etching begun before 1861; impression printed in 1926
8
Print made by Samuel Palmer, 1805–1881
Christmas
1850
9
Print made by Samuel Palmer, 1805–1881
The Early Ploughman
begun before 1861
10
Print made by Samuel Palmer, 1805–1881
The Morning of Life
1860-1861
11
Print made by Samuel Palmer, 1805–1881
Christmas
1877
12
Print made by Samuel Palmer, 1805–1881
Opening the Fold
plate etched in 1880; impression printed in 1920
13
Print made by Samuel Palmer, 1805–1881
Opening the Fold
plate etched in 1880; impression printed in 1926
14
Print made by Samuel Palmer, 1805–1881
The Skylark
1850
15
Print made by Samuel Palmer, 1805–1881
The Skylark
1850
16
Print made by Samuel Palmer, 1805–1881
The Weary Ploughman
1858
17
Print made by Samuel Palmer, 1805–1881
The Willow
1850
18
Print made by Samuel Palmer, 1805–1881
The Skylark
1850
19
Print made by Samuel Palmer, 1805–1881
The Early Ploughman
1874
20
after William Hogarth, 1697–1764
Album Collection of Sixty-six Engravings after William Hogarth
21
after William Hogarth, 1697–1764
Simon, Lord Lovat
1746
22
Print made by William Hogarth, 1697–1764
A Rake's Progress, Plate 8
1735
23
Print made by William Hogarth, 1697–1764
The Invasion, Plate 1: France
1756
24
Print made by William Hogarth, 1697–1764
Banishment
1725
25
Print made by William Hogarth, 1697–1764
A Harlot's Progress, Plate 5
1732
26
Print made by William Hogarth, 1697–1764
A Harlot's Progress, Plate 4
1732
27
Print made by William Hogarth, 1697–1764
A Harlot's Progress, Plate 6
1732
28
Print made by William Hogarth, 1697–1764
Paul Before Felix
1752
29
Print made by William Hogarth, 1697–1764
Paul Before Felix Burlesqued
1751
30
Print made by William Hogarth, 1697–1764
Four Heads from the Raphael Cartoons at Hampton Court
1781
31
Print made by William Hogarth, 1697–1764
Emerald Vessel
1723
32
Print made by William Hogarth, 1697–1764
The Stage-Coach, or the Country Inn Yard
1747
33
Print made by William Hogarth, 1697–1764
A Midnight Modern Conversation
1733
34
Print made by William Hogarth, 1697–1764
After
1736
35
Print made by William Hogarth, 1697–1764
Fustigatio
1725
36
Print made by William Hogarth, 1697–1764
Beheading
1725
37
Print made by William Hogarth, 1697–1764
Freemen Degraded and Sold into Slavery
1725
38
Print made by William Hogarth, 1697–1764
Fustium Admonitio
1725
39
Print made by William Hogarth, 1697–1764
Taking Away the Military Belt or Girdle
1725
40
Print made by William Hogarth, 1697–1764
Issued Barley Instead of Wheat
1725
41
Print made by William Hogarth, 1697–1764
Issued Barley Instead of Wheat
1725
42
Print made by William Hogarth, 1697–1764
Cutting off the Nose
1725
43
Print made by William Hogarth, 1697–1764
Hanging by the Thumbs
1725
44
Print made by William Hogarth, 1697–1764
Crowns, Mitres, Maces, Etc
1754
45
Print made by William Hogarth, 1697–1764
The Invasion, Plate 2: England
1756
46
Print made by William Hogarth, 1697–1764
A Harlot's Progress, Plate 1
1732
47
Print made by William Hogarth, 1697–1764
A Harlot's Progress, Plate 2
1732
48
Print made by William Hogarth, 1697–1764
Frontispiece: A Seated Roman General on a Camp Stool
1725
49
Print made by William Hogarth, 1697–1764
Before
1736
50
Print made by William Hogarth, 1697–1764
Tail Piece, or the Bathos
1764
51
Print made by William Hogarth, 1697–1764
Decimation
1725
52
Print made by William Hogarth, 1697–1764
Crucifixion, etc
1725
53
Print made by William Hogarth, 1697–1764
Breaking the Legs
1725
54
Print made by William Hogarth, 1697–1764
Degrading Punishments
1725
55
Print made by William Hogarth, 1697–1764
Shameful Discharge
1725
56
after William Hogarth, 1697–1764
False Perspective Exemplified
1799
57
Print made by William Hogarth, 1697–1764
A Harlot's Progress, Plate 3
1732
58
Print made by William Hogarth, 1697–1764
Dismemberment, etc
1725
59
after Joseph Mallord William Turner, 1775–1851
[One from] 158 reproductions of works by JMW Turner consisting of chromolithographs, photogravures, etc
60
after Joseph Mallord William Turner, 1775–1851
[One from] 158 reproductions of works by JMW Turner consisting of chromolithographs, photogravures, etc
61
after Joseph Mallord William Turner, 1775–1851
[One from] 158 reproductions of works by JMW Turner consisting of chromolithographs, photogravures, etc
62
after Joseph Mallord William Turner, 1775–1851
[One from] 158 reproductions of works by JMW Turner consisting of chromolithographs, photogravures, etc
63
Etched by Joseph Mallord William Turner, 1775–1851
London from Greenwich
1811
64
William Blake, 1757–1827
Pl. 23: `Anacreon Ode LII'
1796
65
William Blake, 1757–1827
Pl. 16: `Cupid & Psyche'
1796
66
William Blake, 1757–1827
Pl. 18: `Iron Age'
1796
67
William Blake, 1757–1827
Pl. 23: `Anacreon Ode LII'
1796
68
William Blake, 1757–1827
Pl. 12: `Psyche Disobeys.'
1796
69
William Blake, 1757–1827
Pl. 16: `Cupid & Psyche'
1796
70
William Blake, 1757–1827
Pl. 15: `The Conjugal Union of Cupid'
1796
71
William Blake, 1757–1827
Pl. 19: `Aristophanes Clouds. Scene I'
1796
72
William Blake, 1757–1827
Pl. 13: `Psyche Repents.'
1796
73
William Blake, 1757–1827
Pl. 14: `Venus Counsels Cupid'
1796
74
William Blake, 1757–1827
Pl. 15: `The Conjugal Union of Cupid'
1796
75
William Blake, 1757–1827
Pl. 19: `Aristophanes Clouds. Scene I'
1796
76
William Blake, 1757–1827
Illustrations of the Book of Job, pl. 1 (Title Page): 'Illustrations of/ the/ Book/ of/ Job'
1826
77
William Blake, 1757–1827
Illustrations of the Book of Job, pl. 14 (page 13): [The Lord answering Job out of the Whirlwind]
1826
78
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 7: Thenot: 'Nor fox, nor wolf, nor rot among our sheep:/ from these good shepherd's care his flock may keep/ against ill luck,'
1821, reprinted 1977
79
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 8: Colinet: 'Ah silly I! more silly than my sheep,/ which on thy flow'ry banks I wont to keep.'
1821, reprinted 1977
80
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 9: Colinet: 'A fond desire strange lands and swains to know./ Ah me! that ever I should covet wo.'
1821, reprinted 1977
81
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 10: Thenot: 'A rolling stone is ever bare of moss;/ and, to their cost, green years old proverbs cross.'
1821, reprinted 1977
82
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 1: Frontispiece: Thenot: 'Is it not Colinet I lonesome see,/ leaning with folded arms against the tree?'
1821, reprinted 1977
83
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 13: Thenot: 'for him our yearly wakes and feasts we hold,/ and choose the fairest firstlings from the fold;'
1821, reprinted 1977
84
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 15: Thenot: 'New milk, and clouted cream, mild cheese and curd,/ with some remaining fruit of last year's hoard,/ shall be our ev'ning fare.'
1821, reprinted 1977
85
William Blake, 1757–1827
And now behold the sun's departing ray
1821, reprinted 1977
86
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 17: Thenot: '
1821, reprinted 1977
87
William Blake, 1757–1827
Pl. 12: 'Psyche Disobeys'
1796
88
William Blake, 1757–1827
Pl. 13: `Psyche Repents'
1796
89
William Blake, 1757–1827
Pl. 14: `Venus Councels Cupid'
1796
90
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 12: Colinet: 'In vain, O Colinet, thy pipe, so shrill,/ charms every vale, and gladdens every hill:'
1821, reprinted 1977
91
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 14: Thenot: 'This night thy care with me forget, and fold/ thy flock with mine, to ward th' injurious cold.'
1821, reprinted 1977
92
William Blake, 1757–1827
Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]
1827
93
William Blake, 1757–1827
Illustrations to Dante's Divine Comedy
1827
94
William Blake, 1757–1827
Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm,/ And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]
1827
95
William Blake, 1757–1827
Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]
1827
96
William Blake, 1757–1827
Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,' Hell; Canto xxv. line 45.]
1827
97
William Blake, 1757–1827
Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]
1827
98
William Blake, 1757–1827
Illustrations of the Book of Job, pl. 3 (page 2): [Satan before the Throne of God]
1826
99
William Blake, 1757–1827
Illustrations of the Book of Job, pl. 7 (page 6): [Satan smiting Job with Boils]
1826
100
Print made by William Blake, 1757–1827
Illustrations of the Book of Job, pl. 8 (page 7): [Job's Comforters]