etching begun before 1861; impression printed in 1926
17
Print made by Samuel Palmer, 1805–1881
The Skylark
1850
18
Print made by Samuel Palmer, 1805–1881
Opening the Fold
plate etched in 1880; impression printed in 1920
19
Print made by Samuel Palmer, 1805–1881
Opening the Fold
plate etched in 1880; impression printed in 1926
20
after William Hogarth, 1697–1764
Simon, Lord Lovat
1746
21
after William Hogarth, 1697–1764
Album Collection of Sixty-six Engravings after William Hogarth
22
Print made by William Hogarth, 1697–1764
A Harlot's Progress, Plate 5
1732
23
Print made by William Hogarth, 1697–1764
Fustigatio
1725
24
Print made by William Hogarth, 1697–1764
Before
1736
25
Print made by William Hogarth, 1697–1764
Crucifixion, etc
1725
26
Print made by William Hogarth, 1697–1764
Dismemberment, etc
1725
27
Print made by William Hogarth, 1697–1764
Taking Away the Military Belt or Girdle
1725
28
Print made by William Hogarth, 1697–1764
Degrading Punishments
1725
29
Print made by William Hogarth, 1697–1764
Cutting off the Nose
1725
30
Print made by William Hogarth, 1697–1764
Issued Barley Instead of Wheat
1725
31
Print made by William Hogarth, 1697–1764
Issued Barley Instead of Wheat
1725
32
Print made by William Hogarth, 1697–1764
Crowns, Mitres, Maces, Etc
1754
33
Print made by William Hogarth, 1697–1764
The Stage-Coach, or the Country Inn Yard
1747
34
Print made by William Hogarth, 1697–1764
Tail Piece, or the Bathos
1764
35
Print made by William Hogarth, 1697–1764
Frontispiece: A Seated Roman General on a Camp Stool
1725
36
Print made by William Hogarth, 1697–1764
Decimation
1725
37
Print made by William Hogarth, 1697–1764
Beheading
1725
38
Print made by William Hogarth, 1697–1764
Breaking the Legs
1725
39
Print made by William Hogarth, 1697–1764
Fustium Admonitio
1725
40
Print made by William Hogarth, 1697–1764
Hanging by the Thumbs
1725
41
Print made by William Hogarth, 1697–1764
Paul Before Felix Burlesqued
1751
42
Print made by William Hogarth, 1697–1764
After
1736
43
Print made by William Hogarth, 1697–1764
Banishment
1725
44
Print made by William Hogarth, 1697–1764
The Invasion, Plate 1: France
1756
45
Print made by William Hogarth, 1697–1764
A Rake's Progress, Plate 8
1735
46
Print made by William Hogarth, 1697–1764
A Harlot's Progress, Plate 2
1732
47
Print made by William Hogarth, 1697–1764
A Harlot's Progress, Plate 1
1732
48
Print made by William Hogarth, 1697–1764
A Harlot's Progress, Plate 6
1732
49
Print made by William Hogarth, 1697–1764
Four Heads from the Raphael Cartoons at Hampton Court
1781
50
Print made by William Hogarth, 1697–1764
Paul Before Felix
1752
51
Print made by William Hogarth, 1697–1764
The Invasion, Plate 2: England
1756
52
Print made by William Hogarth, 1697–1764
A Harlot's Progress, Plate 4
1732
53
Print made by William Hogarth, 1697–1764
A Harlot's Progress, Plate 3
1732
54
Print made by William Hogarth, 1697–1764
Emerald Vessel
1723
55
Print made by William Hogarth, 1697–1764
A Midnight Modern Conversation
1733
56
Print made by William Hogarth, 1697–1764
Freemen Degraded and Sold into Slavery
1725
57
Print made by William Hogarth, 1697–1764
Shameful Discharge
1725
58
after William Hogarth, 1697–1764
False Perspective Exemplified
1799
59
after Joseph Mallord William Turner, 1775–1851
[One from] 158 reproductions of works by JMW Turner consisting of chromolithographs, photogravures, etc
60
after Joseph Mallord William Turner, 1775–1851
[One from] 158 reproductions of works by JMW Turner consisting of chromolithographs, photogravures, etc
61
after Joseph Mallord William Turner, 1775–1851
[One from] 158 reproductions of works by JMW Turner consisting of chromolithographs, photogravures, etc
62
after Joseph Mallord William Turner, 1775–1851
[One from] 158 reproductions of works by JMW Turner consisting of chromolithographs, photogravures, etc
63
Etched by Joseph Mallord William Turner, 1775–1851
London from Greenwich
1811
64
William Blake, 1757–1827
Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm,/ And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]
1827
65
William Blake, 1757–1827
Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]
1827
66
William Blake, 1757–1827
Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?'weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]
1827
67
William Blake, 1757–1827
Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]
1827
68
William Blake, 1757–1827
Illustrations to Dante's Divine Comedy
1827
69
William Blake, 1757–1827
Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]
1827
70
William Blake, 1757–1827
Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,' Hell; Canto xxv. line 45.]
