Edward, Prince of Wales, Presenting the Captive King John of France and His Sons to His Father Edward the Third After the Battle of Poictiers
1788
414
Francesco Bartolozzi, 1728–1815
Troilus and Crssida, Act 3, Scene II
1794
415
Francesco Bartolozzi, 1728–1815
Troilus and Cressida, Act 4, Scene II
1794
416
Francesco Bartolozzi, 1728–1815
Shakespeare's Tomb
1782
417
Francesco Bartolozzi, 1728–1815
Antony and Cleopatra, Act I, Scene II
1794
418
Francesco Bartolozzi, 1728–1815
Anthony and Cleopatra, Act 3, Scene II
1794
419
Francesco Bartolozzi, 1728–1815
The Birth of Shakespeare
1782
420
Francesco Bartolozzi, 1728–1815
Ophelia vide Hamlet, Act 4, Scene VII
1794
421
Francesco Bartolozzi, 1728–1815
King Lear, Act 4, Scene VII
1794
422
Francesco Bartolozzi, 1728–1815
As You Like It, Act IV, Orlando and Oliver
1788
423
Francesco Bartolozzi, 1728–1815
Coriolanus, Act 5, Scene III
1783
424
Francesco Bartolozzi, 1728–1815
Macbeth, Act I, Scene II
1784
425
Print made by Henry J. Townsend, 1810–1890
Where the Bee Sucks. The Tempest, Act V, Scene I, Ariel on a Hammock of Convolvulus
1853
426
Francesco Bartolozzi, 1728–1815
Cleopatra And Meleagar
1783
427
Attributed to Isaac Cruikshank, 1764–1811
Bless Thee Bottom, Bless Thee-Thou Art Translated
1794
428
Print made by James Gillray, 1756–1815
Shakespeare Sacrificed; or, The Offering to Avarice
1789
429
James Gillray, 1756–1815
Blowing up the Pic Nic's: or Harlequin Quioxtte Attacking the Puppets
1802
430
Print made by James Gillray, 1756–1815
Taming of the Shrew. Katharine and Petruchio - The Modern Quixotte, or, What You Will
1791
431
Charles Grignion, 1717–1810
Mr. Garrick in the Charakter (sic) of Richard the 3D
1746
432
Robert Thew, 1758–1802
Shakespeare's Tempest Act IV Scene I. Prospero's Cell
1800
433
John Hamilton Mortimer, 1740–1779
Twelve etchings of Characters from Shakespeare: 4) Richard II, from Richard II, Act III, Scene 2 (Catalogue Mortimer Exhibition 1968 - Number 79)
1775
434
John Hamilton Mortimer, 1740–1779
Lear, from King Lear, Act III, Scene ii
1776
435
John Hamilton Mortimer, 1740–1779
Twelve etchings of Characters from Shakespeare: 5) Beatrice, from Much Ado About Nothing, Act 1, Scene 2 (sic)(Catalogue Mortimer Exhibition 1968 - Number 79)
436
Print made by George Vertue, 1684–1756
King Henry VII and Elizabeth of York, Queen of England
437
John Hamilton Mortimer, 1740–1779
'Poet, from A Midsummer Night's Dream, Act V, Scene i'
1775
438
John Hamilton Mortimer, 1740–1779
Edgar, from King Lear, Act III, Scene iii
439
John Hamilton Mortimer, 1740–1779
Twelve etchings of Characters from Shakespeare: 8) Bardolph, from Henry IV, Act II, Scene 9 (Catalogue Mortimer Exhibition 1968 - number 79)
440
John Hamilton Mortimer, 1740–1779
Ophelia, from Hamlet, Act IV, Scene 7
1775
441
John Hamilton Mortimer, 1740–1779
Twelve etchings from Shakespeare: 10) York, from Henry IV, Part 2, Act V, Scene 4 (Catalogue Mortimer Exhibition 1968 - number 79)
442
John Hamilton Mortimer, 1740–1779
Falstaff. Second part Henry IV, Act V, Scene 4th. "There's a merry heart good master Silence / I'll give you a health for that anon."
