Materials & Techniques: etching (printing process) / Image Available: Unavailable

401. The high-Flying Candidate (i.e. Little Paul-Goose) Mounting from a Blanket

Creator:: James Gillray, 1756–1815
Date:: 1806
Materials & Techniques:: Etching on medium, slightly textured, white wove paper
Dimensions:: Sheet: 10 1/4 × 14 1/2 inches (26 × 36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

402. The Bear and His Leader. --"What tho' I am Obliged to Dance A Bear, A Man may be a Gentleman for That, --My Bear Ever Dances to the Genteelest of Tunes"

Creator:: James Gillray, 1756–1815
Date:: 1806
Materials & Techniques:: Etching on medium, slightly textured, white wove paper
Dimensions:: Sheet: 11 × 15 inches (27.9 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

403. Comfort's of a Bed of Roses; Vide Charley's Elucidation of Lord C(a)stl(e) R(ea)gh's Speech! --A Nightly Scene near Cleveland Row

Creator:: James Gillray, 1756–1815
Date:: 1806
Materials & Techniques:: Etching on medium, slightly textured, white wove paper
Dimensions:: Sheet: 11 1/4 × 15 inches (28.6 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

404. The New Dynasty; or the Little Corsican Gardener Planting a Royal Pippin-Tree. -All the Talents (Busy in) are Clearing the Ground of the Old Timber.

Creator:: James Gillray, 1756–1815
Date:: 1807
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 × 14 7/8 inches (27.9 × 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

405. The Man of Feeling, in Search of Indispensibles: - A Scene at the Little French Milleners

Creator:: James Gillray, 1756–1815
Date:: 1800
Materials & Techniques:: Etching with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/4 × 14 1/4 inches (26 × 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

406. Half Natural

Creator:: James Gillray, 1756–1815
Date:: 1799
Materials & Techniques:: Etching with hand coloring in watercolor on medium, slightly textured, white wove paper
Dimensions:: Sheet: 9 7/8 × 7 3/8 inches (25.1 × 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

407. Pen-etration

Creator:: James Gillray, 1756–1815
Date:: 1799
Materials & Techniques:: Etching with hand coloring in watercolor on medium, smooth, cream wove paper
Dimensions:: Sheet: 10 3/8 × 8 inches (26.4 × 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

408. Citizens Visiting the Bastille, - Vide. Democratic Charities. -

Creator:: James Gillray, 1756–1815
Date:: 1799
Materials & Techniques:: Etching with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 7/8 × 10 1/4 inches (35.2 × 26 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

409. Pizarro, Contemplating (over) The Product of His Peruvian Mine.

Creator:: James Gillray, 1756–1815
Date:: 1799
Materials & Techniques:: Etching with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/4 × 10 3/8 inches (36.2 × 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

410. The Introduction of the Pope to the Convocation at Oxford, By the Cardinal Broad Bottom.

Creator:: James Gillray, 1756–1815
Date:: 1809
Materials & Techniques:: Etching in black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/8 × 15 1/4 inches (28.9 × 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

411. Pillars of the Constitution - Three O'Clock and A Cloudy Morning

Creator:: James Gillray, 1756–1815
Date:: 1809
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 19 × 13 1/4 inches (48.3 × 33.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

412. Spanish Patriots Attacking the French Banditti - Loyal Britons Lending a Lift!

Creator:: James Gillray, 1756–1815
Date:: 1808
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/2 × 16 1/8 inches (29.2 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

413. Delicious Dreams! Castles in the Air! Glorious Prospects!

Creator:: James Gillray, 1756–1815
Date:: 1808
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 × 10 1/2 inches (36.8 × 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

414. Delicious Weather

Creator:: James Gillray, 1756–1815
Date:: 1808
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 3/4 × 10 inches (34.9 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

415. Stanford, the Seat of Sir Edward Winnington, Baronet

Creator:: Print made by Thomas Bonnor, ca. 1740–ca. 1812
Date:: undated
Materials & Techniques:: Etching with stipple engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 5/16 x 17 13/16 inches (28.8 x 45.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

416. Westminster-Conscripts under the Training Act

Creator:: James Gillray, 1756–1815
Date:: 1806
Materials & Techniques:: Etching with hand-coloring in watercolor on medium, slightly textured, white wove paper
Dimensions:: Sheet: 10 1/2 × 16 1/8 inches (26.7 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

