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1. Mourning at a Tomb

Mourning at a Tomb
Creator:
William Alexander, 1767–1816
Date:
between 1792 and 1794
Materials & Techniques:
Watercolor with pen and black ink over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 1/2 × 6 1/2 inches (21.6 × 16.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. A Chinese Beggar

A Chinese Beggar
Creator:
William Alexander, 1767–1816
Date:
undated
Materials & Techniques:
Watercolor and pen and gray ink over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/2 x 5 1/2 inches (19.1 x 14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. Songs of Innocence and of Experience, Plate 22, "The Little Girl Found" (Bentley 36)

Songs of Innocence and of Experience, Plate 22, "The Little Girl Found" (Bentley 36)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in green ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. Songs of Innocence and of Experience, Plate 12, "Spring" (Bentley 23)

Songs of Innocence and of Experience, Plate 12, "Spring" (Bentley 23)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in green ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. Songs of Innocence and of Experience, Plate 47, "My Pretty Rose Tree" (Bentley 43)

Songs of Innocence and of Experience, Plate 47, "My Pretty Rose Tree" (Bentley 43)
Creator:
William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. Songs of Innocence, Plate 26, "Spring" (Bentley 23)

Songs of Innocence, Plate 26, "Spring" (Bentley 23)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in brown ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. The First Book of Urizen, Plate 19, "They Call'd Her Pity and Fled...." (Bentley 19)

The First Book of Urizen, Plate 19, "They Call'd Her Pity and Fled...." (Bentley 19)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. Songs of Innocence, Plate 30, "The Little Black Boy" (Bentley 10)

Songs of Innocence, Plate 30, "The Little Black Boy" (Bentley 10)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in brown ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. The First Book of Urizen, Plate 17, "They call'd her Pity and fled . . . ." (Bentley 19)

The First Book of Urizen, Plate 17, "They call'd her Pity and fled . . . ." (Bentley 19)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in green ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. The First Book of Urizen, Plate 22 (Bentley 24)

The First Book of Urizen, Plate 22 (Bentley 24)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. Songs of Innocence and of Experience, Plate 43, "A Little Boy Lost" (Bentley 50)

Songs of Innocence and of Experience, Plate 43, "A Little Boy Lost" (Bentley 50)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. Jerusalem, Plate 21, "O Vala! O Jerusalem...."

Jerusalem, Plate 21, "O Vala! O Jerusalem...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. Jerusalem, Plate 5, "The banks of the Thames...."

Jerusalem, Plate 5, "The banks of the Thames...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. Europe. A Prophecy, Plate 9, "Arise O Rintrah . . . ." (Bentley 11)

Europe. A Prophecy, Plate 9, "Arise O Rintrah . . . ." (Bentley 11)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. The First Book of Urizen, Plate 23 (Bentley 9)

The First Book of Urizen, Plate 23 (Bentley 9)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. Jerusalem, Plate 9, "Condens'd his Emanations...."

Jerusalem, Plate 9, "Condens'd his Emanations...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. The First Book of Urizen, Plate 12, "Los Smitten with Astonishment...." (Bentley 8)

The First Book of Urizen, Plate 12, "Los Smitten with Astonishment...." (Bentley 8)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. The First Book of Urizen, Plate 4 (Bentley 24)

The First Book of Urizen, Plate 4 (Bentley 24)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. The First Book of Urizen, Plate 8 (Bentley 9)

The First Book of Urizen, Plate 8 (Bentley 9)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. The Poems of Thomas Gray, Design 5, "Ode on the Spring."

The Poems of Thomas Gray, Design 5, "Ode on the Spring."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. Jerusalem, Plate 60, "The clouds of Albions Druid Temples...."

Jerusalem, Plate 60, "The clouds of Albions Druid Temples...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. Christ Appearing to the Apostles after the Resurrection

Christ Appearing to the Apostles after the Resurrection
Creator:
Print made by William Blake, 1757–1827
Date:
1795 to 1805
Materials & Techniques:
Color monotype, watercolor, pen and black ink and varnish on moderately textured wove paper
Dimensions:
Sheet: 17 x 22 1/2 inches (43.2 x 57.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Purchased 1929

23. Mary Magdalen at the Sepulchre

Mary Magdalen at the Sepulchre
Creator:
William Blake, 1757–1827
Date:
ca. 1805
Materials & Techniques:
Watercolor with pen and black ink and gray ink on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 17 1/4 x 12 1/4 inches (43.8 x 31.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. A Kneeling Knight with a Female Figure and Child

