Albion Compelling the Four Zoas to Their Proper Tasks
1804 to 1810
605
William Blake, 1757–1827
Mary Magdalen at the Sepulchre
ca. 1805
606
William Blake, 1757–1827
Socrates, a Visionary Head
ca. 1820
607
William Blake, 1757–1827
Abraham and Isaac
1799 to 1800
608
William Blake, 1757–1827
Moses Receiving the Law
ca. 1780
609
William Blake, 1757–1827
Satan Approaching the Court of Chaos
1784 to 1785
610
William Blake, 1757–1827
A Woody Landscape
ca. 1801
611
William Blake, 1757–1827
Joseph and Potiphar's Wife
1803 to 1805
612
William Blake, 1757–1827
The Gambols of Ghosts According with Their Affections Previous to the Final Judgement
1805 to 1808
613
Print made by William Blake, 1757–1827
The Book of Thel, Plate 4, "Why should the mistress . . . ."
1789
614
Print made by William Blake, 1757–1827
Fable I. The Dog and the Fox
1793
615
Print made by William Blake, 1757–1827
Fable XLI. The Owl and the Farmer
1793
616
Print made by William Blake, 1757–1827
Fable XXVIII. The Persian, the Sun, and the Cloud
1793
617
Print made by William Blake, 1757–1827
Introduction to the Fables, The Shepherd and the Philosopher
1793
618
Print made by William Blake, 1757–1827
Fable XII. Pan and Fortune
1793
619
Print made by William Blake, 1757–1827
Fable XVI. The Ravens, the Sexton, and the Earth-Worm
1793
620
Print made by William Blake, 1757–1827
Fable VI. The Miser and Plutus
1793
621
Print made by William Blake, 1757–1827
Fable XVI. The Pin and the Needle
1793
622
Print made by William Blake, 1757–1827
Fable XIII. The Tame Stag
1793
623
Print made by William Blake, 1757–1827
Fable XXII. The Goat Without a Beard
1793
624
Print made by William Blake, 1757–1827
Fable XXIV. The Butterfly and the Snail
1793
625
Print made by William Blake, 1757–1827
Fable XXX. The Setting-dog and the Partridge
1793
626
circle of John Linnell, 1792–1882
Job's Evil Dreams
undated
627
circle of John Linnell, 1792–1882
Job's Sacrifice
undated
628
circle of John Linnell, 1792–1882
Job and His Family
undated
629
circle of John Linnell, 1792–1882
Job Accepting Charity
undated
630
circle of John Linnell, 1792–1882
The Messengers Tell Job of the Misfortunes that Have Befallen Him
undated
631
circle of John Linnell, 1792–1882
The Fall of Satan
undated
632
circle of John Linnell, 1792–1882
The Vision of God
undated
633
circle of John Linnell, 1792–1882
Job and His Daughters
undated
634
circle of John Linnell, 1792–1882
Job and His Wife Restored to Prosperity
undated
635
circle of John Linnell, 1792–1882
Satan before the Throne of God
undated
636
circle of John Linnell, 1792–1882
The Destruction of Job's Sons
undated
637
circle of John Linnell, 1792–1882
Satan Going Forth from the Presence of the Lord
undated
638
circle of John Linnell, 1792–1882
Job's Comforters
undated
639
circle of John Linnell, 1792–1882
Job's Despair
undated
640
circle of John Linnell, 1792–1882
Job Rebuked by His Friends
undated
641
circle of John Linnell, 1792–1882
The Wrath of Elihu
undated
642
circle of John Linnell, 1792–1882
The Lord Answering Job out of the Whirlwind
undated
643
circle of John Linnell, 1792–1882
Behemoth and Leviathan
undated
644
circle of John Linnell, 1792–1882
Satan Smiting Job with Boils
undated
645
John Linnell, 1792–1882
Illustrations of the Book of Job
undated
646
unknown artist
God Creating the Universe
ca. 1800
647
Print made by Luigi Schiavonetti, 1765–1810
Death of the Strong Wicked Man
1808, published 1813
648
Print made by Luigi Schiavonetti, 1765–1810
The Reunion of the Soul & the Body
1808, published 1813
649
Print made by Luigi Schiavonetti, 1765–1810
Death's Door
1808, published 1813
650
Print made by Luigi Schiavonetti, 1765–1810
The Descent of Man into the Vale of Death
1808, published 1813
651
Print made by Luigi Schiavonetti, 1765–1810
Robert Blair, The Grave, Title Page
1808, published 1813
652
Print made by Luigi Schiavonetti, 1765–1810
The Day of Judgment
1808, published 1813
653
Print made by Luigi Schiavonetti, 1765–1810
The Death of the Good Old Man
1808, published 1813
654
Print made by Luigi Schiavonetti, 1765–1810
The Counsellor, King, Warrior, Mother & Child, in the Tomb
1808, published 1813
655
Print made by Luigi Schiavonetti, 1765–1810
The Soul Hovering over the Body reluctantly Parting with Life
1808, published 1813
656
Print made by Luigi Schiavonetti, 1765–1810
The Soul Exploring the Recesses of the Grave
1808, published 1813
657
Print made by Luigi Schiavonetti, 1765–1810
Christ Descending into the Grave
1808, published 1813
658
Print made by Luigi Schiavonetti, 1765–1810
The Meeting of a Family in Heaven
1808, published 1813
659
unknown artist
Songs of Innocence and Experience, pl. 2: Innocence, Title Page: [A woman in a chair shows a book to a boy and girl.]