417. Pacific Overtures - or - A Flight from St. Clouds - "Over the Water to Charley" - A New Dramatic Peace now Rehearsing

Creator:: James Gillray, 1756–1815
Date:: 1806
Materials & Techniques:: Etching with hand-coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 3/4 × 17 3/4 inches (32.4 × 45.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

418. Le Diable - Boiteux - or - The Devil Upon Two Sticks, Conveying John Bull, to the Land of Promise

Creator:: James Gillray, 1756–1815
Date:: 1806
Materials & Techniques:: Etching on medium, slightly textured, white wove paper
Dimensions:: Sheet: 14 3/8 × 10 3/8 inches (36.5 × 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

419. Patriot's Deciding a Point of Honor! - or - An Exact Representation of the Celebrated Rencontre which Took Place at Combe Wood at May 2nd 1807 - Between Little-Paul the Taylor and Sir Francis Goose

Creator:: James Gillray, 1756–1815
Date:: 1807
Materials & Techniques:: Etching with hand-coloring in watercolor on medium, smooth, cream wove paper
Dimensions:: Sheet: 10 3/8 × 14 7/8 inches (26.4 × 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

420. The Nursery, with, Britannia Reposing in Peace

Creator:: James Gillray, 1756–1815
Date:: 1802
Materials & Techniques:: Etching with hand-coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/8 × 14 inches (25.7 × 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

421. The Apotheosis of the Corsican Phoenix

Creator:: James Gillray, 1756–1815
Date:: 1808
Materials & Techniques:: Etching and aquatint in black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 5/8 × 13 1/8 inches (37.1 × 33.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

422. Patriotic-Petitions on the Convention/ the Cockney Petition; The Westminster Petition, The Chelmsford Petition, the Middlesex Petition

Creator:: James Gillray, 1756–1815
Date:: 1808
Materials & Techniques:: Etching with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 × 16 1/2 inches (30.5 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

423. Introduction of Citizen Volpone - and His Suite, at Paris

Creator:: James Gillray, 1756–1815
Date:: 1802
Materials & Techniques:: Etching with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 7/8 × 13 3/4 inches (25.1 × 34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

424. German - Nonchalence: - or - The Vexation of Little Boney.

Creator:: James Gillray, 1756–1815
Date:: 1803
Materials & Techniques:: Etching with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 × 13 7/8 inches (25.4 × 35.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

425. The Apples and The Horse-Turds: - or - Bonaparte, among the Golden Pippins

Creator:: James Gillray, 1756–1815
Date:: 1800
Materials & Techniques:: Etching with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/4 × 13 7/8 inches (26 × 35.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

426. Confederated- Coalitions; or, The Giant's Storming Heaven, With the Gods Alarmed for their Everlasting Abodes.

Creator:: James Gillray, 1756–1815
Date:: 1804
Materials & Techniques:: Etching with hand coloring in watercolor on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 18 1/4 × 14 1/4 inches (46.4 × 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

427. Overthrow of the Republican-Babel

Creator:: James Gillray, 1756–1815
Date:: 1809
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 19 5/8 × 14 1/2 inches (49.8 × 36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

428. True Reform of Parliament, i.e. - Patriots Lighting a Revolutionary Bonfire in New Palace Yard.

Creator:: James Gillray, 1756–1815
Date:: 1809
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/4 × 19 1/2 inches (36.2 × 49.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

429. An Old English-Gentleman pester'd by Servants wanting Places

Creator:: James Gillray, 1756–1815
Date:: 1809
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 5/8 × 15 5/8 inches (29.5 × 39.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

430. British Tars Towing the Danish Fleet into Harbour; The Broad Bottom Leviathan Trying to Swamp Billy's Old Boat; and the Little Corsican Tottering on the Clouds of Ambition

Creator:: James Gillray, 1756–1815
Date:: 1807
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 × 14 7/8 inches (27.9 × 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

431. Fat Cattle, a Sketch of Tavistock Farmyard Dedicated to the Society for Improving the Breed of Cattle

Creator:: James Gillray, 1756–1815
Date:: 1802
Materials & Techniques:: Etching with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/8 × 10 inches (35.9 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

432. Sketch of the Interior of St. Stephen's, as It Now Stands. -

Creator:: James Gillray, 1756–1815
Date:: 1802
Materials & Techniques:: Etching with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 × 10 1/4 inches (35.6 × 26 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