1827
71
William Blake, 1757–1827
Illustrations of the Book of Job, pl. 22 (page 21): [Job and his Wife restored to Prosperity]
1826
72
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 1: Frontispiece: Thenot: 'Is it not Colinet I lonesome see,/ leaning with folded arms against the tree?'
1821, reprinted 1977
73
William Blake, 1757–1827
My sheep quite spent through travel and ill fare
1821, reprinted 1977
74
Print made by William Blake, 1757–1827
Psyche Disobeys
1794
75
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 12: Colinet: 'In vain, O Colinet, thy pipe, so shrill,/ charms every vale, and gladdens every hill:'
1821, reprinted 1977
76
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 13: Thenot: 'for him our yearly wakes and feasts we hold,/ and choose the fairest firstlings from the fold;'
1821, reprinted 1977
77
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 17: Thenot: '
1821, reprinted 1977
78
Print made by William Blake, 1757–1827
Venus Councels Cupid
1794
79
Print made by William Blake, 1757–1827
Iron Age
1794
80
Print made by William Blake, 1757–1827
Aristophanes Clouds. Scene I
1795
81
Print made by William Blake, 1757–1827
Anacreon Ode LII
1795
82
Print made by William Blake, 1757–1827
Psyche Disobeys
1794
83
Print made by William Blake, 1757–1827
Psyche Repents
1794
84
Print made by William Blake, 1757–1827
Venus Counsels Cupid
1794
85
Print made by William Blake, 1757–1827
The Conjugal Union of Cupid
1794
86
Print made by William Blake, 1757–1827
Aristophanes Clouds. Scene I
1795
87
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 4: Colinet: 'Thine ewes will wander; and their heedless lambs,/ in loud complaints, require their absent dams.'
1821, reprinted 1977
88
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 14: Thenot: 'This night thy care with me forget, and fold/ thy flock with mine, to ward th' injurious cold.'
1821, reprinted 1977
89
Print made by William Blake, 1757–1827
Cupid & Psyche
1794
90
Print made by William Blake, 1757–1827
Anacreon Ode LII
1794
91
William Blake, 1757–1827
Each creature, Thenot, to his task is born
1821, reprinted 1977
92
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 3: Thenot: 'Yet though with years my body downward tend,/ as trees beneath their fruit in autumn bend,'
1821, reprinted 1977
93
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 5: Colinet: 'My piteous plight in yonder naked tree,/ which bears the thunder-scar too plain, I see:'
1821, reprinted 1977
94
William Blake, 1757–1827
Or blasting winds o'er blossom'd hedge-rows pass
1821, reprinted 1977
95
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 7: Thenot: 'Nor fox, nor wolf, nor rot among our sheep:/ from these good shepherd's care his flock may keep/ against ill luck,'
1821, reprinted 1977
96
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 8: Colinet: 'Ah silly I! more silly than my sheep,/ which on thy flow'ry banks I wont to keep.'
1821, reprinted 1977
97
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 9: Colinet: 'A fond desire strange lands and swains to know./ Ah me! that ever I should covet wo.'
1821, reprinted 1977
98
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 10: Thenot: 'A rolling stone is ever bare of moss;/ and, to their cost, green years old proverbs cross.'
1821, reprinted 1977
99
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 15: Thenot: 'New milk, and clouted cream, mild cheese and curd,/ with some remaining fruit of last year's hoard,/ shall be our ev'ning fare.'