ca. 1808
660
Print made by George Richmond, 1809–1896
Reproduction of "William Blake in Youth and Age"
ca. 1830
661
Print made by George Richmond, 1809–1896
Reproduction of "William Blake in Youth and Age"
ca. 1830
662
circle of John Linnell, 1792–1882
Title Page: Illustrations of the Book of Job
after 1825
663
circle of John Linnell, 1792–1882
The Vision of Eliphaz
undated
664
circle of John Linnell, 1792–1882
The Creation
undated
665
unknown artist
Songs of Innocence and Experience, pl. 13: 'Spring' pl. 2, 'Little Girl...'
ca. 1808
666
unknown artist
Songs of Innocence and Experience, pl. 40: 'The Little Girl found' pl. 2, 'Famish'd weeping...'
ca. 1808
667
Whittington and Griggs, Chiswick, active 1921
Facsimile of plate number 76 from "Jerusalem"
1921
668
unknown artist
Songs of Innocence and Experience, pl. 25: 'A Cradle Song' pl. 2, 'Wept for me...'
ca. 1808
669
James Basire the younger, 1769–1822
An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The Figure of Aveline Countess of Lancaster, Cumbent on her Monument (Plate II)
1780
670
James Basire the younger, 1769–1822
An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The Under Vaulting of one side of the Canopy of the Monument of Aveline, Coutess of Lancaster (Plate III)
1780
671
James Basire the younger, 1769–1822
An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The North Front of the Monument of King Schert (Plate IV)
1780
672
James Basire the younger, 1769–1822
An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: Heads and Ornaments on the North Side of the Monument of King Sebert (Plate VI)
1780
673
Attributed to Sir Joseph Ayloffe, 1709–1781
An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The Front of the Monument of Aveline, First Wife of Edmund Crouchback (Plate I)
1780
674
James Basire the younger, 1769–1822
An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The Figures supposed to be those of King Sebert and King Henry III (Plate V)
1780
675
Engraved by James Basire the younger, 1769–1822
An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The Monument of Ann of Cleves, fourth Wife of King Henry VIII (Plate VII)
1780
676
William Blake, 1757–1827
Illustrations of the Book of Job
1825
677
Print made by William Blake, 1757–1827
The Life, and Posthumous Writings, of William Cowper, (volume 1)
1803-1804
678
William Blake, 1757–1827
Illustrations to Dante's "Divine Comedy"
1827
679
William Blake, 1757–1827
Illustrations of the Book of Job [in twenty-one plates]
680
Print made by William Blake, 1757–1827
The Life, and Posthumous Writings, of William Cowper (volume 2)
1803-1804
681
William Blake, 1757–1827
Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm,/ And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]
1827
682
William Blake, 1757–1827
Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]
1827
683
William Blake, 1757–1827
Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?'weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]
1827
684
William Blake, 1757–1827
Illustrations to Dante's Divine Comedy
1827
685
William Blake, 1757–1827
The Life of George Romney
1809
686
William Blake, 1757–1827
"A Select Collection of English Songs," London, 1783
1783
687
William Blake, 1757–1827
The Triumphs of Temper
1803
688
William Blake, 1757–1827
Illustrations to Dante's Divine Comedy
1827
689
William Blake, 1757–1827
The Book of Thel
1789
690
William Blake, 1757–1827
Illustrations of the Book of Job, pl. 3 (page 2): [Satan before the Throne of God]
1826
691
William Blake, 1757–1827
Illustrations of the Book of Job, pl. 6 (page 5): [Satan going forth from the Presence of the Lord]
1826
692
William Blake, 1757–1827
Illustrations of the Book of Job, pl. 7 (page 6): [Satan smiting Job with Boils]
1826
693
Print made by William Blake, 1757–1827
Illustrations of the Book of Job, pl. 8 (page 7): [Job's Comforters]
1826
694
William Blake, 1757–1827
Illustrations of the Book of Job, pl. 10 (page 9): [The Vision of Eliphaz]
1826
695
William Blake, 1757–1827
Illustrations of the Book of Job, pl. 11 (page 10): [Job rebuked by his Friends]
1826
696
William Blake, 1757–1827
Illustrations of the Book of Job, pl. 15 (page 14): [The Creation]
1826
697
William Blake, 1757–1827
Illustrations of the Book of Job, pl. 16 (page 15): [Behemoth and Leviathan]
1826
698
William Blake, 1757–1827
Each creature, Thenot, to his task is born
1821, reprinted 1977
699
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 4: Colinet: 'Thine ewes will wander; and their heedless lambs,/ in loud complaints, require their absent dams.'
1821, reprinted 1977
700
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 5: Colinet: 'My piteous plight in yonder naked tree,/ which bears the thunder-scar too plain, I see:'