plate etched between ca. 1880 and 1883; impression printed in 1924
2
Print made by Samuel Palmer, 1805–1881
The Sepulchre
etching begun ca. 1800; impression printed in 1924
3
Print made by Samuel Palmer, 1805–1881
Opening the Fold
1880
4
Print made by Samuel Palmer, 1805–1881
The Sleeping Shepherd
1857
5
Print made by Samuel Palmer, 1805–1881
The Lonely Tower
1879
6
Print made by Samuel Palmer, 1805–1881
The Lonely Tower
1879
7
Print made by Samuel Palmer, 1805–1881
The Sepulchre
between 1880 and 1883
8
Print made by Samuel Palmer, 1805–1881
The Vine
1852
9
Engraved by Joseph Mallord William Turner, 1775–1851
The Deluge
between 1813 and 1823
10
Etched by Joseph Mallord William Turner, 1775–1851
Apuleia in Search of Apuleius
between 1813 and 1823
11
Henry Thomas Alken, 1785–1851
An Illustration of C.J. Apperley ('Nimrod'), "The Life of a Sportsman": 'A Night Scene with Sir Thomas Mostyn'
1842
12
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": Getting Away: 'Let's Take the Lead'
undated
13
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Meet: 'With Bright Faces and Merry Hearts'
undated
14
Print made by George Richmond, 1809–1896
The Fatal Bellman
1827
15
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower
1745
16
Print made by Henry Thomas Alken, 1785–1851
The School-Boy
1824
17
Print made by James H. Baker, born 1829
Come Gentle Night: "Romeo and Juliet," Act III, Scene II
between 1839 and 1849
18
Richard Earlom, 1743–1822
Thomas King and Sophia Baddely in "The Clandestine Marriage"
1772
19
Print made by William Forrest, 1802–1889
Abbotsford, Large Vignette
1836
20
Print made by William Richardson, active 1842–1877