A Kneeling Knight with a Female Figure and Child
Creator:
Queen Charlotte, 1744–1818
Date:
undated
Materials & Techniques:
Brown wash, pen and black ink, and graphite on thick, slightly textured, cream card
Dimensions:
Sheet: 16 × 14 inches (40.6 × 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, anonymous gift in honor of John Morton Morris

25. The Interior of the Lower Basilica of St. Francis of Assisi

The Interior of the Lower Basilica of St. Francis of Assisi
Creator:
Thomas Hartley Cromek, 1809–1873
Date:
1839
Materials & Techniques:
Watercolor and gouache with gum arabic on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 13 11/16 x 19 7/16 inches (34.7 x 49.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Friends of British Art Fund

26. Devoted Wife

Devoted Wife
Creator:
George Cruikshank, 1792–1878
Date:
undated
Materials & Techniques:
Graphite, pen and brown ink, and watercolor on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 11 3/8 x 8 5/16in. (28.9 x 21.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. Sketch for the Passions: Pride

Sketch for the Passions: Pride
Creator:
Richard Dadd, 1817–1886
Date:
ca. 1854
Materials & Techniques:
Watercolor, black ink, and graphite on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 14 1/2 x 10 1/8 inches (36.8 x 25.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. Cave of the Golden Calf: Kneeling Figures

Cave of the Golden Calf: Kneeling Figures
Creator:
Spencer Frederick Gore, 1878–1914
Date:
1912
Materials & Techniques:
Watercolor, pen and black ink and graphite on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 3 1/2 x 4 1/4 inches (8.9 x 10.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Frederick Gore

29. Cave of the Golden Calf: Worshippers and Calf

Cave of the Golden Calf: Worshippers and Calf
Creator:
Spencer Frederick Gore, 1878–1914
Date:
1912
Materials & Techniques:
Graphite and watercolor on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 12 x 10 3/4 inches (30.5 x 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Frederick Gore

30. Study for, Agony in the Garden

Study for, Agony in the Garden
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
undated
Materials & Techniques:
Pen and brown ink, and brown wash on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 12 3/8 × 7 7/8 inches (31.4 × 20 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

31. Study of the Resurrection of Lazarus

Study of the Resurrection of Lazarus
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
undated
Materials & Techniques:
Pen and brown ink, and brown wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 1/2 × 9 5/8 inches (16.5 × 24.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32. Study of Christ Raising Lazarus

Study of Christ Raising Lazarus
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
undated
Materials & Techniques:
Pen and brown ink, and brown wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 3 5/8 × 5 11/16 inches (9.2 × 14.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33. A Lion Standing over a Wounded Leapard

A Lion Standing over a Wounded Leapard
Creator:
Samuel Howitt, 1756–1822
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 × 7 1/8 inches (12.7 × 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34. Cutting Mistletoe from it by the Druids

Cutting Mistletoe from it by the Druids
Creator:
Julius Caesar Ibbetson, 1759–1817
Date:
undated
Materials & Techniques:
Pen and brown ink and watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 2 3/8 × 3 inches (6 × 7.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

35. Kneeling figures in Church

Kneeling figures in Church
Creator:
Gwen John, 1876–1939
Date:
undated
Materials & Techniques:
Gouache and watercolor on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 8 3/4 × 6 3/4 inches (22.2 × 17.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36. Job and His Daughters

Job and His Daughters
Creator:
circle of John Linnell, 1792–1882
Date:
undated
Materials & Techniques:
Watercolor and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 3 3/4 x 4 3/4 inches (9.5 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37. Satan Smiting Job with Boils

Satan Smiting Job with Boils
Creator:
circle of John Linnell, 1792–1882
Date:
undated
Materials & Techniques:
Watercolor and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 3 3/4 x 4 3/4 inches (9.5 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38. Job's Sacrifice

Job's Sacrifice
Creator:
circle of John Linnell, 1792–1882
Date:
undated
Materials & Techniques:
Watercolor and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 4 3/4 x 3 1/2 inches (12.1 x 8.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39. The Fall of Satan

The Fall of Satan
Creator:
circle of John Linnell, 1792–1882
Date:
undated
Materials & Techniques:
Watercolor and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/4 x 3 7/8 inches (13.3 x 9.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40. The Vision of Eliphaz

