A Design for a Temple at Bellevue House on the Derg, County Tipperary, the Seat of Charles Cooke, Esq
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2
attributed to John Hoppner, 1758–1810
Portrait Study of a Young Man, possibly Frank Issom
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3
Amelia Long, 1762–1837
St. Vincent's Rocks, Clifton
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4
unknown artist
Design for a Classical House
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5
unknown artist
Hinton St. George, Somerset: Plan of the Vestibule
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6
John William Upham, 1772–1828
The Castle at Dieppe, Normandy
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7
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
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8
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
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9
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
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10
Thomas Miles Richardson Sr., 1784–1848
The Great Market, Newcastle Upon Tyne, with view of Spire of St. Nicholas
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11
Thomas Miles Richardson Sr., 1784–1848
Dunstanborough Castle
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12
Thomas Miles Richardson Sr., 1784–1848
Monk Bar, York
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13
James Heath, 1757–1834
James Bruce of Kinnaird Lord of Geesh. Vitam impendere vero
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14
Thomas Harrison, 1744–1829
Designs for Clifton Castle, Yorkshire: Two Alternative Elevations
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15
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
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16
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
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17
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
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18
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
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19
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
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20
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
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21
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
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22
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
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23
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
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24
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
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25
George Richardson, ca.1738–ca.1813
[One of] 25 drawings and prints for ceilings
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26
George Richardson, ca.1738–ca.1813
[One of] 25 drawings and prints for ceilings
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27
George Richardson, ca.1738–ca.1813
[One of] 25 drawings and prints for ceilings
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28
George Richardson, ca.1738–ca.1813
[One of] 25 drawings and prints for ceilings
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29
George Richardson, ca.1738–ca.1813
[One of] 25 drawings and prints for ceilings
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30
George Richardson, ca.1738–ca.1813
[One of] 25 drawings and prints for ceilings
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31
George Richardson, ca.1738–ca.1813
[One of] 25 drawings and prints for ceilings
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32
George Richardson, ca.1738–ca.1813
[One of] 25 drawings and prints for ceilings
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33
George Richardson, ca.1738–ca.1813
[One of] 25 drawings and prints for ceilings
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34
George Richardson, ca.1738–ca.1813
[One of] 25 drawings and prints for ceilings
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35
George Richardson, ca.1738–ca.1813
[One of] 25 drawings and prints for ceilings
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36
George Richardson, ca.1738–ca.1813
[One of] 25 drawings and prints for ceilings
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37
George Richardson, ca.1738–ca.1813
[One of] 25 drawings and prints for ceilings
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38
George Richardson, ca.1738–ca.1813
[One of] 25 drawings and prints for ceilings
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39
George Richardson, ca.1738–ca.1813
[One of] 25 drawings and prints for ceilings
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40
George Richardson, ca.1738–ca.1813
[One of] 25 drawings and prints for ceilings
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41
George Richardson, ca.1738–ca.1813
[One of] 25 drawings and prints for ceilings
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42
George Richardson, ca.1738–ca.1813
[One of] 25 drawings and prints for ceilings
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43
George Richardson, ca.1738–ca.1813
[One of] 25 drawings and prints for ceilings
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44
George Richardson, ca.1738–ca.1813
[One of] 25 drawings and prints for ceilings
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45
Capt. Henry Pendarves Tremenheere, c.1763–1841
Newlyn Town
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46
Capt. Henry Pendarves Tremenheere, c.1763–1841
Newlyn from Penzance
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47
James Sharples, ca. 1751–1811
Captain Webber
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48
Edward Francis Burney, 1760–1848
Putting Arms in the Hands of the Indians
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49
unknown artist
Transept of St. Saviour's, Southwark, London
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50
Thomas Miles Richardson Sr., 1784–1848
A View of Edinburgh Castle from Candlemaker Row
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51
Henry Phillip Hope, active 1799–1818
Fragmens des Differens Monumens de la Troade
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52
Henry Phillip Hope, active 1799–1818
Paysage
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53
Henry Phillip Hope, active 1799–1818
Vue d'une Colonne dans L'Interieur du Serail a Constantinople
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54
Henry Phillip Hope, active 1799–1818
Vue de la Porte aux Lions a Constantinople
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55
Henry Phillip Hope, active 1799–1818
Mariage Grec
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56
Henry Phillip Hope, active 1799–1818
Soldats Asiatique
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57
Henry Phillip Hope, active 1799–1818
Arabes
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58
Henry Phillip Hope, active 1799–1818
Facade of Three Bay Late Georgian House
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59
Henry Phillip Hope, active 1799–1818
Perspective View of Henry Phillip Hope's Arklow House in Connaught Place
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60
Henry Phillip Hope, active 1799–1818
Plan of Bedroom (Arklow House)
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61
Henry Phillip Hope, active 1799–1818
Plan of Private Entrance from the Uxbridge Road (Arklow House)
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62
Henry Phillip Hope, active 1799–1818
Left Side of the China Cabinet in the Drawing Room (Arklow House)
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63
Henry Phillip Hope, active 1799–1818
Two Designs for Table Legs in Egyptian Style; One Design for Wall Decoration
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64
Henry Phillip Hope, active 1799–1818
South East Front of the Deepdene
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65
Henry Phillip Hope, active 1799–1818
Adrian Hope's House I: Plan of Pipes
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66
Henry Phillip Hope, active 1799–1818
Adrian Hope's House I: Dining Room - Plan and Wall Elevations
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67
Henry Phillip Hope, active 1799–1818
Adrian Hope's House I: Elevation of Library Cabinet - Detail of Concice
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68
Henry Phillip Hope, active 1799–1818
Adrian Hope's House I: Elevation of Library Cabinet
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69
Henry Phillip Hope, active 1799–1818
Adrian Hope's House I: Library and Mr. Coevelt' s Bedroom - Plan and Wall Elevations of Library
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70
Henry Phillip Hope, active 1799–1818
Adrian Hope's House I: Library - Plan of Ceiling and Elevations of Walls.
