
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 2(b), "Preludium" (Bentley 2b)
1794
20
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 19, "Stretch'd for a work of eternity . . . ." (Bentley 20)
1794
21
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 18 (Bentley 21)
1794
22
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 13, "The Present Moment Terminates our Sight"
1797
23
William Blake, 1757–1827
The Poems of Thomas Gray, Design 107, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
24
William Blake, 1757–1827
The Poems of Thomas Gray, Design 23, "A Long Story."
between 1797 and 1798
25
William Blake, 1757–1827
The Poems of Thomas Gray, Design 41, "The Progress of Poesy."
between 1797 and 1798
26
William Blake, 1757–1827
The Poems of Thomas Gray, Design 49, "The Progress of Poesy."
between 1797 and 1798
27
William Blake, 1757–1827
The Poems of Thomas Gray, Design 51, "The Progress of Poesy."
between 1797 and 1798
28
William Blake, 1757–1827
The Poems of Thomas Gray, Design 9, "Ode on the Death of a Favourite Cat."
between 1797 and 1798
29
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 87, "Is Lost in Love! Thou Great Philanthropist"
1797
30
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 12, "Its Favours Here Are Trials, Not Rewards"
1797
31
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 1, Frontispiece (Bentley 2)
1789
32
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 12, "The Divine Image" (Bentley 18)
1789
33
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 7, "V Mans desires . . . . " (Bentley a8)
ca. 1788
34
Print made by William Blake, 1757–1827
The Book of Thel, Plate 3, "Thel / I / The daughters of Mne Seraphim . . . ."
1789
35
Print made by William Blake, 1757–1827
The Book of Thel, Plate 6, "III. / Then Thel astonish'd . . . ."
1789
36
Print made by William Blake, 1757–1827
The Book of Thel, Plate 8, "IV. / The eternal gates . . . ."
1789
37
Print made by William Blake, 1757–1827
The Book of Thel, Plate 7, "But he that loves the lowly . . . ."
1789
38
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 2, "Preludium to the Book of Urizen" (Bentley 2)
1794
39
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 25 (Bentley 26)
1794
40
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 8, "The Lamb" (Bentley 8)
1789
41
William Blake, 1757–1827
The Poems of Thomas Gray, Design 27, "A Long Story."
between 1797 and 1798
42
William Blake, 1757–1827
The Poems of Thomas Gray, Design 35, "Ode to Adversity."
between 1797 and 1798
43
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 10, "The Ecchoing Green" (Bentley 6)
1789
44
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 14, "Infant Joy" (Bentley 25)
1789
45
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 6, "The Little Girl Found" (Bentley 35)
1789
46
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"
1797
47
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 24, "On Anothers Sorrow" (Bentley 27)
1789
48
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 4, "II Man by his reasoning power . . . ." (Bentley a5)
ca. 1788
49
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 22, "Stretch'd for a Work of Eternity...." (Bentley 20)
1794
50
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 18 (Bentley 21)
1794
51
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 54, "The Vale of Death! That Hush'd Cimmerian Vale"
1797
52
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 26, "Measuring His Motions by Revolving Spheres"
1797
53
William Blake, 1757–1827
The Poems of Thomas Gray, Design 113, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
54
Print made by William Blake, 1757–1827
Young's Night Thoughts, Title Page, "Night the First, on Life, Death and Immortality."
1797
55
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"
1797
56
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 2, Title Page (Bentley 3)
1789
57
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 20, "The Little Boy Lost" (Bentley 13)
1789
58
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 26, "Spring" (Bentley 23)
1789
59
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 28, "Laughing Song" (Bentley 15)
1789
60
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 18, "A Cradle Song" (Bentley 16)
1789
61
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 22, "Nurse's Song" (Bentley 38)
1789
62
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 30, "The Little Black Boy" (Bentley 10)
1789
63
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 23, "We censure nature for a span too short"
ca. 1797
64
Print made by William Blake, 1757–1827
Pity
ca. 1795
65
Print made by Thomas Gaugain, 1748–1812
Diligence and Dissipation: The Wanton Dying in Poverty and Disease Visited by the Modest Girl (Plate 9)
1797
66
James Northcote, 1746–1831
Study for Burying the Royal Children
ca. 1790
67
Johann Jacobus Haid, 1704–1767
Mr. Garrick in "The Farmer's Return"
1766
68
Print made by Robert Thew, 1758–1802
King Richard III: Act III, Scene I (The Meeting of Edward V and His Brother, Richard, Duke of York)
1789
69
Print made by James Gillray, 1756–1815
Shakespeare Sacrificed; or, The Offering to Avarice
1789
70
Print made by William Skelton, 1763–1848
Richard III: Act IV, Scene III, Tower of London
1795
71
Carington Bowles, 1724–1793
Twelve Illustrations of Robinson Crusoe
1783
72
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to