433. Despair

Creator:: James Gillray, 1756–1815
Date:: 1802
Materials & Techniques:: Etching and aquatint with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 × 8 1/8 inches (25.4 × 20.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

434. Hope

Creator:: James Gillray, 1756–1815
Date:: 1802
Materials & Techniques:: Etching and aquatint with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 × 8 1/8 inches (25.4 × 20.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

435. Be gone Dull Care, I Prithee Begone From Me!

Creator:: James Gillray, 1756–1815
Date:: 1801
Materials & Techniques:: Etching with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 × 11 5/8 inches (25.4 × 29.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

436. Forming a Line on the Parade

Creator:: James Gillray, 1756–1815
Date:: 1801
Materials & Techniques:: Etching with hand coloring in watercolor on medium, slightly textured, white wove paper
Dimensions:: Sheet: 8 1/4 × 10 1/4 inches (21 × 26 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

437. Bologna Sausages, or Opposition Flux'd

Creator:: James Gillray, 1756–1815
Date:: 1788
Materials & Techniques:: Etching with hand coloring in watercolor on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 9 7/8 × 13 inches (25.1 × 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

438. Prince Pitt

Creator:: James Gillray, 1756–1815
Date:: 1788
Materials & Techniques:: Etching with hand coloring in watercolor on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/2 × 11 inches (47 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

439. Ten Colour Etchings Portfolio

Creator:: Print made by Stephen Buckley, born 1944
Date:: 1979
Materials & Techniques:: Portfolio of ten color-printed etchings; artist's proofs on moderately thick, moderately textured, white wove paper
Dimensions:: Overall: 11 1/2 × 10 × 3/8 inches (29.2 × 25.4 × 1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

440. An Abyssinian Breakfast

Creator:: Print made by Isaac Cruikshank, 1764–1811
Date:: 1791
Materials & Techniques:: Etching and sitpple engraving, hand-colored on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 11 3/16 × 13 15/16 inches (28.4 × 35.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

441. The Pigs Possessed: - or - The Broad Bottom'd Litter Running Headlong into Ye Sea of Perdition. A Supplement to More Pigs thanTeats

Creator:: James Gillray, 1756–1815
Date:: ca. 1808
Materials & Techniques:: Etching in black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 20 1/2 × 14 3/8 inches (52.1 × 36.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

442. The New Speaker (i.e. The Law Chick) Between the Hawks and Buzzards - Poor Little Michee!- Just Mounting, and then Funk'd and Frighten'd Out of All His Hopes (from: Caricature, vol. 1)

Creator:: James Gillray, 1756–1815
Date:: 1800
Materials & Techniques:: Etching with hand-coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 × 9 5/8 inches (35.6 × 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

443. Tramps Resting

Creator:: Print made by Sir Frank William Brangwyn, 1867–1956
Date:: 1882-1956
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 17 3/4 × 23 1/2 inches (45.1 × 59.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald and Willi Holden

444. Saint Enoch's Square No. 22 (Glasgow)

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: 1891
Materials & Techniques:: Etching on medium, slightly textured, cream laid paper
Dimensions:: Plate: 4 15/16 x 7in. (12.5 x 17.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Edwin M. Herr, Yale PhD 1884, Memorial Collection; Gift of Mrs. Herr, transfer from the Yale University Art Gallery

445. Railway and Commercial Hotel, Stirling

Creator:: Print made by Susan Fletcher Crawford, active 1892–died 1919
Date:: undated
Materials & Techniques:: Etching and drypoint print on medium, smooth, cream laid paper
Dimensions:: Sheet: 9 5/16 x 11 5/8 inches (23.6 x 29.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

446. St. Mary's, Nottingham

Creator:: Print made by Frederick Landseer Maur Griggs, 1876–1938
Date:: 1929
Materials & Techniques:: Etching; 3rd state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 3/8 × 18 1/2 inches (31.4 × 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

447. St. Mary's, Nottingham

Creator:: Print made by Frederick Landseer Maur Griggs, 1876–1938
Date:: 1929
Materials & Techniques:: Etching; 4th state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 7/8 × 11 1/2 inches (22.5 × 29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

448. The Maypole Inn

Creator:: Print made by Frederick Landseer Maur Griggs, 1876–1938
Date:: 1929
Materials & Techniques:: Etching; 3rd state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 5/8 × 13 1/8 inches (24.4 × 33.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

449. The Falcon

Creator:: Print made by Edward Julius Detmold, 1883–1957
Date:: 1904
Materials & Techniques:: Etching on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 15 5/16 x 13 1/16 inches (38.9 x 33.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection; Gift of Isabelle Hollister Tuttle for the Emerson Tuttle Memorial Collection

450. Phoenix

Creator:: Print made by Edward Julius Detmold, 1883–1957
Date:: 1899
Materials & Techniques:: Etching with colored ink on moderately thick, slightly textured, beige Asian paper
Dimensions:: Sheet: 13 7/16 x 10 1/8 inches (34.2 x 25.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

451. Evening Quiet

Creator:: Print made by Edward Julius Detmold, 1883–1957
Date:: undated
Materials & Techniques:: Etching and drypoint on medium, slightly textured, cream Japanese paper
Dimensions:: Sheet: 12 1/4 x 16 15/16 inches (31.1 x 43.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

452. The Maypole Inn

Creator:: Print made by Frederick Landseer Maur Griggs, 1876–1938
Date:: 1929
Materials & Techniques:: Etching; 6th state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 1/4 × 13 5/8 inches (26 × 34.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

453. Tattershall

Creator:: Print made by Frederick Landseer Maur Griggs, 1876–1938
Date:: 1930
Materials & Techniques:: Etching; 3rd state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 3/4 × 16 3/4 inches (29.8 × 42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

454. Lone-End

Creator:: Print made by Frederick Landseer Maur Griggs, 1876–1938
Date:: 1930
Materials & Techniques:: Etching; 3rd state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 1/8 × 13 5/8 inches (25.7 × 34.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

455. Ragdale Hall

Creator:: Print made by Frederick Landseer Maur Griggs, 1876–1938
Date:: 1931
Materials & Techniques:: Etching; 5th state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 × 10 inches (17.8 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

456. Lanterns of Sarras

Creator:: Print made by Frederick Landseer Maur Griggs, 1876–1938
Date:: 1932
Materials & Techniques:: Etching; 4th state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 × 7 1/4 inches (27.9 × 18.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

457. Palace Court

Creator:: Print made by Frederick Landseer Maur Griggs, 1876–1938
Date:: 1933
Materials & Techniques:: Etching; 3rd state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 3/8 × 7 inches (26.4 × 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

458. The Trent

Creator:: Print made by Frederick Landseer Maur Griggs, 1876–1938
Date:: 1933
Materials & Techniques:: Etching; 3rd state on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 6 3/8 × 9 3/4 inches (16.2 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

459. March Morning

Creator:: Print made by Paul Drury, 1903–1987
Date:: 1933
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 11/16 x 9 inches (19.6 x 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

460. Memory of Clavering

Creator:: Print made by Frederick Landseer Maur Griggs, 1876–1938
Date:: 1934
Materials & Techniques:: Etching; 3rd state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 1/4 × 9 1/2 inches (18.4 × 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

461. Memory of Clavering

Creator:: Print made by Frederick Landseer Maur Griggs, 1876–1938
Date:: 1934
Materials & Techniques:: Etching; 4th state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 1/4 × 9 1/2 inches (15.9 × 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

462. The Cross Hands

Creator:: Print made by Frederick Landseer Maur Griggs, 1876–1938
Date:: 1935
Materials & Techniques:: Etching; 3rd state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 1/4 × 9 1/2 inches (18.4 × 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

463. The Cross Hands

Creator:: Print made by Frederick Landseer Maur Griggs, 1876–1938
Date:: 1935
Materials & Techniques:: Etching; 3rd state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 1/4 × 9 1/2 inches (18.4 × 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

464. Netherton Chapel

Creator:: Print made by Frederick Landseer Maur Griggs, 1876–1938
Date:: 1935
Materials & Techniques:: Etching; 5th state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/2 × 6 3/8 inches (21.6 × 16.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

465. Syde

Creator:: Print made by Frederick Landseer Maur Griggs, 1876–1938
Date:: 1936
Materials & Techniques:: Etching; 4th state on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 12 7/8 × 10 inches (32.7 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

466. St. Botolph's Bridge No. 2

Creator:: Print made by Frederick Landseer Maur Griggs, 1876–1938
Date:: 1937
Materials & Techniques:: Etching; 3rd state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/4 × 9 inches (28.6 × 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

467. St. Botolph's Bridge No. 2

Creator:: Print made by Frederick Landseer Maur Griggs, 1876–1938
Date:: 1937
Materials & Techniques:: Etching; 2nd state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 1/4 × 10 3/8 inches (36.2 × 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

468. Sunset off Arran

Creator:: Joseph Gray, 1890–1962
Date:: 1926
Materials & Techniques:: Etching and drypoint on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 9 11/16 x 14 13/16 inches (24.6 x 37.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

469. Derwentwater from Ashness Bridge

Creator:: Reginald Green, active 1910–1955
Date:: undated
Materials & Techniques:: Etching and drypoint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 9/16 x 10 9/16 inches (39.5 x 26.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

470. Portrait

Creator:: Print made by unknown artist
Date:: 1923
Materials & Techniques:: Etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 11 1/8 x 7 1/2 inches (28.2 x 19 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection; Gift of Isabelle Hollister Tuttle for the Emerson Tuttle Memorial Collection

471. Lizette et Pierre

Creator:: William Lee Hankey, 1869–1952
Date:: 1918
Materials & Techniques:: Etching and drypoint on thick, slightly textured, white wove paper
Dimensions:: Sheet: 15 5/16 x 11 1/8 inches (38.9 x 28.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

472. Ragged Sails, II

Creator:: Print made by Ernest Stephen Lumsden, 1883–1948
Date:: 1925
Materials & Techniques:: Etching and drypoint, with open biting on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 1/8 × 17 1/2 inches (33.3 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

473. Hermon, Cavalry Moving on Damascus

Creator:: Print made by James McBey, 1883–1959
Date:: 1921
Materials & Techniques:: Etching and drypoint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 3/8 × 17 1/4 inches (28.9 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection; Gift of Janet & James E. Sale, B.A. 1960

474. Palestine, Blue Bonnets over the Border

Creator:: Print made by James McBey, 1883–1959
Date:: 1920
Materials & Techniques:: Etching on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 1/4 × 16 1/2 inches (26 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

475. Gale at Port Errol

Creator:: Print made by James McBey, 1883–1959
Date:: 1922
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 17 1/2 × 11 7/8 inches (44.5 × 30.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

476. Venetian Night

Creator:: Print made by James McBey, 1883–1959
Date:: 1930
Materials & Techniques:: Etching on medium, rough, beige laid paper
Dimensions:: Sheet: 14 1/4 × 19 3/8 inches (36.2 × 49.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

477. Farewell to Venice

Creator:: Print made by James McBey, 1883–1959
Date:: 1925
Materials & Techniques:: Etching on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 1/4 × 20 5/8 inches (38.7 × 52.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

478. Strange Signals

Creator:: Print made by James McBey, 1883–1959
Date:: 1919
Materials & Techniques:: Etching on medium, slightly textured, cream laid paper
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

479. New Mackrel, New Mackrel

Creator:: Print made by Niccoló Schiavonetti, 1771–1813
Date:: 1795
Materials & Techniques:: Color printed etching, aquatint, and stipple engraving with handcoloring in water color on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/8 × 15 1/8 inches (46 × 38.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection; Bequest of Doris M. Brixey

480. The Frigidarium of the Baths of Caracalla

Creator:: Print made by William Walcot, 1874–1943
Date:: 1919
Materials & Techniques:: Etching, aquatint, and drypoint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 23 3/4 × 32 1/2 inches (60.3 × 82.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

481. Venus Lamenting the Death of Adonis

Creator:: Print made by Mathieu Liart, 1736–1782
Date:: 1783
Materials & Techniques:: Etching and line engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Mount: 21 1/4 × 29 7/8 inches (54 × 75.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

482. David Strang No. 2

Creator:: Print made by William Strang, 1859–1921
Date:: 1919
Materials & Techniques:: Etching on moderately thick, smooth, cream laid paper
Dimensions:: Sheet: 10 × 7 inches (25.4 × 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

483. The Mark of the Beast

Creator:: Print made by William Strang, 1859–1921
Date:: 1900
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 1/2 × 7 1/2 inches (24.1 × 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection; Gift of Dr. Harrison Wood

484. In the Rukh

Creator:: Print made by William Strang, 1859–1921
Date:: 1900
Materials & Techniques:: Etching on thin, slightly textured, beige modern laid paper
Dimensions:: Sheet: 8 3/4 × 10 1/2 inches (22.2 × 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection; Gift of Dr. Harrison Wood

485. Without Benefit of Clergy

Creator:: Print made by William Strang, 1859–1921
Date:: 1900
Materials & Techniques:: Etching and aquatint on medium, smooth, beige laid paper
Dimensions:: Sheet: 8 5/8 × 10 7/8 inches (21.9 × 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection; Gift of Dr. Harrison Wood

486. My Friend in Soho

Creator:: Print made by William Strang, 1859–1921
Date:: 1901
Materials & Techniques:: Etching and aquatint on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 9 3/4 × 8 1/2 inches (24.8 × 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

487. Ghent Gate, Bruges

Creator:: Print made by William Strang, 1859–1921
Date:: 1898
Materials & Techniques:: Etching on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 9 3/4 × 8 inches (24.8 × 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

488. At the House of a Patrician

Creator:: Print made by William Walcot, 1874–1943
Date:: 1913
Materials & Techniques:: Etching and aquatint on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 31 × 27 inches (78.7 × 68.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

489. Gainsborough

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: undated
Materials & Techniques:: Stipple engraving and etching on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 12 1/2 x 9 5/8 inches (31.7 x 24.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

490. Old Castle of Gloom (Castle Campbell)

Creator:: Print made by Susan Fletcher Crawford, active 1892–died 1919
Date:: undated
Materials & Techniques:: Etching and drypoint print on medium, smooth, cream laid paper
Dimensions:: Sheet: 13 1/4 x 8 1/2 inches (33.7 x 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

491. Argyle's Lodgings, Stirling

Creator:: Print made by Susan Fletcher Crawford, active 1892–died 1919
Date:: undated
Materials & Techniques:: Etching and drypoint on medium, smooth, cream laid paper
Dimensions:: Sheet: 10 7/16 x 8 3/16 inches (26.5 x 20.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

492. Title Page for "A Father's Memoirs of his Child" by B. Malkin

Creator:: Print made by Robert Hartley Cromek, 1770–1812
Date:: 1806
Materials & Techniques:: Etching and stipple engraving on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 8 3/8 × 5 3/8 inches (21.2 × 13.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Charles J. Rosenbloom, B.A. 1920

493. Sarras

Creator:: Frederick Landseer Maur Griggs, 1876–1938
Date:: between 1926 and 1928
Materials & Techniques:: Etching; 8th state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/8 × 14 3/8 inches (25.7 × 36.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

494. St. Ippolyts

Creator:: Print made by Frederick Landseer Maur Griggs, 1876–1938
Date:: 1927
Materials & Techniques:: Etching; 1st state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 5/8 × 6 1/4 inches (19.4 × 15.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

495. Castor

Creator:: Print made by Frederick Landseer Maur Griggs, 1876–1938
Date:: 1927
Materials & Techniques:: Etching; 3rd state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 3/4 × 7 3/4 inches (27.3 × 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

496. St. Ippolyts

Creator:: Print made by Frederick Landseer Maur Griggs, 1876–1938
Date:: 1927
Materials & Techniques:: Etching; 3rd state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 × 7 inches (22.9 × 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

497. Castor

Creator:: Print made by Frederick Landseer Maur Griggs, 1876–1938
Date:: 1927
Materials & Techniques:: Etching; 6th state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 1/4 × 7 1/4 inches (23.5 × 18.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

498. Launds

Creator:: Print made by Frederick Landseer Maur Griggs, 1876–1938
Date:: 1928
Materials & Techniques:: Etching; 5th state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 7/8 × 9 7/8 inches (17.5 × 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

499. Peacocks

Creator:: Print made by Edward Julius Detmold, 1883–1957
Date:: 1905
Materials & Techniques:: Etching and drypoint on medium, slightly textured, beige Asian paper
Dimensions:: Sheet: 12 3/16 x 9 1/16 inches (30.9 x 23 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

500. Inner Quadrangle, Queen's College, Oxford

Creator:: Bernard Eyre Walker, 1886–ca. 1940
Date:: undated
Materials & Techniques:: Drypoint and etching on thin, smooth, beige Asian paper
Dimensions:: Sheet: 14 3/16 x 10 inches (36 x 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

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401. The high-Flying Candidate (i.e. Little Paul-Goose) Mounting from a Blanket

402. The Bear and His Leader. --"What tho' I am Obliged to Dance A Bear, A Man may be a Gentleman for That, --My Bear Ever Dances to the Genteelest of Tunes"

403. Comfort's of a Bed of Roses; Vide Charley's Elucidation of Lord C(a)stl(e) R(ea)gh's Speech! --A Nightly Scene near Cleveland Row

404. The New Dynasty; or the Little Corsican Gardener Planting a Royal Pippin-Tree. -All the Talents (Busy in) are Clearing the Ground of the Old Timber.

405. The Man of Feeling, in Search of Indispensibles: - A Scene at the Little French Milleners

406. Half Natural

407. Pen-etration

408. Citizens Visiting the Bastille, - Vide. Democratic Charities. -

409. Pizarro, Contemplating (over) The Product of His Peruvian Mine.

410. The Introduction of the Pope to the Convocation at Oxford, By the Cardinal Broad Bottom.

411. Pillars of the Constitution - Three O'Clock and A Cloudy Morning

412. Spanish Patriots Attacking the French Banditti - Loyal Britons Lending a Lift!

413. Delicious Dreams! Castles in the Air! Glorious Prospects!

414. Delicious Weather

415. Stanford, the Seat of Sir Edward Winnington, Baronet

416. Westminster-Conscripts under the Training Act

417. Pacific Overtures - or - A Flight from St. Clouds - "Over the Water to Charley" - A New Dramatic Peace now Rehearsing

418. Le Diable - Boiteux - or - The Devil Upon Two Sticks, Conveying John Bull, to the Land of Promise

419. Patriot's Deciding a Point of Honor! - or - An Exact Representation of the Celebrated Rencontre which Took Place at Combe Wood at May 2nd 1807 - Between Little-Paul the Taylor and Sir Francis Goose

420. The Nursery, with, Britannia Reposing in Peace

421. The Apotheosis of the Corsican Phoenix

422. Patriotic-Petitions on the Convention/ the Cockney Petition; The Westminster Petition, The Chelmsford Petition, the Middlesex Petition

423. Introduction of Citizen Volpone - and His Suite, at Paris

424. German - Nonchalence: - or - The Vexation of Little Boney.

425. The Apples and The Horse-Turds: - or - Bonaparte, among the Golden Pippins

426. Confederated- Coalitions; or, The Giant's Storming Heaven, With the Gods Alarmed for their Everlasting Abodes.

427. Overthrow of the Republican-Babel

428. True Reform of Parliament, i.e. - Patriots Lighting a Revolutionary Bonfire in New Palace Yard.

429. An Old English-Gentleman pester'd by Servants wanting Places

430. British Tars Towing the Danish Fleet into Harbour; The Broad Bottom Leviathan Trying to Swamp Billy's Old Boat; and the Little Corsican Tottering on the Clouds of Ambition

431. Fat Cattle, a Sketch of Tavistock Farmyard Dedicated to the Society for Improving the Breed of Cattle

432. Sketch of the Interior of St. Stephen's, as It Now Stands. -

433. Despair

434. Hope

435. Be gone Dull Care, I Prithee Begone From Me!

436. Forming a Line on the Parade

437. Bologna Sausages, or Opposition Flux'd

438. Prince Pitt

439. Ten Colour Etchings Portfolio

440. An Abyssinian Breakfast

441. The Pigs Possessed: - or - The Broad Bottom'd Litter Running Headlong into Ye Sea of Perdition. A Supplement to More Pigs thanTeats

442. The New Speaker (i.e. The Law Chick) Between the Hawks and Buzzards - Poor Little Michee!- Just Mounting, and then Funk'd and Frighten'd Out of All His Hopes (from: Caricature, vol. 1)

443. Tramps Resting

444. Saint Enoch's Square No. 22 (Glasgow)

445. Railway and Commercial Hotel, Stirling

446. St. Mary's, Nottingham

447. St. Mary's, Nottingham

448. The Maypole Inn

449. The Falcon

450. Phoenix

451. Evening Quiet

452. The Maypole Inn

453. Tattershall

454. Lone-End

455. Ragdale Hall

456. Lanterns of Sarras

457. Palace Court

458. The Trent

459. March Morning

460. Memory of Clavering

461. Memory of Clavering

462. The Cross Hands

463. The Cross Hands

464. Netherton Chapel

465. Syde

466. St. Botolph's Bridge No. 2

467. St. Botolph's Bridge No. 2

468. Sunset off Arran

469. Derwentwater from Ashness Bridge

470. Portrait

471. Lizette et Pierre

472. Ragged Sails, II

473. Hermon, Cavalry Moving on Damascus

474. Palestine, Blue Bonnets over the Border