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71
Henry Phillip Hope, active 1799–1818
Adrian Hope's House II: Boudoir - Plan and Elevations of Walls
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72
Henry Phillip Hope, active 1799–1818
Adrian Hope's House II: Drawing Room - Plan and Elevations
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73
Henry Phillip Hope, active 1799–1818
Adrian Hope's House II: Gallery - Plan and Elevations
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74
Henry Phillip Hope, active 1799–1818
Adrian Hope's House II: Corner Bedrooom on Chamber Floor - Elevations and Ceiling Plan
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75
Henry Phillip Hope, active 1799–1818
Adrian Hope's House II: Furniture Designs
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76
Henry Phillip Hope, active 1799–1818
Adrian Hope's House II: Boudoir - Elevations and Ceiling Plan
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77
Henry Phillip Hope, active 1799–1818
Bedgeway: View of Interior of Pavilion... (4 of 4)
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78
Henry Phillip Hope, active 1799–1818
Bedgebury: Alternative design for Pavilion Window
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79
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay: Plan du Rez-de-Chaussee d'une Maison de la Rue Pigale...(indiquant) les Changements faits par Monsieur le Duc d'Otrante
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80
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay: Projet de la Decoration du petit Salon de Verdure Hotel de Monsieur Rape quai d'Orsay
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81
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay: Elevation sur le Quai, and Premiere Etage: Plan
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82
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Vue Occidentale du Chateau de Wildenstein, Dedie a son Exell le Lieutenent General, Compt Rapp, par son tres Humble Serviteur 1
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83
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Vue Perspective de la Propriete de la rue Plumer appartennant a Madame la Comtesse Rapp. Cote des cours
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84
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Second etage (du Chateau de Wildenstein)
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85
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Sousterrain (du Chateau de Wildenstein)
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86
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Premier etage du Chateau de Wildenstein
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87
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Vue Perspective de la Propriete de la rue Plumer Appartenant a Madame la Comtesse Rap. Cote du Jardin
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88
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Plan du Rez-de-Chaussee de la Propriete de la rue Plumer
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89
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay - Elevation sur la Cour
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90
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Plan generale de la Propriete de la rue Plumer - Entree sur la rue Plumer - Vue Perspective de la Fontaine
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91
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Plan, a Rez-de-Chaussee, du Petit Chateau de Brucourt, avec un Agrandissement Projette
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92
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Plan, au Premier Etage, du Petit Chateau de Brucourt, avec un Agrandissement Projete
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93
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Coupe, sur la Ligne AB, du Petit Chateau de Brucourt dans son Etat Primitif
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94
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Coupe sur la Ligne AB du Petit Chateau de Brucourt avec l'Agrandissement Projete
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95
unknown artist
Colmar, Chateau Wildenstein, Rue Plumer: Maison ou est ne le General Rapp a Colmar
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96
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Facade du Petit Chateau de Brucourt, du Cote du Nord, avec l'Agrandissement Projete
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97
unknown artist
Colmar, Chateau Wildenstein, Rue Plumer: Tombeau de General Rapp a Colmar
1825
98
unknown artist
Colmar, Chateau Wildenstein, Rue Plumer: Maison dans laquelle le General Rapp a ete place comme Apprenti Epicier a Colmar
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99
Henry Phillip Hope, active 1799–1818
South East Front of the Deepdene - Elevation
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100
Henry Phillip Hope, active 1799–1818
Adrian Hope's House I: View of Entrance Hall Towards Staircase