1776
443
John Hamilton Mortimer, 1740–1779
Twelve etchings of Characters from Shakespeare: 12) Shylock, from The Merchant of Venice, Act IV, Scene 1 (Catalogue Mortimer Exhibition 1968 - number 79)
444
Print made by Philip Dawe, ca.1750–ca.1790
Gadshill
1796
445
Print made by Francis Legat, 1755–1809
King Richard the Third: Act IV, Scene III (The Murder of the Princes in the Tower)
1790
446
Robert Smirke, 1752–1845
Study of a Woman, Imploring for the Return of Her Captive Child
undated
447
Robert Smirke, 1752–1845
Figure Study of a Bacchanalia Celebration in a Wooded Landscape
undated
448
Robert Smirke, 1752–1845
Figure Study of a Bacchanalia Celebration in a Wooded Landscape
undated
449
Robert Smirke, 1752–1845
Study of Knights, Paying Homage, to the King
undated
450
Robert Smirke, 1752–1845
Study of Abraham Being Tested by God
undated
451
Robert Smirke, 1752–1845
figure Studies for Medieval Noble Life
undated
452
Robert Smirke, 1752–1845
Skech for Timon of Athens
undated
453
Robert Smirke, 1752–1845
MSS Bible Regia
undated
454
Robert Smirke, 1752–1845
Study of a Woman and Child
undated
455
Robert Smirke, 1752–1845
Study of a Chair
undated
456
Robert Smirke, 1752–1845
Scene of a Bacchanalia
undated
457
Robert Smirke, 1752–1845
Woman Sleeping in the Nude in a Wooded Landscape
undated
458
Robert Smirke, 1752–1845
Scene from Don Quixote
undated
459
Robert Smirke, 1752–1845
Bachanalia Scene
undated
460
Robert Smirke, 1752–1845
Five Vignettes of Scenes from Antiquity
undated
461
Robert Smirke, 1752–1845
Rokeby
1813
462
Robert Smirke, 1752–1845
Untitled: Arabian Knight
1830
463
Robert Smirke, 1752–1845
Rokeby
1813
464
Robert Smirke, 1752–1845
Rokeby
1813
465
Print made by Robert Smirke, 1752–1845
Interior of York Minster from the Nave Shewing the Screen of the Choir in its Present Situation
undated
466
Robert Smirke, 1752–1845
The Rape of the Golden Fleece
467
Robert Smirke, 1752–1845
Untitled: Baba Abdallah Punished
468
Robert Smirke, 1752–1845
Untitled: The Persian and the Slave Merchants
469
Robert Smirke, 1752–1845
Untitled: Alnaschar's Vision
470
Robert Smirke, 1752–1845
Tempest
1821
471
Robert Smirke, 1752–1845
Tempest
1821
472
Robert Smirke, 1752–1845
Twelfth Night
1822
473
Robert Smirke, 1752–1845
Taming of the Shrew
1827
474
Robert Smirke, 1752–1845
Cesar Passing the Rubicon
475
Robert Smirke, 1752–1845
Untitled: Classical Scene
476
Robert Smirke, 1752–1845
The Gem for 1830
477
John Hall, 1739–1797
Timon of Athens
1803
478
John Finlayson, 1730–1776
David Garrick in the Character of 'Kitely'
1769
479
Print made by Gerald Leslie Brockhurst, 1890–1978
Ophelia
1942
480
Print made by Francis Legat, 1755–1809
Hamlet: Act IV, Scene V, Elsinore -- King, Queen, Laertes, Ophelia, etc
1803
481
unknown artist
Shakespeare Illustration: "Measure for Measure"
undated
482
unknown artist
Shakespeare Illustration: "Henry VIII"
undated
483
Robert Thew, 1758–1802
King Henry the Eighth: Act IV Scene II: Abbey of Leicester. Wolsey, Northumberland, and Attendants, Abbot of Leicester, etc
1798
484
George Siegmund Facius, 1750–1804
All's Well that Ends Well
1794
485
Print made by Caroline Watson, 1760–1814
King Henry VI, Part II, Act III, Scene III
1792
486
Print made by Francesco Bartolozzi, 1728–1815
Mrs. Abington as Thalia
ca. 1783
487
Print made by Francesco Bartolozzi, 1728–1815
John Henderson as Iago
before 1786
488
Print made by Francesco Bartolozzi, 1728–1815
Mrs. Siddons
1785
489
Print made by Francesco Bartolozzi, 1728–1815
Mrs. Lenox
1792
490
Print made by Francesco Bartolozzi, 1728–1815
Imogen's Bedchamber in Cymbeline's Palace, 'Cymbeline,' Act II, Scene II
1786
491
Francesco Bartolozzi, 1728–1815
The Meeting Of Edward V And His Brother, The Duke Of York
1789
492
L. Truchy, 1721–1764
Sir John Falstaff in the Buck Basket
493
unknown artist
Henry VII
494
unknown artist
New Drury Lane Theatre
495
W. Thomas Smith, 1865–1936
Drury Lane Theatre, as Newly Fronted by Robert Adam for Garrick
undated
496
Published by William Holland, 1757–1815
Launce and His Dog Crab
1791
497
unknown artist
Romeo
1801
498
Print made by Caroline Watson, 1760–1814
Henry VI, Part II: Act III, Scene iii, Cardinal Beaufort's Bed Chamber
1803
499
Print made by William Skelton, 1763–1848
Richard III: Act IV, Scene III, Tower of London
1795
500
Isaac Cruikshank, 1764–1811
Shakespeare's Prophecy, the Last Act by One in the Tempest, or the Jack Daws in Borrowed Feathers (from: Caricature, vol. 3)