Albion Compelling the Four Zoas to Their Proper Tasks
1804 to 1810
203
William Blake, 1757–1827
Copy of the Laocoön, for Rees's Cyclopædia
1815
204
William Blake, 1757–1827
Socrates, a Visionary Head
ca. 1820
205
William Blake, 1757–1827
Study for a Destroying Deity
1820 to 1825
206
Print made by William Blake, 1757–1827
Pity
ca. 1795
207
William Blake, 1757–1827
The Man Sweeping the Interpreter's Parlour
ca. 1822
208
William Blake, 1757–1827
Moses Receiving the Law
ca. 1780
209
William Blake, 1757–1827
A Woody Landscape
ca. 1801
210
William Blake, 1757–1827
Tiriel Supporting the Dying Myratana and Cursing His Sons
1786 to 1789
211
William Blake, 1757–1827
Mary Magdalen at the Sepulchre
ca. 1805
212
William Blake, 1757–1827
Five Visionary Heads of Women
1819 to 1820
213
William Blake, 1757–1827
The Parable of the Wise and Foolish Virgins
ca. 1825
214
William Blake, 1757–1827
The Widow Embracing Her Husband's Grave
1805 to 1808
215
William Blake, 1757–1827
The Gambols of Ghosts According with Their Affections Previous to the Final Judgement
1805 to 1808
216
William Blake, 1757–1827
An Angel with a Trumpet
between 1805 and 1808
217
William Blake, 1757–1827
A Visionary Head
1819 to 1820
218
Print made by William Blake, 1757–1827
Christ Appearing to the Apostles after the Resurrection
1795 to 1805
219
William Blake, 1757–1827
Illustrations of Imitation of Eclogue I, Frontispiece
1821
220
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 25, "Behold him, when past by; what then is seen"
ca. 1797
221
William Blake, 1757–1827
An Essay on Sculpture on a Series of Epistles to John Flaxman
1800
222
William Blake, 1757–1827
An Essay on Sculpture on a Series of Epistles to John Flaxman
1800
223
William Blake, 1757–1827
An Essay on Sculpture on a Series of Epistles to John Flaxman
1800
224
Print made by William Blake, 1757–1827
Publius Virgilius Maro
1821
225
William Blake, 1757–1827
Beggar's Opera, Act III
c.1790
226
William Blake, 1757–1827
The Book of Thel
1789
227
William Blake, 1757–1827
The [First] Book of Urizen
1794
228
William Blake, 1757–1827
For the Sexes: The Gates of Paradise, London, 1826
1826
229
William Blake, 1757–1827
Europe. A Prophecy, 1793 (printed 1795)
1793, printed 1795
230
William Blake, 1757–1827
Illustrations of the Book of Job
1825
231
Print made by William Blake, 1757–1827
Rev. John Caspar Lavater
1800
232
William Blake, 1757–1827
Chaucer's Canterbury Pilgrims
1810 to 1820
233
Print made by William Blake, 1757–1827
Spring, from Songs of Innocence
ca. 1795
234
William Blake, 1757–1827
The Shepherd, from Songs of Innocence
ca. 1795
235
unknown artist
God Creating the Universe
ca. 1800
236
John Flaxman, 1755–1826
Portrait of William Blake
ca. 1804
237
George Richmond, 1809–1896
William Blake in Youth and Age
ca. 1830
238
George Richmond, 1809–1896
Portrait of Catherine Blake
ca. 1830
239
Print made by George Richmond, 1809–1896
Reproduction of "William Blake in Youth and Age"
ca. 1830
240
Print made by George Richmond, 1809–1896
Reproduction of "William Blake in Youth and Age"
ca. 1830
241
circle of John Linnell, 1792–1882
Title Page: Illustrations of the Book of Job
after 1825
242
James Basire the younger, 1769–1822
An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The Figure of Aveline Countess of Lancaster, Cumbent on her Monument (Plate II)
1780
243
James Basire the younger, 1769–1822
An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The Under Vaulting of one side of the Canopy of the Monument of Aveline, Coutess of Lancaster (Plate III)
1780
244
James Basire the younger, 1769–1822
An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The North Front of the Monument of King Schert (Plate IV)
1780
245
James Basire the younger, 1769–1822
An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The Figures supposed to be those of King Sebert and King Henry III (Plate V)
1780
246
Attributed to Sir Joseph Ayloffe, 1709–1781
An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The Front of the Monument of Aveline, First Wife of Edmund Crouchback (Plate I)
1780
247
James Basire the younger, 1769–1822
An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: Heads and Ornaments on the North Side of the Monument of King Sebert (Plate VI)
1780
248
Engraved by James Basire the younger, 1769–1822
An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The Monument of Ann of Cleves, fourth Wife of King Henry VIII (Plate VII)
1780
249
John Linnell, 1792–1882
Illustrations of the Book of Job
undated
250
William Blake, 1757–1827
Illustrations of the Book of Job, pl. 1 (Title Page): 'Illustrations of/ the/ Book/ of/ Job'
1826
251
William Blake, 1757–1827
Illustrations of the Book of Job
1825
252
William Blake, 1757–1827
The Pastorals of Virgil, London, 1821
1821, reprinted 1977
253
Print made by William Blake, 1757–1827
The Life, and Posthumous Writings, of William Cowper, (volume 1)
1803-1804
254
William Blake, 1757–1827
The Book of Thel
1789
255
William Blake, 1757–1827
Illustrations to Dante's "Divine Comedy"
1827
256
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 1: Frontispiece: Thenot: 'Is it not Colinet I lonesome see,/ leaning with folded arms against the tree?'
1821, reprinted 1977
257
William Blake, 1757–1827
Illustrations to Dante's Divine Comedy
1827
258
Print made by William Blake, 1757–1827
William Cowper
1803-1804
259
William Blake, 1757–1827
The Triumphs of Temper
1803
260
William Blake, 1757–1827
Ballads
1805
261
William Blake, 1757–1827
A Father's Memoirs of His Child
1806
262
William Blake, 1757–1827
A Father's Memoirs of His Child
1806
263
William Blake, 1757–1827
A Father's Memoirs of His Child
1806
264
William Blake, 1757–1827
A Select Collection of English Songs
1783
265
William Blake, 1757–1827
"A Select Collection of English Songs," London, 1783
1783
266
William Blake, 1757–1827
The Triumphs of Temper
1803
267
William Blake, 1757–1827
The Life of George Romney
1809
268
William Blake, 1757–1827
Illustrations to Dante's Divine Comedy
1827
269
William Blake, 1757–1827
The Life of George Romney
1809
270
Print made by Luigi Schiavonetti, 1765–1810
William Blake, Frontispiece
1808
271
unknown artist
Songs of Innocence and Experience
ca. 1808
272
Text by Frederick Tatham, 1805–1878
Life of Blake
ca. 1832
273
George Cumberland, 1754–1848
Thoughts on outline, sculpture, and the system that guided the ancient artists in composing their figures and groupes..
1796
274
Attributed to George Cumberland, 1754–1848
Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
1796
275
Prints made by Luigi Schiavonetti, 1765–1810
The Grave, A Poem, by Robert Blair
1808
276
Prints made by Luigi Schiavonetti, 1765–1810
The Grave, A Poem, by Robert Blair
1808
277
unknown artist
Songs of Innocence and of Experience
ca. 1808
278
Print made by Luigi Schiavonetti, 1765–1810
William Blake, Frontispiece
1808
279
Print made by Luigi Schiavonetti, 1765–1810
William Blake, Frontispiece
1808
280
George Cumberland, 1754–1848
Thoughts on outline, sculpture, and the system that guided the ancient artists in composing their figures and groupes..
1796
281
Christian Gotthilf Salzmann, 1744–1811
Gymnastics for Youth
1800
282
Prints made by Luigi Schiavonetti, 1765–1810
The Grave, A Poem, by Robert Blair
1808
283
Christian Gotthilf Salzmann, 1744–1811
Gymnastics for Youth
1800
284
George Cumberland, 1754–1848
Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
1796
285
Text by John Gay, 1685–1732
Fables by John Gay, with a Life of the Author and Embellished with Seventy Plates, Volume 1
1793
286
Published by John Stockdale, ca. 1749–1814
Fables by John Gay, with a Life of the Author and Embellished with Seventy Plates, Volume 2