The Vision of Eliphaz
Creator:
circle of John Linnell, 1792–1882
Date:
undated
Materials & Techniques:
Watercolor and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/4 x 3 3/4 inches (13.3 x 9.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

41. Job Rebuked by His Friends

Job Rebuked by His Friends
Creator:
circle of John Linnell, 1792–1882
Date:
undated
Materials & Techniques:
Watercolor and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 3 5/8 x 4 3/4 inches (9.2 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

42. The Lord Answering Job out of the Whirlwind

The Lord Answering Job out of the Whirlwind
Creator:
circle of John Linnell, 1792–1882
Date:
undated
Materials & Techniques:
Watercolor and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 3 3/4 x 4 7/8 inches (9.5 x 12.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

43. The Creation

The Creation
Creator:
circle of John Linnell, 1792–1882
Date:
undated
Materials & Techniques:
Watercolor and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 3/4 x 3 3/4 inches (14.6 x 9.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

44. Behemoth and Leviathan

Behemoth and Leviathan
Creator:
circle of John Linnell, 1792–1882
Date:
undated
Materials & Techniques:
Watercolor and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Frame: 20 1/4 x 15 1/4 x 1in. (51.4 x 38.7 x 2.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

45. The Vision of God

The Vision of God
Creator:
circle of John Linnell, 1792–1882
Date:
undated
Materials & Techniques:
Watercolor and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 3 5/8 x 5 inches (9.2 x 12.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

46. Job and His Family

Job and His Family
Creator:
circle of John Linnell, 1792–1882
Date:
undated
Materials & Techniques:
Black ink and watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 3 1/2 x 4 5/8 inches (8.9 x 11.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

47. Job's Despair

Job's Despair
Creator:
circle of John Linnell, 1792–1882
Date:
undated
Materials & Techniques:
Watercolor and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 3 3/4 x 4 3/4 inches (9.5 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

48. Burial of Sarah

Burial of Sarah
Creator:
John Martin, 1789–1854
Date:
1833
Materials & Techniques:
Brown ink and brown wash on medium, slightly textured, cream wove paper mounted on thick, smooth, cream card
Dimensions:
Mount: 3 7/8 x 5 13/16 inches (9.8 x 14.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

49. Christ Healing a Blind Man

Christ Healing a Blind Man
Creator:
Attributed to John Martin, 1789–1854
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, pen and black ink, gouache, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 2 1/8 x 2 3/4 inches (5.4 x 7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

50. Cottager's Hospitality to Travellers of The Coach Broke Down

Cottager's Hospitality to Travellers of The Coach Broke Down
Creator:
James Pollard, 1792–1867
Date:
1819
Materials & Techniques:
Watercolor over etched outline, and pen and black ink on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 11 3/4 x 17 1/2 inches (29.8 x 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

51. Iphigenia Kneeling over an Altar

Iphigenia Kneeling over an Altar
Creator:
George Romney, 1734–1802
Date:
undated
Materials & Techniques:
Gray wash and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 3/8 x 7 1/8 inches (23.8 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938, to the Yale University Art Gallery

52. Penitent Magdalene

Penitent Magdalene
Creator:
John Michael Rysbrack, 1694–1770
Date:
undated
Materials & Techniques:
Pen and brown ink and gray wash over red chalk on medium, slightly textured, cream laid paper mounted on medium, moderately textured, white paper
Dimensions:
Sheet: 5 7/16 x 5 3/4in. (13.8 x 14.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

53. Nuns Praying at Altar of a Church

Nuns Praying at Altar of a Church
Creator:
Sir Robert Smirke the younger, 1781–1867
Date:
1802-1804
Materials & Techniques:
Gray wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 13 1/2 × 10 9/16 inches (34.3 × 26.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

54. Indian Statue

Indian Statue
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Pen and black ink, gray ink, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 10 7/16 × 9 1/8 inches (26.5 × 23.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

55. A Group of Women at Mass

A Group of Women at Mass
Creator:
Sir David Wilkie, 1785–1841
Date:
undated
Materials & Techniques:
Watercolor with black ink over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 5/8 x 6 inches (19.4 x 15.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Everett V. Meeks, Fund

56. An Underground Shrine with Two Figures Kneeling before a Pieta

An Underground Shrine with Two Figures Kneeling before a Pieta
Creator:
Richard Wilson, 1713/4–1782
Date:
undated
Materials & Techniques:
Graphite and watercolor white gouache on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 6 1/2 x 5 9/16 inches (16.5 x 14.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection