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Exhibition History Thomas Girtin (Yale Center for British Art, 1986-01-21 - 1986-03-30)

Remove constraint Exhibition History: Thomas Girtin (Yale Center for British Art, 1986-01-21 - 1986-03-30)

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1. Santa Lucia, A Convent near Caserta

Santa Lucia, A Convent near Caserta
Creator:
Joseph Mallord William Turner, 1775–1851
Date:
ca. 1795
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 x 9 3/8in. (15.2 x 23.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. Near Grindelwald

Near Grindelwald
Creator:
Joseph Mallord William Turner, 1775–1851
Date:
ca. 1796
Materials & Techniques:
Watercolor, graphite, blue wash and gray wash on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/2 x 14 7/8 inches (24.1 x 37.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. Villa d'Este

Villa d'Este
Creator:
Joseph Mallord William Turner, 1775–1851
Date:
ca. 1796
Materials & Techniques:
Watercolor, graphite, pen and back ink, blue wash and gray wash on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 16 3/4 x 21 3/4 inches (42.5 x 55.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. The Guildhall, Exeter

The Guildhall, Exeter
Creator:
Thomas Girtin, 1775–1802
Date:
ca. 1797
Materials & Techniques:
Graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 8 1/8 × 10 1/8 inches (20.6 × 25.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. View of the Pont St.Michel, taken from the Pont Neuf

View of the Pont St.Michel, taken from the Pont Neuf
Creator:
Thomas Girtin, 1775–1802
Date:
1803
Materials & Techniques:
Graphite tracing on thin, brown, laid paper
Dimensions:
Sheet: 7 1/8 x 12 3/16in. (18.1 x 31cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. View of the Pantheon from the Arsenal

View of the Pantheon from the Arsenal
Creator:
Thomas Girtin, 1775–1802
Date:
1802
Materials & Techniques:
Watercolor over soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 7/8 x 17 5/16 inches (15 x 43.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. On the Road Between Salerno and Eboli

On the Road Between Salerno and Eboli
Creator:
Monro School
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 8 3/8 x 12 1/4 inches (21.3 x 31.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. The Waterworks at Marly and St. Germain-en-Laye Seen in the Distance

The Waterworks at Marly and St. Germain-en-Laye Seen in the Distance
Creator:
Thomas Girtin, 1775–1802
Date:
1802
Materials & Techniques:
Watercolor over soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 11/16 x 18 1/8 inches (14.5 x 46 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. View of the Pantheon, taken from the Arsenal

View of the Pantheon, taken from the Arsenal
Creator:
Thomas Girtin, 1775–1802
Date:
1803
Materials & Techniques:
Graphite tracing on thin, brown, laid paper
Dimensions:
Sheet: 7 x 17 1/8in. (17.8 x 43.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. View from Palace Terrace at St. Germain en Laye: The Aqueduct of Marli seen in the distance

View from Palace Terrace at St. Germain en Laye: The Aqueduct of Marli seen in the distance
Creator:
Thomas Girtin, 1775–1802
Date:
1803
Materials & Techniques:
Graphite tracing on thin, brown laid paper
Dimensions:
Mount: 15 3/4 × 24 5/8 inches (40 × 62.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. View of St. Cloud and Mt. Calvary taken from Pont de Seve

View of St. Cloud and Mt. Calvary taken from Pont de Seve
Creator:
Thomas Girtin, 1775–1802
Date:
1802
Materials & Techniques:
Graphite tracing on thin, brown laid paper
Dimensions:
Sheet: 18 5/8 × 27 inches (47.3 × 68.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. View of the Thuilleries and Bridge, etc., taken from Pont de la Concorde

View of the Thuilleries and Bridge, etc., taken from Pont de la Concorde
Creator:
Thomas Girtin, 1775–1802
Date:
1803
Materials & Techniques:
Graphite tracing on thin, brown laid paper
Dimensions:
Sheet: 8 × 21 3/4 inches (20.3 × 55.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. View of Pont Neuf, part of the Louvre, Notre Dame, and the College of Four Nations

View of Pont Neuf, part of the Louvre, Notre Dame, and the College of Four Nations
Creator:
Thomas Girtin, 1775–1802
Date:
1803
Materials & Techniques:
Graphite tracing on thin, brown laid paper
Dimensions:
Sheet: 6 7/8 × 21 inches (17.5 × 53.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. View of Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, etc., taken from Pont Notre Dame

View of Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, etc., taken from Pont Notre Dame
Creator:
Thomas Girtin, 1775–1802
Date:
1803
Materials & Techniques:
Graphite tracing on thin, brown laid paper
Dimensions:
Sheet: 7 7/8 × 19 inches (20 × 48.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. Warkworth Castle, Northumberland

Warkworth Castle, Northumberland
Creator:
Thomas Girtin, 1775–1802
Date:
ca. 1798
Materials & Techniques:
Watercolor, gum, touched with gouache over graphite on thick, moderately textured, beige wove paper
Dimensions:
Sheet: 16 3/8 x 21 3/4 inches (41.6 x 55.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. Ripon Minster, Yorkshire

Ripon Minster, Yorkshire
Creator:
Thomas Girtin, 1775–1802
Date:
1800
Materials & Techniques:
Watercolor with pen and black and brown ink and scraping over graphite on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 10 13/16 x 17 3/16 inches (27.5 x 43.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. Dover

Dover
Creator:
attributed to Thomas Girtin, 1775–1802
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 3/16 x 11 1/4 inches (20.8 x 28.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. In the Farnese Gardens, Rome

In the Farnese Gardens, Rome
Creator:
attributed to Thomas Girtin, 1775–1802
Date:
ca. 1795
Materials & Techniques:
Gray wash over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 3/8 x 11 1/16 inches (39.1 x 28.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. Valle Crucis Abbey, near Llangollen

Valle Crucis Abbey, near Llangollen
Creator:
imitator of Thomas Girtin, 1775–1802
Date:
between 1798 and 1801
Materials & Techniques:
Watercolor and graphite on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 8 1/4 × 11 5/8 inches (21 × 29.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. Tempio di Clitumno, Rome, after Piranesi

Tempio di Clitumno, Rome, after Piranesi
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 8 7/16 x 12 1/8 inches (21.4 x 30.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. Trees and Pond near Bromley, Kent

Trees and Pond near Bromley, Kent
Creator:
Thomas Girtin, 1775–1802
Date:
ca. 1798
Materials & Techniques:
Watercolor and gouache over graphite; verso: graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 8 3/16 x 12 5/16 inches (20.8 x 31.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. Chapel Church, Surrey

Chapel Church, Surrey
Creator:
Thomas Girtin, 1775–1802
Date:
ca. 1799
Materials & Techniques:
Watercolor, gouache and scraping over graphite on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 12 1/4 x 16 inches (31.1 x 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. Trees in Hyde Park, London

Trees in Hyde Park, London
Creator:
Thomas Girtin, 1775–1802
Date:
ca. 1800
Materials & Techniques:
Gray and brown wash over graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 10 3/8 x 17 3/4 inches (26.4 x 45.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. Romantic Landscape

Romantic Landscape
Creator:
Thomas Girtin, 1775–1802
Date:
ca. 1801
Materials & Techniques:
Watercolor with pen and brown ink over graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 12 1/4 x 20 1/2 inches (31.1 x 52.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. Bristol: Sketch of Boats and Buildings

Bristol: Sketch of Boats and Buildings
Creator:
Thomas Girtin, 1775–1802
Date:
ca. 1797
Materials & Techniques:
Graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 3 × 6 5/8 inches (7.6 × 16.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. The Tithe Barn at Abbotsbury with the Abbey on the hill...

The Tithe Barn at Abbotsbury with the Abbey on the hill...
Creator:
Thomas Girtin, 1775–1802
Date:
ca. 1795
Materials & Techniques:
Watercolor, pen and black ink and graphite mounted on moderately thick, slightly textured, brown wove paper
Dimensions:
Sheet: 4 1/8 x 5 7/8 inches (10.5 x 14.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. Saint Cuthbert's Holy Island

Saint Cuthbert's Holy Island
Creator:
Thomas Girtin, 1775–1802
Date:
1797
Materials & Techniques:
Watercolor, pen and brown ink, and graphite on thick, moderately textured, cream wove paper
Dimensions:
Sheet: 10 x 12 inches (25.4 x 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. Glasgow Cathedral

Glasgow Cathedral
Creator:
Thomas Girtin, 1775–1802
Date:
between 1794 and 1795
Materials & Techniques:
Watercolor, pen in brown and black ink and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 5/8 x 6 9/16 inches (21.9 x 16.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. Stokesay Castle: Interior of a Raftered Hall

Stokesay Castle: Interior of a Raftered Hall
Creator:
Thomas Girtin, 1775–1802
Date:
ca. 1800
Materials & Techniques:
Graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 11 1/16 x 17 5/8 inches (28.1 x 44.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. The Archangel Gabriel Awaiting Night

The Archangel Gabriel Awaiting Night
Creator:
Thomas Girtin, 1775–1802
Date:
ca. 1799
Materials & Techniques:
Watercolor and brown wash over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 12 1/16 x 9 7/8 inches (30.6 x 25.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

31. The Abbey Mill, Knaresborough

The Abbey Mill, Knaresborough
Creator:
Thomas Girtin, 1775–1802
Date:
1801
Materials & Techniques:
Watercolor, graphite, and white gouache with scratching out on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 12 11/16 x 20 11/16 inches (32.2 x 52.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32. Ouse Bridge, York

Ouse Bridge, York
Creator:
Thomas Girtin, 1775–1802
Date:
1800
Materials & Techniques:
Watercolor with pen and brown ink over graphite, with scratching out on medium, rough, beige wove paper
Dimensions:
Sheet: 12 15/16 x 20 5/8 inches (32.9 x 52.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33. Sandsend, Yorkshire

Sandsend, Yorkshire
Creator:
Thomas Girtin, 1775–1802
Date:
1802
Materials & Techniques:
Watercolor over graphite on thick, moderately textured, beige laid paper
Dimensions:
Sheet: 12 1/2 x 20 7/8 inches (31.8 x 53 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34. The New Walk, York

The New Walk, York
Creator:
Thomas Girtin, 1775–1802
Date:
ca. 1798
Materials & Techniques:
Watercolor with pen and black ink and brown ink over graphite with gouache on thick, moderately textured, cream laid paper
Dimensions:
Sheet: 12 5/16 x 21 13/16 inches (31.3 x 55.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

35. Sketch for the Eidometropolis: Panorama, Great Surrey Street and Christchurch, Southwark

Sketch for the Eidometropolis: Panorama, Great Surrey Street and Christchurch, Southwark
Creator:
Thomas Girtin, 1775–1802
Date:
between 1797 and 1802
Materials & Techniques:
Graphite and pen and brown ink, squared for transfer on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/2 x 19 3/4 inches (29.2 x 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36. Country House

Country House
Creator:
Thomas Girtin, 1775–1802
Date:
ca. 1797
Materials & Techniques:
Watercolor with pen in brown ink over graphite on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 8 x 13 inches (20.3 x 33 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37. London from Highgate Hill

London from Highgate Hill
Creator:
Thomas Girtin, 1775–1802
Date:
1792
Materials & Techniques:
Watercolor with pen and black ink over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 13 3/8 x 19 1/4 inches (34 x 48.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38. The Old Bridge in Devon

The Old Bridge in Devon
Creator:
Thomas Girtin, 1775–1802
Date:
between 1797 and 1801
Materials & Techniques:
Watercolor, pen and brown ink, gouache and graphite on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 8 5/8 × 11 5/8 inches (21.9 × 29.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39. Kingswear Seen from Dartmouth, Devon

Kingswear Seen from Dartmouth, Devon
Creator:
Thomas Girtin, 1775–1802
Date:
ca. 1797
Materials & Techniques:
Watercolor with pen in brown ink over graphite on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 7 5/8 x 12 13/16 inches (19.4 x 32.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40. On the Banks of the Lago di Como

On the Banks of the Lago di Como
Creator:
Monro School
Date:
ca. 1796
Materials & Techniques:
Watercolor, gray wash and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/8 x 9 3/4 inches (35.9 x 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

41. Berry Pomeroy Castle, Devon

Berry Pomeroy Castle, Devon
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, black chalk and graphite on thick, moderately textured, beige laid paper, mounted on thick, moderately textured, beige wove paper
Dimensions:
Sheet: 10 × 13 5/8 inches (25.4 × 34.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

42. Guisborough Priory

Guisborough Priory
Creator:
follower of Thomas Girtin, 1775–1802
Date:
undated
Materials & Techniques:
Watercolor over graphite on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 11 15/16 x 20 1/8 inches (30.3 x 51.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

43. The Watermill Above the Bridge at Charenton

The Watermill Above the Bridge at Charenton
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Watercolor on moderately thick, moderately textured, cream wove paper, (two sheets mounted together)
Dimensions:
Sheet: 7 11/16 x 12 3/4 inches (19.5 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

44. A Temple in Harewood Park

A Temple in Harewood Park
Creator:
Thomas Girtin, 1775–1802
Date:
ca. 1798
Materials & Techniques:
Watercolor, gouache, black chalk and graphite on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 8 3/8 × 7 inches (21.3 × 17.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

45. Turver's Farm, Wimbish, Essex

Turver's Farm, Wimbish, Essex
Creator:
Thomas Girtin, 1775–1802
Date:
ca. 1799
Materials & Techniques:
Watercolor with pen and brown ink and gouache over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 11 7/8 x 16 3/8 inches (30.2 x 41.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

46. Ruins of Savoy Palace

Ruins of Savoy Palace
Creator:
Thomas Girtin, 1775–1802
Date:
ca. 1795
Materials & Techniques:
Graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 8 9/16 x 11 3/4 inches (21.7 x 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

47. Rocca del Papa, with Monte Cavo

Rocca del Papa, with Monte Cavo
Creator:
Thomas Girtin, 1775–1802
Date:
ca. 1796
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 5/8 x 9 1/4 inches (16.8 x 23.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

48. Harewood House, Yorkshire

Harewood House, Yorkshire
Creator:
Thomas Girtin, 1775–1802
Date:
ca. 1798
Materials & Techniques:
Graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 7 7/16 x 14 1/4 inches (18.9 x 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

49. Four Studies of a Hay Cart

Four Studies of a Hay Cart
Creator:
Thomas Girtin, 1775–1802
Date:
between 1798 and 1799
Materials & Techniques:
Graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 11 3/8 x 8 9/16 inches (28.9 x 21.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

50. Tempio d' Antonio e Faustina

Tempio d' Antonio e Faustina
Creator:
Thomas Girtin, 1775–1802
Date:
between 1798 and 1799
Materials & Techniques:
Watercolor with pen in brown ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 12 x 10 1/8 inches (30.5 x 25.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection